J M W Turner Collection (#10)

Heidelberg, c1844-1845. Artist: JMW Turner
Heidelberg, c1844-1845. From the Tate collection, London

Oxford: St Marys from Oriel Lane, 1792-1793. Artist: JMW Turner
Oxford: St Marys from Oriel Lane, 1792-1793. View of the 13th century tower and 14th century spire of the University Church of St Mary the Virgin. From the Tate collection, London

Two Women with a Letter, c1830. Artist: JMW Turner
Two Women with a Letter, c1830. From the Tate collection, London

Dinner in a Great Room with Figures in Costume, c1830-1835. Artist: JMW Turner
Dinner in a Great Room with Figures in Costume, c1830-1835. From the Tate collection, London

Between Quillebeuf and Villequier, c1832. Artist: JMW Turner
Between Quillebeuf and Villequier, c1832. From the Tate collection, London

Lake, Scotland, 1801-1802. Artist: JMW Turner
Lake, Scotland, 1801-1802. From the Tate collection

San Giorgio Maggiore from the Dogana, 1819. Artist: JMW Turner
San Giorgio Maggiore from the Dogana, 1819. From the Tate collection

Venice, the Piazzetta with the Ceremony of the Doge Marrying the Sea, c1835. Artist: JMW Turner
Venice, the Piazzetta with the Ceremony of the Doge Marrying the Sea, c1835. From the Tate collection

The Pyramids, Giza, Egypt, 19th century. Artist: E Finden
The Pyramids, Giza, Egypt, 19th century

Third Eddystone lighthouse, 19th century. Built by the English civil engineer John Smeaton (1724-1792) between 1757 and 1759, this was the third lighthouse to be sited on Eddystone Rocks

Constance, 1842. Artist: JMW Turner
Constance, 1842

The Santa Maria della Salute, Venice, at night, 1840. Artist: JMW Turner
The Santa Maria della Salute, Venice, at night, 1840. From the Tate Gallery, London

More Park near Watford, 1823. Artist: JMW Turner
More Park near Watford, 1823. From the Tate Gallery, London

Mercury Sent to Admonish Aeneas, 1850. Artist: JMW Turner
Mercury Sent to Admonish Aeneas, 1850. The first of a series of four paintings by Turner depicting Virgils story of Aeneas and Dido. From the Tate Gallery, London

Calais Pier with French Poissards Preparing for Sea: an English Packet Arriving, 1803. Artist: JMW Turner
Calais Pier with French Poissards Preparing for Sea: an English Packet Arriving, 1803. From the National Gallery, London

Venice, from the Porch of the Madonna della Salute, c1835. Artist: JMW Turner
Venice, from the Porch of the Madonna della Salute, c1835. From the Metropolitan Museum of Art, New York

Fishing upon the Blythe Sand, Tide Setting in, 1809. Artist: JMW Turner
Fishing upon the Blythe Sand, Tide Setting in, 1809. From the Tate Gallery, London

Artist working at an easel, 1828. Artist: JMW Turner
Artist working at an easel, 1828. From the Tate Gallery, London

The Sun of Venice Going to Sea, 1843. Artist: JMW Turner
The Sun of Venice Going to Sea, 1843. From the Tate Gallery, London

Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves, 1846. Artist: JMW Turner
Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves, 1846. From the Tate Gallery, London

The Dogana, San Giorgio, Citella, from the steps of the Europa, Venice, 1842. Artist: JMW Turner
The Dogana, San Giorgio, Citella, from the steps of the Europa, Venice, 1842. From the Tate Gallery, London

Morning amongst the Coniston Fells, Cumberland, 1798. Artist: JMW Turner
Morning amongst the Coniston Fells, Cumberland, 1798. From the Tate Gallery, London

The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides, 1806. Artist: JMW Turner
The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides, 1806. From the Tate Gallery, London

Queen Mabs Cave, 1846. Artist: JMW Turner
Queen Mabs Cave, 1846. A mythical character referred to in Shakespeares Romeo and Juliet and A Midsummer Nights Dream, Queen Mab was supposed to bring dreams to people by driving her chariot over

Music Party, East Cowes Castle, Isle of Wight, 1835. Artist: JMW Turner
Music Party, East Cowes Castle, Isle of Wight, 1835. This unfinished study shows a group of figures playing or languidly listening to music in an unidentified setting. From the Tate Gallery, London

Joseph Mallord William Turner, 1844 (pencil on paper)
XJF384075 Joseph Mallord William Turner, 1844 (pencil on paper) by Martin, Charles (1820-1906); Private Collection; (add.info.: Joseph Mallord William Turner (1775-1851) English artist; ); English

Joseph Mallord William Turner (graphite & w / c on paper)
XJF384080 Joseph Mallord William Turner (graphite & w/c on paper) by Smith, John Thomas (1766-1833); Private Collection; (add.info)

Joseph Mallord William Turner (pencil on paper)
XJF384079 Joseph Mallord William Turner (pencil on paper) by Bird, Edward (1772-1819); Private Collection; (add.info.: Joseph Mallord William Turner (1775-1851) English artist; ); English

Joseph Mallord William Turner R. A, engraved by William Daniell, 1827 (etching)
XJF384078 Joseph Mallord William Turner R.A, engraved by William Daniell, 1827 (etching) by Dance, George (1741-1825) (after); Private Collection; (add.info)

Joseph Mallord William Turner (pencil on paper)
XJF384076 Joseph Mallord William Turner (pencil on paper) by Turner, Charles (1773-1857); Private Collection; (add.info.: Joseph Mallord William Turner (1775-1851) English painter; ); English

Portrait of Joseph Mallord William Turner, 1841 (chalk, wash and pencil on paper)
XJF701452 Portrait of Joseph Mallord William Turner, 1841 (chalk, wash and pencil on paper) by Turner, Charles (1773-1857); British Museum, London, UK; (add.info.: Inscribed Dream.); English

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JMW Turner, a renowned British artist of the 19th century, left an indelible mark on the art world with his breathtaking masterpieces. His works captured the essence of nature and human emotions in a way that was both captivating and thought-provoking. One such masterpiece is "The Fighting Temeraire" painted in 1839. This iconic painting depicts the once majestic warship being towed away to be broken up for scrap. Turner's use of vibrant colors and dramatic lighting evokes a sense of nostalgia and melancholy. In "Whitby" from 1824, Turner showcases his ability to capture the beauty of coastal landscapes. The play between light and shadow creates a mesmerizing atmosphere that transports viewers to this picturesque seaside town. Turner's self-portrait from 1799 reveals not only his artistic talent but also hints at his introspective nature. Through loose brushstrokes and subtle expressions, he offers us a glimpse into his inner world as an artist. "Launceston, " painted in 1909, demonstrates Turner's versatility as an artist by depicting architectural elements with precision and detail. The composition exudes tranquility while showcasing the historical significance of this ancient castle. "A First Rate Taking in Stores" from 1818 showcases Turner's fascination with naval scenes. The dynamic composition captures the energy and movement associated with ships at sea, leaving viewers captivated by its sheer power. "The Angel Standing in the Sun, " created in 1846, explores spiritual themes through vivid imagery. With heavenly light illuminating divine figures against darkened skies, Turner invites contemplation on matters beyond our earthly existence. In "Ulysses Deriding Polyphemus, " painted initially in 1829 but later reworked in 1904, Turner draws inspiration from Greek mythology to create a scene filled with drama and intensity. The contrasting elements highlight Ulysses' defiance against adversity.