1612 Collection (#5)

Willem Swanenburgh after Joachim Anthonisz Wtewael (Dutch, 1581-1582 - 1612), The Judgment of Solomon, c. 1600, engraving on laid paper

Philip Galle, Story of Josiah, Flemish, 1537 - 1612, 1569, engraving

Pietro Testa (Italian, 1612 - 1650), Young Woman, Surrounded by Cupids, etching

Simone Cantarini after Lodovico Carracci (Italian, 1612 - 1648), Saint Benedict Healing the Possessed, etching

Raffaello Schiaminossi (Italian, c. 1529 - probably 1622), Margaret of Austria Receiving the Homage of Cardinals and Prelates, 1612, etching on laid paper [restrike]

Louis Elle I after Francesco Primaticcio (French, 1612 - 1689), The Forge of Vulcan, etching

Nicolas Chapron, French (1612-c. 1656), Faun and Bacchante with a Child, 1650s, etching
Nicolas Chapron (French, 1612 - c. 1656), Faun and Bacchante with a Child, 1650s, etching with engraving on laid paper

Pierre Lombard (French, 1612 - 1682), Gabriel Chassebras de la Grand Maison, engraving

Pier Francesco Mola (Italian, 1612 - 1666), Caricature with Mola Protecting Himself from Carlo Maratta Holding a Viper, pen and brown ink on laid paper

Federico Barocci (Italian, probably 1535 - 1612), Two Nude Youths [recto], c. 1565-1567, black chalk heightened with white, contours (of standing figure) incised, on blue paper

Michel Anguier (French, 1612 - 1686), Ceres Searching for Persephone, model 1652, cast probably 1652-1670s, bronze

Philip Galle after Maerten van Heemskerck, Saint Peter Speaks to the People about Christ, Flemish, 1537 - 1612, engraving

Jacques Callot after Antonio Tempesta, Studies of Horses [recto], French, 1592 - 1635, c. 1612, pen and iron gall ink on laid paper, with later framing line in brown ink

Calligraphy Waerde Sone daer is nuet nutzamer omme te komen tot het gemeine als tot particuliere goeden, Cornelis Dircksz. Boissens, print maker: Anonymous, 12-jun-1612

On the Catholic doctrine of transubstantiation, 1612, print maker: Anonymous

Title print for the pamphlet Wtvaert Vande Roman Catholic transubstantiation, 1612, Anonymous, Jan Jansz (Rotterdam), 1612

Amsterdam Stock Exchange, The Netherlands, print maker: Claes Jansz. Visscher II, P.C. Hooft, 1612

Rabbits Hunting, Pieter Serwouters, Claes Jansz. Visscher (II), 1612

Hare Hunting, Claes Jansz. Visscher (II), 1612

Boar Hunt, Pieter Serwouters, Claes Jansz. Visscher (II), 1612

Wolves hunt, Pieter Serwouters, Claes Jansz. Visscher II, 1612

Bear hunting, print maker: Pieter Serwouters, David Vinckboons, Claes Jansz. Visscher II, 1612

Portrait of Maurice, Prince of Orange, Jacob Lyon, after c. 1612

Portrait of Jacob Duym at the age of 53, Jacob de Gheyn II, Bonaventura Vulcanius, 1600

Title print for a series about hunting for birds, fish and mammals, Claes Jansz. Visscher (II), 1612

Attributed to Simone Cantarini (Italian, 1612 - 1648). The Virgin and Child on a Cloud, 17th century. Etching

Simone Cantarini (Italian, 1612 - 1648). St. Anthony of Padua, 17th century. Etching on laid paper. Only state

Anonymous after Simone Cantarini (Italian, 1612 - 1648). Rest on the Flight into Egypt, 17th century. Etching on late paper. First of two states

Federico Barocci (Italian, 1528 - 1612). St. Francis Receiving the Stigmata. Engraving and etching from unfinished plate with an unsuccessful attempt at multiple bite

Federico Barocci (Italian, 1528 - 1612). Virgin and Child on a Cloud. Etching

Holy Family with Saint Anne (recto), Figure Sketches (verso); Pietro Testa, Italian, 1612 - 1650; Italy, Europe; about 1645 - 1650; Pen and brown ink, brown wash

Head and Figure Studies; Giulio Cesare Procaccini, Italian (Bolognese), 1574 - 1625; about 1612; Red chalk; 24 x 26.4 cm (9 7/16 x 10 3/8 in.)

A Seated Man; Bernardino Poccetti (Barbatelli), Italian, 1548 - 1612; about 1600 - 1610; Red chalk and light white heightening.; 39.4 x 24.8 cm (15 1/2 x 9 3/4 in.)

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In 1612, Captain John Smith's map of Virginia provided a glimpse into the uncharted territories of the New World. This intricate depiction unveiled the vastness and potential of this land, igniting curiosity and ambition among explorers. Meanwhile, across the Atlantic in England, dark tales emerged as Lancashire Witches and Northamptonshire Witches were accused of practicing sorcery. These chilling events sent shockwaves through society, fueling superstition and fear. Amidst these witch trials, Thomas Lord Fairfax rose to prominence. His influential role in English politics shaped history during this tumultuous era. Alongside him stood James Graham Montrose and George Lord Digby - figures who left their mark on a nation grappling with religious conflicts. However, beyond these political intrigues lay another captivating story: St. Sebastian Thrown into the Cloaca Maxima. This artwork from 1612 depicted an ancient Roman martyr being cast into Rome's main sewer system – a powerful symbol reflecting societal struggles at that time. While Europe was embroiled in turmoil, France boasted its own enchantment within The Gardens Of The Luxembourg. These meticulously designed gardens became a sanctuary for Parisians seeking solace amidst bustling city life. As we reflect on 1612 today, it serves as a reminder of humanity's complex nature.