1612 Collection (#6)

Pier Francesco Mola (Italian, 1612 - 1666), Caricature with Mola Protecting Himself from Carlo Maratta Holding a Viper, pen and brown ink on laid paper

Federico Barocci (Italian, probably 1535 - 1612), Two Nude Youths [recto], c. 1565-1567, black chalk heightened with white, contours (of standing figure) incised, on blue paper

Michel Anguier (French, 1612 - 1686), Ceres Searching for Persephone, model 1652, cast probably 1652-1670s, bronze

Philip Galle after Maerten van Heemskerck, Saint Peter Speaks to the People about Christ, Flemish, 1537 - 1612, engraving

Jacques Callot after Antonio Tempesta, Studies of Horses [recto], French, 1592 - 1635, c. 1612, pen and iron gall ink on laid paper, with later framing line in brown ink

Calligraphy Waerde Sone daer is nuet nutzamer omme te komen tot het gemeine als tot particuliere goeden, Cornelis Dircksz. Boissens, print maker: Anonymous, 12-jun-1612

On the Catholic doctrine of transubstantiation, 1612, print maker: Anonymous

Title print for the pamphlet Wtvaert Vande Roman Catholic transubstantiation, 1612, Anonymous, Jan Jansz (Rotterdam), 1612

Amsterdam Stock Exchange, The Netherlands, print maker: Claes Jansz. Visscher II, P.C. Hooft, 1612

Rabbits Hunting, Pieter Serwouters, Claes Jansz. Visscher (II), 1612

Hare Hunting, Claes Jansz. Visscher (II), 1612

Boar Hunt, Pieter Serwouters, Claes Jansz. Visscher (II), 1612

Wolves hunt, Pieter Serwouters, Claes Jansz. Visscher II, 1612

Bear hunting, print maker: Pieter Serwouters, David Vinckboons, Claes Jansz. Visscher II, 1612

Portrait of Maurice, Prince of Orange, Jacob Lyon, after c. 1612

Portrait of Jacob Duym at the age of 53, Jacob de Gheyn II, Bonaventura Vulcanius, 1600

Title print for a series about hunting for birds, fish and mammals, Claes Jansz. Visscher (II), 1612

Attributed to Simone Cantarini (Italian, 1612 - 1648). The Virgin and Child on a Cloud, 17th century. Etching

Simone Cantarini (Italian, 1612 - 1648). St. Anthony of Padua, 17th century. Etching on laid paper. Only state

Anonymous after Simone Cantarini (Italian, 1612 - 1648). Rest on the Flight into Egypt, 17th century. Etching on late paper. First of two states

Federico Barocci (Italian, 1528 - 1612). St. Francis Receiving the Stigmata. Engraving and etching from unfinished plate with an unsuccessful attempt at multiple bite

Federico Barocci (Italian, 1528 - 1612). Virgin and Child on a Cloud. Etching

Holy Family with Saint Anne (recto), Figure Sketches (verso); Pietro Testa, Italian, 1612 - 1650; Italy, Europe; about 1645 - 1650; Pen and brown ink, brown wash

Head and Figure Studies; Giulio Cesare Procaccini, Italian (Bolognese), 1574 - 1625; about 1612; Red chalk; 24 x 26.4 cm (9 7/16 x 10 3/8 in.)

A Seated Man; Bernardino Poccetti (Barbatelli), Italian, 1548 - 1612; about 1600 - 1610; Red chalk and light white heightening.; 39.4 x 24.8 cm (15 1/2 x 9 3/4 in.)

The Deaths of the Blessed Ugoccione and Sostegno (recto), A Study of the Farnese Hercules (verso); Bernardino Poccetti (Barbatelli), Italian, 1548 - 1612; Italy

Saint Cecilia; Domenichino (Domenico Zampieri), Italian, 1581 - 1641; about 1612 - 1615; Black and white chalk on gray paper, pricked for transfer; 46.8 x 34.3 cm (18 7/16 x 13 1/2 in.)

Head of a Boy (recto), Figure Studies (verso); Federico Barocci, Italian, about 1535 - 1612; about 1586 - 1589; Black, red

The Resurrection; Pieter Lastman, Dutch, about 1583 - 1633; 1612; Oil on oak panel; Unframed: 43.2 x 32.4 cm (17 x 12 3/4 in.), Framed: 66 x 54.9 x 4.1 cm (26 x 21 5/8 x 1 5/8 in.)

Tapestry: Le Cheval raye from Les Anciennes Indes Series; Woven at Gobelins Manufactory, French, active 1662 - present, after a cartoon painted by Albert Eckhout, Dutch, about 1610 - 1665

The Calydonian Boar Hunt; Peter Paul Rubens, Flemish, 1577 - 1640; Belgium, Europe; about 1611 - 1612; Oil on panel; Unframed: 59.2 x 89.7 cm (23 5/16 x 35 5/16 in.)

Federico Barocci, Quintilia Fischieri, Italian, probably 1535-1612, probably c. 1600, oil on canvas

Claes Jansz Visscher after Johannes van Doetechum, the Elder after Lucas van Doetechum after Master of the Small Landscapes (Dutch, 1586-1587-1652), Town Gate, published 1612, etching

Pietro Testa (Italian, 1612-1650), An Allegory in Honor of Innocent X, 1644, etching on laid paper

Simone Cantarini (Italian, 1612-1648), Jupiter, Neptune and Pluto, etching

Simone Cantarini (Italian, 1612-1648), The Rest on the Flight into Egypt, etching

Simone Cantarini (Italian, 1612-1648), Fortune, etching

SPANISH MISSIONARY, 1612. Francisco Pareja teaching Christianity to the native Indians. Woodcut from Cathecismo, en Lengua Castellana, y Timuquana, Mexico City, Mexico, 1612

VOYAGES, 1612. Title page of a work containing accounts of the voyages of Pedro Fernandes de Queiros and Henry Hudson. Published at Amsterdam, 1612

QUEIROS: VOYAGES, 1612. Woodcut from an edition of Pedro Fernandez de Queiros travel writing published at Amsterdam, 1612

MAP OF NEW FRANCE, 1612. The westerly portion of Samuel de Champlains 1612 map of New France

MAP OF NEW FRANCE, 1612. The easterly portion of Samuel de Champlains 1612 map of New France

Francisco Pareja (d1628), Spanish Franciscan missionary sent to Florida in 1593 or 1594. As well as converting the natives, he published books in the native language Timuquanan

John Smith (1580-1631) English colonist and adventurer who sailed for Virginia in 1606. Based at Jamestown, he mapped Virginia

Anselm Of Canterbury, Saint (1033-1109). British theologian, archbishop of Canterbury. Saint Anselm of Canterbury, engraved in 1612

Mignard, Pierre (1612-1695). MoliSre. Baroque art. Oil on canvas

A View of the City Of Zaragoza

Samuel Butlers Home
The full moon rises globularly over the battlements of Ludlow Castle, home of the poet Samuel Butler though he was born in a humble cottage) Date: 1612

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In 1612, Captain John Smith's map of Virginia provided a glimpse into the uncharted territories of the New World. This intricate depiction unveiled the vastness and potential of this land, igniting curiosity and ambition among explorers. Meanwhile, across the Atlantic in England, dark tales emerged as Lancashire Witches and Northamptonshire Witches were accused of practicing sorcery. These chilling events sent shockwaves through society, fueling superstition and fear. Amidst these witch trials, Thomas Lord Fairfax rose to prominence. His influential role in English politics shaped history during this tumultuous era. Alongside him stood James Graham Montrose and George Lord Digby - figures who left their mark on a nation grappling with religious conflicts. However, beyond these political intrigues lay another captivating story: St. Sebastian Thrown into the Cloaca Maxima. This artwork from 1612 depicted an ancient Roman martyr being cast into Rome's main sewer system – a powerful symbol reflecting societal struggles at that time. While Europe was embroiled in turmoil, France boasted its own enchantment within The Gardens Of The Luxembourg. These meticulously designed gardens became a sanctuary for Parisians seeking solace amidst bustling city life. As we reflect on 1612 today, it serves as a reminder of humanity's complex nature.