J M W Turner Collection (#3)

Cicero at his Villa, c. 1839 (oil on canvas)
824237 Cicero at his Villa, c.1839 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 92.7x123.2 cm; Private Collection; (add.info.: Cicero at his Villa)

The Lake of Thun, Switzerland, c. 1802-10 (watercolour)
824106 The Lake of Thun, Switzerland, c.1802-10 (watercolour) by Turner, Joseph Mallord William (1775-1851); 27.7x39 cm; Private Collection; (add.info.: The Lake of Thun, Switzerland)

JMW Turner (engraving)
812616 JMW Turner (engraving) by English School, (19th century); Private Collection; (add.info.: Joseph Mallord William Turner, English landscape painter and printmaker. Engraved by William Holl)

Chapel and Hall, Oriel College (engraving)
3631557 Chapel and Hall, Oriel College (engraving) by English School, (19th century); Private Collection; (add.info.: Chapel and Hall, Oriel College)

Christ Church, from the Meadows (engraving)
3631489 Christ Church, from the Meadows (engraving) by English School, (19th century); Private Collection; (add.info.: Christ Church, from the Meadows)

Turners House in Maiden Lane, from an original sketch (engraving)
3636489 Turners House in Maiden Lane, from an original sketch (engraving) by English School, (19th century); Private Collection; (add.info.: Turners House in Maiden Lane, from an original sketch)

Maison ou est ne Turner, 1775 (engraving)
3646114 Maison ou est ne Turner, 1775 (engraving) by French School, (19th century); Private Collection; (add.info.: Maison ou est ne Turner, 1775. Illustration for Le Magasin Pittoresque (1882)

The National Gallery: Looking at Turners Pictures (b / w photo)
3102047 The National Gallery: Looking at Turners Pictures (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The National Gallery: Looking at Turners Pictures)

Break Her Up! or, The Bad Ship Irish Church Being Towed to Her Last Home at Westminster (colour litho)
3648225 Break Her Up! or, The Bad Ship Irish Church Being Towed to Her Last Home at Westminster (colour litho) by Morgan, Matthew " Matt" Somerville (1839-90)

Dido superintending the Building of Carthage (engraving)
965733 Dido superintending the Building of Carthage (engraving) by English School, (19th century); Private Collection; (add.info.: Dido superintending the Building of Carthage)

Birthplace of J M W Turner in Maiden Lane (engraving)
560395 Birthplace of J M W Turner in Maiden Lane (engraving) by English School, (19th century); Private Collection; (add.info)

Turners House in Maiden Lane (engraving)
654174 Turners House in Maiden Lane (engraving) by English School, (19th century); Private Collection; (add.info.: Turners House in Maiden Lane)

The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour)
824111 The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour) by Turner, Joseph Mallord William (1775-1851); 22.6x28.6

House and studio of J M W Turner, Chelsea (colour photo)
3093765 House and studio of J M W Turner, Chelsea (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: House and studio of J M W Turner, Chelsea)

J M W Turner, RA (engraving)
3636800 J M W Turner, RA (engraving) by English School, (19th century); Private Collection; (add.info.: J M W Turner, RA. Illustration for Old)

Corpus Christi Library, with view of Christ Church Cathedral (engraving)
3631493 Corpus Christi Library, with view of Christ Church Cathedral (engraving) by English School, (19th century); Private Collection; (add.info.: Corpus Christi Library)

Hall of Christ Church (engraving)
3631482 Hall of Christ Church (engraving) by English School, (19th century); Private Collection; (add.info.: Hall of Christ Church)

View of Oxford from Headington Hill (engraving)
3631633 View of Oxford from Headington Hill (engraving) by English School, (19th century); Private Collection; (add.info.: View of Oxford from Headington Hill)

Farnley Hall From Above Otley, (pencil and watercolour)
651937 Farnley Hall From Above Otley, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 28.3x39.7 cm; Private Collection; (add.info.: Farnley Hall From Above Otley)

Turner (engraving)
5988928 Turner (engraving) by English School, (19th century); Private Collection; (add.info.: Turner. Engraved by W Roffe. From the statue by E Baily. Loose engraving, c 1870.); © Look and Learn

Market Street, Lichfield, (pencil and watercolour)
824143 Market Street, Lichfield, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 20.9x26.5 cm; Private Collection; (add.info.: Market Street, Lichfield)

View of the Cloisters, Salisbury Cathedral (litho)
5213779 View of the Cloisters, Salisbury Cathedral (litho) by English School, (19th century); Private Collection; (add.info.: View of the Cloisters, Salisbury Cathedral)

Self-portrait of J M W Turner (engraving)
819222 Self-portrait of J M W Turner (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Joseph Mallord William Turner, British landscape painter)

The Turner and Vernon Rooms at the South Kensington Museum (engraving)
1098538 The Turner and Vernon Rooms at the South Kensington Museum (engraving) by English School, (19th century); Private Collection; (add.info)

Portrait of Turner (engraving)
1092640 Portrait of Turner (engraving) by American School, (19th century); Private Collection; (add.info.: Portrait of Turner)

River Wye, published 1812. Creator: JMW Turner
River Wye, published 1812

Inverary Pier, published 1811. Creator: JMW Turner
Inverary Pier, published 1811

From Spensers Fairy Queen, published 1811. Creator: JMW Turner
From Spensers Fairy Queen, published 1811

Interior of a Church, published 1819. Creator: JMW Turner
Interior of a Church, published 1819

Ben Arthur, published 1819. Creator: JMW Turner
Ben Arthur, published 1819

Berry Pomeroy Castle, published 1816. Creator: JMW Turner
Berry Pomeroy Castle, published 1816

Scene in the Campagna, 1812. Creator: JMW Turner
Scene in the Campagna, 1812

The Leader Sea Piece, published 1809. Creator: JMW Turner
The Leader Sea Piece, published 1809

Scene on the French Coast, published 1807. Creator: JMW Turner
Scene on the French Coast, published 1807

Junction of Severn and Wye, published 1811. Creator: JMW Turner
Junction of Severn and Wye, published 1811

Aesacus and Hesperie, published 1816. Creator: JMW Turner
Aesacus and Hesperie, published 1816

Dumblain Abbey, published 1816. Creator: JMW Turner
Dumblain Abbey, published 1816

Jason, 1807. Creator: JMW Turner
Jason, 1807

Watercress Gatherers, published 1819. Creator: JMW Turner
Watercress Gatherers, published 1819

Procris and Cephalus, published 1812. Creator: JMW Turner
Procris and Cephalus, published 1812

The Mildmay Sea-Piece, published 1812. Creator: JMW Turner
The Mildmay Sea-Piece, published 1812

The Farm-yard with the Cock, published 1809. Creator: JMW Turner
The Farm-yard with the Cock, published 1809

Jason, published 1807. Creator: JMW Turner
Jason, published 1807

East Gate, Winchelsea, published 1819. Creator: JMW Turner
East Gate, Winchelsea, published 1819

Crypt of Kirkstall Abbey, published 1812. Creator: JMW Turner
Crypt of Kirkstall Abbey, published 1812

Moonlight on a River, 1896. Creator: Frank Short
Moonlight on a River, 1896

The Temple of Minerva Medica, published 1811. Creator: JMW Turner
The Temple of Minerva Medica, published 1811

Rispah, published 1812. Creator: JMW Turner
Rispah, published 1812

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JMW Turner, a renowned British artist of the 19th century, left an indelible mark on the art world with his breathtaking masterpieces. His works captured the essence of nature and human emotions in a way that was both captivating and thought-provoking. One such masterpiece is "The Fighting Temeraire" painted in 1839. This iconic painting depicts the once majestic warship being towed away to be broken up for scrap. Turner's use of vibrant colors and dramatic lighting evokes a sense of nostalgia and melancholy. In "Whitby" from 1824, Turner showcases his ability to capture the beauty of coastal landscapes. The play between light and shadow creates a mesmerizing atmosphere that transports viewers to this picturesque seaside town. Turner's self-portrait from 1799 reveals not only his artistic talent but also hints at his introspective nature. Through loose brushstrokes and subtle expressions, he offers us a glimpse into his inner world as an artist. "Launceston, " painted in 1909, demonstrates Turner's versatility as an artist by depicting architectural elements with precision and detail. The composition exudes tranquility while showcasing the historical significance of this ancient castle. "A First Rate Taking in Stores" from 1818 showcases Turner's fascination with naval scenes. The dynamic composition captures the energy and movement associated with ships at sea, leaving viewers captivated by its sheer power. "The Angel Standing in the Sun, " created in 1846, explores spiritual themes through vivid imagery. With heavenly light illuminating divine figures against darkened skies, Turner invites contemplation on matters beyond our earthly existence. In "Ulysses Deriding Polyphemus, " painted initially in 1829 but later reworked in 1904, Turner draws inspiration from Greek mythology to create a scene filled with drama and intensity. The contrasting elements highlight Ulysses' defiance against adversity.