J M W Turner Collection (#9)

Turin: From the Church of the Superga, 1909. Artist: JMW Turner
Turin: From the Church of the Superga, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Goarhausen and Katz Castle, 1909. Artist: JMW Turner
Goarhausen and Katz Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Seelisberg: Moonlight, 1909. Artist: JMW Turner
The Seelisberg: Moonlight, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Schaaffhausen: The Town, 1909. Artist: JMW Turner
Schaaffhausen: The Town, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lausanne: From Le Signal, 1909. Artist: JMW Turner
Lausanne: From Le Signal, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Distant View of Lichfield Cathedral, 1909. Artist: JMW Turner
Distant View of Lichfield Cathedral, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Pent, Dover, 1909. Artist: JMW Turner
The Pent, Dover. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Peterborough Cathedral from the North, 1909. Artist: JMW Turner
Peterborough Cathedral from the North, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Mouth of the Avon, 1909. Artist: JMW Turner
The Mouth of the Avon, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Archbishops Palace, Lambeth, 1909. Artist: JMW Turner
The Archbishops Palace, Lambeth, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Burg Eltz and Trutz Eltz from the North, 1840. Artist: JMW Turner
Burg Eltz and Trutz Eltz from the North, 1840. Painting housed at the Tate Britain, London. From The Connoisseur Volume 96, edited by Edward Wenham. [International Studio, London, 1934-35]

The Sun of Venice Going to Sea, exhibited 1843, (1937) Artist: JMW Turner
The Sun of Venice Going to Sea, exhibited 1843. After an original work by Joseph Mallord William Turner (1775?1851). Original housed in the Tate, London. From The Studio Vol

Kirby Lonsdale Church Yard, 19th century. Artist: C Heath
Kirby Lonsdale Church Yard, 19th century. After an original painting of c1818 by JMW Turner

Abingdon, 19th century. Artist: C Cousen
Abingdon, 19th century. After an original painting of c1806 by JMW Turner

Heidelberg, 19th century. Artist: TA Prior
Heidelberg, 19th century. View of the German city of Heidelberg. After an original painting of c1844-c1845 by JMW Turner

The Opening of the Walhalla, 19th century. Artist: C Cousen
The Opening of the Walhalla, 19th century. A view of the River Danube near Regensburg, Bavaria, showing the Neoclassical Walhalla Temple on the riverbank

The Lake of Lucerne, 19th century. Artist: R Wallis
The Lake of Lucerne, 19th century. After an original painting by JMW Turner

Whitstable, Kent, 19th century. Artist: J Horsburgh
Whitstable, Kent, 19th century. View towards the town with people working on the oyster beds. After an original painting by JMW Turner

Rocks at Colgong on the Ganges, India, 1838. Artist: Edward Goodall
Rocks at Colgong on the Ganges, India, 1838

JMW Turner, British artist, 19th century (1956). Known as the painter of light, Joseph Mallord William Turner (1775-1851) is regarded as posibly the greatest British landscape painter

Joseph Mallord William Turner (1775-1851), English artist, 1891. From Old and New London: a Narrative of its History, its People and its Places, volume IV, by Edward Walford

Snowy Range, India, c1860. Artist: E Goodall
Snowy Range, India, c1860. As seen from Tyne or Marma. The Indian Rebellion of 1857 began in the town of Meerut and soon erupted into other mutinies

Mussoorie and the Dhoon valley, India, c1860. Artist: James B Allen
Mussoorie and the Dhoon valley, India, c1860. As seen from Landour. The Indian Rebellion of 1857 began in the town of Meerut and soon erupted into other mutinies

Caligulas Palace and Bridge, 19th century. Artist: E Goodall
Caligulas Palace and Bridge, 19th century

The Acropolis, Athens, Greece, 19th century. Artist: J Cousins
The Acropolis, Athens, Greece, 19th century

The Landing of William of Orange at Torbay, 1688, c1920. Illustration from Story of the British Nation, Volume II, by Walter Hutchinson, (London, c1920s)

The Splugen Pass, c1841, (1938). Artist: JMW Turner
The Splugen Pass, c1841, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Sidmouth, 1825-27, (1938). Artist: JMW Turner
Sidmouth, c1825-27, (1938). Painting held at the Whitworth Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Forum Romanum, 1818, (1938). Artist: JMW Turner
Forum Romanum, 1818, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Linlithgow Palace, Scotland, c1810, (1938). Artist: JMW Turner
Linlithgow Palace, Scotland, c1810, (1938). Painting held at the Walker Art Gallery, Liverpool. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Letter from JMW Turner, c1840 (1904). Artist: JMW Turner
Letter from JMW Turner, c1840 (1904). Joseph Mallord William Turner (1775-1851) English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

A Swiss Lake, 1909. Artist: JMW Turner
A Swiss Lake, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Venice: Casa Grimani and the Rialto, 1909. Artist: JMW Turner
Venice: Casa Grimani and the Rialto. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

JMW Turners house, Thames Ditton, Surrey, 1817. Artist: I Hassell
JMW Turners house, Thames Ditton, Surrey, 1817

Rome, from the Vatican, late 19th century. Artist: A Willmore
Rome, from the Vatican, late 19th century. From the painting held in the National Gallery, London

A Country Blacksmith Disputing upon the Price of Iron... c1807. Artist: JMW Turner
A Country Blacksmith Disputing upon the Price of Iron, and the Price Charged to the Butcher for Shoeing his Poney, c1807. From the Tate collection, London

Ploughing up Turnips, near Slough, (`Windsor ), c1809. Artist: JMW Turner
Ploughing up Turnips, near Slough, (`Windsor ), c1809. From the Tate collection, London

Childe Harolds Pilgrimage, Italy, 1832. Artist: JMW Turner
Childe Harolds Pilgrimage, Italy, 1832. Scene inspired by Byrons poem. From the Tate collection, London

Apullia in Search of Appullus, c1814. Artist: JMW Turner
Apullia in Search of Appullus, c1814. A scene from Ovids Metamorphoses. Apullia is shown the olive tree into which her husband has been transformed for mocking the wood nymphs

Entrance of the Meuse... c1819. Artist: JMW Turner
Entrance of the Meuse: Orange-Merchant on the Bar, Going to Pieces; Brill Church bearing SE by S, Masensluys E by S, c1819. From the Tate collection, London

Pilate Washing his Hands, 1830. Artist: JMW Turner
Pilate Washing his Hands, 1830. Based on Rembrandts work of the same title, painted in 1663, showing Pontius Pilate, Roman Governor of Judea, washing his hands of his decision to crucify Jesus

The Bay of Baiae, with Apollo and the Sibyl, c1823. Artist: JMW Turner
The Bay of Baiae, with Apollo and the Sibyl, c1823. This scene from Ovids Metamorphoses was the first Mediterranean landscape that Turner produced after his first visit to Rome

Lucy, Countess of Carlisle, and Dorothy Percys Visit to their Father Lord Percy... c1831. Artist: JMW Turner
Lucy, Countess of Carlisle, and Dorothy Percys Visit to their Father Lord Percy, when under Attainder, c1831. Lucy Hay, Countess of Carlisle and her sister, Dorothy Percy, visiting their father

Watteau Study by Fresnoys Rules, 1831. Artist: JMW Turner
Watteau Study by Fresnoys Rules, 1831. Turners tribute to the 18th century French painter Jean-Antoine Watteau. From the Tate collection, London

Heidelberg, c1844-1845. Artist: JMW Turner
Heidelberg, c1844-1845. From the Tate collection, London

Oxford: St Marys from Oriel Lane, 1792-1793. Artist: JMW Turner
Oxford: St Marys from Oriel Lane, 1792-1793. View of the 13th century tower and 14th century spire of the University Church of St Mary the Virgin. From the Tate collection, London

Two Women with a Letter, c1830. Artist: JMW Turner
Two Women with a Letter, c1830. From the Tate collection, London

Dinner in a Great Room with Figures in Costume, c1830-1835. Artist: JMW Turner
Dinner in a Great Room with Figures in Costume, c1830-1835. From the Tate collection, London

All Professionally Made to Order for Quick Shipping

JMW Turner, a renowned British artist of the 19th century, left an indelible mark on the art world with his breathtaking masterpieces. His works captured the essence of nature and human emotions in a way that was both captivating and thought-provoking. One such masterpiece is "The Fighting Temeraire" painted in 1839. This iconic painting depicts the once majestic warship being towed away to be broken up for scrap. Turner's use of vibrant colors and dramatic lighting evokes a sense of nostalgia and melancholy. In "Whitby" from 1824, Turner showcases his ability to capture the beauty of coastal landscapes. The play between light and shadow creates a mesmerizing atmosphere that transports viewers to this picturesque seaside town. Turner's self-portrait from 1799 reveals not only his artistic talent but also hints at his introspective nature. Through loose brushstrokes and subtle expressions, he offers us a glimpse into his inner world as an artist. "Launceston, " painted in 1909, demonstrates Turner's versatility as an artist by depicting architectural elements with precision and detail. The composition exudes tranquility while showcasing the historical significance of this ancient castle. "A First Rate Taking in Stores" from 1818 showcases Turner's fascination with naval scenes. The dynamic composition captures the energy and movement associated with ships at sea, leaving viewers captivated by its sheer power. "The Angel Standing in the Sun, " created in 1846, explores spiritual themes through vivid imagery. With heavenly light illuminating divine figures against darkened skies, Turner invites contemplation on matters beyond our earthly existence. In "Ulysses Deriding Polyphemus, " painted initially in 1829 but later reworked in 1904, Turner draws inspiration from Greek mythology to create a scene filled with drama and intensity. The contrasting elements highlight Ulysses' defiance against adversity.