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Metal Print : Quante-Cong (Shangdi), first ruler and god of the Chinese

Quante-Cong (Shangdi), first ruler and god of the Chinese



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Quante-Cong (Shangdi), first ruler and god of the Chinese

The god Quante-Cong or Shangdi, first ruler of the Chinese. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrarios Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23172782

© Florilegius/Mary Evans

Andrea Bernieri Ferrario Giulio Peoples Ruler


16"x24" (61x41cm) Metal Print

Bring the rich history of Chinese mythology into your home with our stunning Media Storehouse Metal Prints featuring Quante-Cong, also known as Shangdi, the first ruler and god of the Chinese. This exquisite image, sourced from Mary Evans Prints Online, is a hand-colored copperplate drawing and engraving by Andrea Bernieri from Giulio Ferrari's Ancient. The intricate details of the artwork are beautifully preserved in the metal print, creating a vibrant and captivating piece that adds a touch of ancient wisdom and cultural heritage to any decor. Order now and let this timeless masterpiece inspire and enchant you every day.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Mary Evans Prints Online > New Images August 2021

> Arts > Artists > F > Giulio Ferrario

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> Europe > Italy > Posters

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EDITORS COMMENTS
Quante-Cong, also known as Shangdi, was the first ruler and supreme god in Chinese mythology. This handcoloured copperplate drawing and engraving by Andrea Bernieri, from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, published in Florence, Italy in 1843, offers a visual representation of the revered deity. Quante-Cong is depicted as an elderly man with a regal and majestic appearance, wearing a traditional Chinese robe adorned with intricate patterns and symbols. His head is crowned with a tall, ornate headdress, signifying his divine status. In one hand, he holds a scepter, symbolizing his power and authority, while in the other, he holds a tablet inscribed with ancient Chinese characters, representing his role as the supreme ruler of the universe. The Chinese believed that Quante-Cong created the world and ruled over it with benevolence and wisdom. He was also considered the ancestor of all Chinese emperors, making him an important figure in Chinese history and culture. This illustration provides a glimpse into the rich and complex mythology of ancient China, showcasing the reverence and awe the Chinese people held for their gods and rulers. Andrea Bernieri was an Italian artist and engraver who specialized in creating detailed and accurate depictions of people and costumes from various parts of the world. His work was widely published and collected, making him an influential figure in the field of ethnographic illustration during the 19th century.

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