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Photographic Print : Neave Parker
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Neave Parker
Neave Parker (1910-1961), natural history artist. After an early, rather disastrous career in banking, Parker served in the RAF during the Second World War. After making the acquaintance of Maurice Burton, a scientific associate at the Natural History Museum and also honorary science editor at the Illustrated London News, he began collaboration with Burton to produce animal illustrations for a non-technical audience. The first of his drawings of prehistoric animals appeared in the Illustrated London News on 30 September 1950. Burton then introduced Parker to William Elgin Swinton (1900-1994), palaeontologist at the Museum. Together they produced a series of reconstructions of Mesozoic vertebrates that accompanied articles in the Illustrated London News. Of particular note were a series of Jurassic and Cretaceous animals which appeared between 1956 and 1960, which were later incorporated into Swintons book, The Dinosaurs (1970). Date: 1955
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Media ID 14232915
© Mary Evans Picture Library
1955 Dinosaur Dinosaurs Glasses Illustrations Neave Parker Scientific Spectacles Artists
10"x8" Photo Print
Introducing the exquisite Neave Parker print from Media Storehouse, brought to you in collaboration with Mary Evans Prints Online. This captivating image showcases the remarkable talent of Neave Parker (1910-1961), a natural history artist whose early career took an unexpected turn towards banking before she served in the RAF during World War II. Her unique artistic perspective is beautifully captured in this evocative piece, bringing the wonders of nature to life with intricate detail and vibrant colors. Each print is produced using premium quality materials, ensuring a stunning and long-lasting addition to your home or office decor. Experience the beauty and history of Neave Parker's work with Media Storehouse.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait showcases Neave Parker (1910-1961), a British natural history artist whose career took an unexpected turn from banking to illustrating prehistoric animals. After serving in the Royal Air Force during World War II, Parker's life changed when he met Maurice Burton, a scientific associate at the Natural History Museum and honorary science editor at the Illustrated London News. Burton recognized Parker's artistic talent and invited him to collaborate on animal illustrations for a non-technical audience. Their first joint work, featuring prehistoric animals, was published in the Illustrated London News on September 30, 1950. Impressed by their collaboration, Burton introduced Parker to William Elgin Swinton (1900-1994), a palaeontologist at the Museum. Together, they produced a series of reconstructions of Mesozoic vertebrates that accompanied articles in the Illustrated London News. These illustrations, particularly a series of Jurassic and Cretaceous animals published between 1956 and 1960, were later incorporated into Swinton's book, "The Dinosaurs" (1970). In this image, Parker is seen wearing glasses, a common accessory for artists as they meticulously bring their subjects to life on paper. The historical significance of his work lies in his ability to make prehistoric animals accessible to a wider audience, bridging the gap between science and art. This portrait is a testament to his dedication and the impact of his collaborations on the field of natural history illustration.
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