J M W Turner Collection (#8)

View on Lake of Brienz, 19th century, (1910). Artist: JMW Turner
View on Lake of Brienz, 19th century, (1910). Lake Brienz is a lake just north of the Alps, in the Canton of Berne in Switzerland

Beauport, near Bexhill, 1810. Artist: JMW Turner
Beauport, near Bexhill, 1810. Painting held by Harvard Art Museums/Fogg Museum. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

Cowes, 1909. Artist: JMW Turner
Cowes, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Lake of Nemi, 1909. Artist: JMW Turner
The Lake of Nemi, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Zurich, 1909. Artist: JMW Turner
Zurich, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Marford Mill, Denbighshire, c1795. Artist: JMW Turner
Marford Mill, Denbighshire. Water-colour by J. M. W. Turner, R.A. 1923. From The Studio Volume 85. [London Offices of the Studio, London, 1923]

Turners house, Cheyne Walk, Chelsea, London, 1912. Artist: Frederick Adcock
Turners house, Cheyne Walk, Chelsea, London, 1912. The home of Joseph Mallord William Turner (1775-1851), English Romantic landscape painter, watercolourist and printmaker

Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner
Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Painting held at the Manchester Art Gallery. From A Catalogue of the Pictures

On the Rhine, c1825 (1904). Artist: JMW Turner
On the Rhine, c1825 (1904). From The Royal Academy From Reynolds to Millais Edited by Charles Holme. [Offices of The Studio, London, Paris and New York, 1904]

Music Party, East Cowes Castle, c1835. Artist: JMW Turner
Music Party, East Cowes Castle, c1835. From the Tate Gallery, London

The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). Artist: JMW Turner
The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney

J. M. W. Turner, R. A. c1842, (1911). Artist: Charles Turner
J. M. W. Turner, R.A. c1842, (1911). Joseph Mallord William Turner (1775-1851) an English Romanticist landscape painter. From Bibbys Annual 1911, [J. Bibby & Sons, Liverpool, 1911]

Hastings, 19th century, (1910). Artist: JMW Turner
Hastings, 19th century, (1910). Joseph Mallord William Turner, (1775-1851) was an English Romanticist landscape painter, renowned for his oil paintings

The approach to Venice, 1844, (1917). Artist: JMW Turner
The approach to Venice, 1844, (1917). Painting held at the National Gallery of Art, Washington. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Heidelberg With A Rainbow, c1840, (1917). Artist: JMW Turner
Heidelberg With A Rainbow, c1840, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

St. Germains, 1835. Artist: James BaylieAllen
St. Germains, 1835. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1835]

View on the Seine, between Mantes and Vernon, 1837. Artist: Edward Paxman Brandard
View on the Seine, between Mantes and Vernon, 1837. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1837]

Bridge of St. Cloud from Sevres, 1835. Artist:s Fisher
Bridge of St. Cloud from Sevres, 1835. After Joseph Mallord William Turner (1775?1851). [Longman & Co. London, 1835]

Melun, 1835. Artist:s Fisher
Melun, 1835. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1835]

Saint Denis, 1835. Artist: William Miller
Saint Denis, 1835. After Joseph Mallord William Turner (1775?1851). [Longman & Co. London, 1835]

JMW Turner, RA, (late 19th century). The celebrated landscape painter at work. From Cassells Illustrated History of England, Vol IX. (Colorised black and white print)

Winchelsea, Sussex, 1812, (1923). Artist: JMW Turner
Winchelsea, Sussex, 1812, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

The Clyde, c1807, (1923). Artist: JMW Turner
The Clyde, c1807, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

London from Greenwich Park, c1809, (1923). Artist: JMW Turner
London from Greenwich Park, c1809, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Heidelberg-Sunset, c1840, (1918). Artist: JMW Turner
Heidelberg-Sunset, c1840, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Plymouth, Devonshire, c1830. Artist: JMW Turner
Plymouth, Devonshire, c1830. From The Connoisseur Volume LXXX. [The Connoisseur Ltd. London, 1928]

Drawing Room, Farnley, 1818. Artist: JMW Turner
Drawing Room, Farnley, 1818. Farnley Hall is a stately home in Farnley, North Yorkshire, England. From The Studio Volume 55, [London Offices of the Studio, London, 1912]

Devonshire Bridge with Cottage, 1813. Artist: JMW Turner
Devonshire Bridge with Cottage, 1813. Painting held at The Tate, London. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Turin: From the Church of the Superga, 1909. Artist: JMW Turner
Turin: From the Church of the Superga, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Goarhausen and Katz Castle, 1909. Artist: JMW Turner
Goarhausen and Katz Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Seelisberg: Moonlight, 1909. Artist: JMW Turner
The Seelisberg: Moonlight, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Schaaffhausen: The Town, 1909. Artist: JMW Turner
Schaaffhausen: The Town, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lausanne: From Le Signal, 1909. Artist: JMW Turner
Lausanne: From Le Signal, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Distant View of Lichfield Cathedral, 1909. Artist: JMW Turner
Distant View of Lichfield Cathedral, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Pent, Dover, 1909. Artist: JMW Turner
The Pent, Dover. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Peterborough Cathedral from the North, 1909. Artist: JMW Turner
Peterborough Cathedral from the North, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Mouth of the Avon, 1909. Artist: JMW Turner
The Mouth of the Avon, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Archbishops Palace, Lambeth, 1909. Artist: JMW Turner
The Archbishops Palace, Lambeth, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Burg Eltz and Trutz Eltz from the North, 1840. Artist: JMW Turner
Burg Eltz and Trutz Eltz from the North, 1840. Painting housed at the Tate Britain, London. From The Connoisseur Volume 96, edited by Edward Wenham. [International Studio, London, 1934-35]

The Sun of Venice Going to Sea, exhibited 1843, (1937) Artist: JMW Turner
The Sun of Venice Going to Sea, exhibited 1843. After an original work by Joseph Mallord William Turner (1775?1851). Original housed in the Tate, London. From The Studio Vol

Kirby Lonsdale Church Yard, 19th century. Artist: C Heath
Kirby Lonsdale Church Yard, 19th century. After an original painting of c1818 by JMW Turner

Abingdon, 19th century. Artist: C Cousen
Abingdon, 19th century. After an original painting of c1806 by JMW Turner

Heidelberg, 19th century. Artist: TA Prior
Heidelberg, 19th century. View of the German city of Heidelberg. After an original painting of c1844-c1845 by JMW Turner

The Opening of the Walhalla, 19th century. Artist: C Cousen
The Opening of the Walhalla, 19th century. A view of the River Danube near Regensburg, Bavaria, showing the Neoclassical Walhalla Temple on the riverbank

The Lake of Lucerne, 19th century. Artist: R Wallis
The Lake of Lucerne, 19th century. After an original painting by JMW Turner

Whitstable, Kent, 19th century. Artist: J Horsburgh
Whitstable, Kent, 19th century. View towards the town with people working on the oyster beds. After an original painting by JMW Turner

Rocks at Colgong on the Ganges, India, 1838. Artist: Edward Goodall
Rocks at Colgong on the Ganges, India, 1838

JMW Turner, British artist, 19th century (1956). Known as the painter of light, Joseph Mallord William Turner (1775-1851) is regarded as posibly the greatest British landscape painter

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JMW Turner, a renowned British artist of the 19th century, left an indelible mark on the art world with his breathtaking masterpieces. His works captured the essence of nature and human emotions in a way that was both captivating and thought-provoking. One such masterpiece is "The Fighting Temeraire" painted in 1839. This iconic painting depicts the once majestic warship being towed away to be broken up for scrap. Turner's use of vibrant colors and dramatic lighting evokes a sense of nostalgia and melancholy. In "Whitby" from 1824, Turner showcases his ability to capture the beauty of coastal landscapes. The play between light and shadow creates a mesmerizing atmosphere that transports viewers to this picturesque seaside town. Turner's self-portrait from 1799 reveals not only his artistic talent but also hints at his introspective nature. Through loose brushstrokes and subtle expressions, he offers us a glimpse into his inner world as an artist. "Launceston, " painted in 1909, demonstrates Turner's versatility as an artist by depicting architectural elements with precision and detail. The composition exudes tranquility while showcasing the historical significance of this ancient castle. "A First Rate Taking in Stores" from 1818 showcases Turner's fascination with naval scenes. The dynamic composition captures the energy and movement associated with ships at sea, leaving viewers captivated by its sheer power. "The Angel Standing in the Sun, " created in 1846, explores spiritual themes through vivid imagery. With heavenly light illuminating divine figures against darkened skies, Turner invites contemplation on matters beyond our earthly existence. In "Ulysses Deriding Polyphemus, " painted initially in 1829 but later reworked in 1904, Turner draws inspiration from Greek mythology to create a scene filled with drama and intensity. The contrasting elements highlight Ulysses' defiance against adversity.