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Fine Art Print : Neave Parker
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Neave Parker
Neave Parker (1910-1961), natural history artist. After an early, rather disastrous career in banking, Parker served in the RAF during the Second World War. After making the acquaintance of Maurice Burton, a scientific associate at the Natural History Museum and also honorary science editor at the Illustrated London News, he began collaboration with Burton to produce animal illustrations for a non-technical audience. The first of his drawings of prehistoric animals appeared in the Illustrated London News on 30 September 1950. Burton then introduced Parker to William Elgin Swinton (1900-1994), palaeontologist at the Museum. Together they produced a series of reconstructions of Mesozoic vertebrates that accompanied articles in the Illustrated London News. Of particular note were a series of Jurassic and Cretaceous animals which appeared between 1956 and 1960, which were later incorporated into Swintons book, The Dinosaurs (1970). Date: 1955
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Media ID 14232915
© Mary Evans Picture Library
1955 Dinosaur Dinosaurs Glasses Illustrations Neave Parker Scientific Spectacles Artists
20"x16" (+3" Border) Fine Art Print
Discover the captivating world of Neave Parker's Fine Art Prints, exclusively available through Media Storehouse. This stunning image of Neave Parker, a natural history artist, showcases her exceptional talent and passion for the natural world. With a career that began in banking before serving in the RAF during World War II, Parker's artistic journey was anything but ordinary. Bring the beauty and history of her work into your home or office with our high-quality, museum-grade prints. Each print is meticulously produced using archival inks and premium paper, ensuring vibrant colors and long-lasting durability. Elevate your space with the timeless elegance and intrigue of Neave Parker's Fine Art Prints.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 49.1cm (16" x 19.3")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait showcases Neave Parker (1910-1961), a British natural history artist whose career took an unexpected turn from banking to illustrating prehistoric animals. After serving in the Royal Air Force during World War II, Parker's life changed when he met Maurice Burton, a scientific associate at the Natural History Museum and honorary science editor at the Illustrated London News. Burton recognized Parker's artistic talent and invited him to collaborate on animal illustrations for a non-technical audience. Their first joint work, featuring prehistoric animals, was published in the Illustrated London News on September 30, 1950. Impressed by their collaboration, Burton introduced Parker to William Elgin Swinton (1900-1994), a palaeontologist at the Museum. Together, they produced a series of reconstructions of Mesozoic vertebrates that accompanied articles in the Illustrated London News. These illustrations, particularly a series of Jurassic and Cretaceous animals published between 1956 and 1960, were later incorporated into Swinton's book, "The Dinosaurs" (1970). In this image, Parker is seen wearing glasses, a common accessory for artists as they meticulously bring their subjects to life on paper. The historical significance of his work lies in his ability to make prehistoric animals accessible to a wider audience, bridging the gap between science and art. This portrait is a testament to his dedication and the impact of his collaborations on the field of natural history illustration.
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