1612 Collection (#4)

Flood men women climb higher ground right water overtaking animals
Artokoloro

Flood destroys life earth corpses humans animals adrift
Artokoloro

Holy Family 1612 Etching second state two sheet
Artokoloro

Blackwork Design Goldsmithwork Hunter Animals
Artokoloro

Drawings Prints, Print, Holy, Family, Infant, John, Baptist, Artist, Hendrick Goltzius
Drawings and Prints, Print, The Holy Family with the Infant John the Baptist, Artist, Hendrick Goltzius, Federico Barocci, Netherlandish, Muhlbracht 1558-1617 Haarlem, Italian, Urbino ca

Noah leaving ark family animals left Noah family carries supplies
Artokoloro

Design Wall Decoration Sacrifice Abraham Flight
Artokoloro

Entry ark Noah family walk background pairs animals walk up
Artokoloro

Drawings Prints, Print, Prodigal Son, Artist, Publisher, Pieter, de, Jode, II, Johannes Meyssens
Drawings and Prints, Print, The Prodigal Son, Artist, Publisher, Pieter de Jode II, Johannes Meyssens, Flemish, 1606-ca. 1674, Flemish, Brussels 1612-1670 Antwerp, Jode, Pieter de II, Meyssens

SPANISH MISSIONARY, 1612. Francisco Pareja teaching Christianity to the native Indians. Woodcut from Cathecismo, en Lengua Castellana, y Timuquana, Mexico City, 1612

Attributed to Cesare Aretusi, Italian (active 1586-1612), Saint Nicolas of Bari, pen and brown ink with brown wash and white heightening over graphite on blue paper

Sir Peter Paul Rubens, Flemish (1577-1640), Lion, c. 1612-1613, black chalk, heightened with white, yellow chalk in the background

Simone Cantarini, Saint Matthew and the Angel, Italian, 1612-1648, c. 1645-1648, oil on canvas

Pier Francesco Mola, Caricatures, Italian, 1612-1666, pen and brown ink on laid paper

Philip Galle after Pieter Bruegel the Elder (Flemish, 1537 - 1612), The Triumph of Time, engraving

Willem Swanenburgh after Joachim Anthonisz Wtewael (Dutch, 1581-1582 - 1612), The Judgment of Solomon, c. 1600, engraving on laid paper

Philip Galle, Story of Josiah, Flemish, 1537 - 1612, 1569, engraving

Pietro Testa (Italian, 1612 - 1650), Young Woman, Surrounded by Cupids, etching

Simone Cantarini after Lodovico Carracci (Italian, 1612 - 1648), Saint Benedict Healing the Possessed, etching

Raffaello Schiaminossi (Italian, c. 1529 - probably 1622), Margaret of Austria Receiving the Homage of Cardinals and Prelates, 1612, etching on laid paper [restrike]

Louis Elle I after Francesco Primaticcio (French, 1612 - 1689), The Forge of Vulcan, etching

Nicolas Chapron, French (1612-c. 1656), Faun and Bacchante with a Child, 1650s, etching
Nicolas Chapron (French, 1612 - c. 1656), Faun and Bacchante with a Child, 1650s, etching with engraving on laid paper

Pierre Lombard (French, 1612 - 1682), Gabriel Chassebras de la Grand Maison, engraving

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In 1612, Captain John Smith's map of Virginia provided a glimpse into the uncharted territories of the New World. This intricate depiction unveiled the vastness and potential of this land, igniting curiosity and ambition among explorers. Meanwhile, across the Atlantic in England, dark tales emerged as Lancashire Witches and Northamptonshire Witches were accused of practicing sorcery. These chilling events sent shockwaves through society, fueling superstition and fear. Amidst these witch trials, Thomas Lord Fairfax rose to prominence. His influential role in English politics shaped history during this tumultuous era. Alongside him stood James Graham Montrose and George Lord Digby - figures who left their mark on a nation grappling with religious conflicts. However, beyond these political intrigues lay another captivating story: St. Sebastian Thrown into the Cloaca Maxima. This artwork from 1612 depicted an ancient Roman martyr being cast into Rome's main sewer system – a powerful symbol reflecting societal struggles at that time. While Europe was embroiled in turmoil, France boasted its own enchantment within The Gardens Of The Luxembourg. These meticulously designed gardens became a sanctuary for Parisians seeking solace amidst bustling city life. As we reflect on 1612 today, it serves as a reminder of humanity's complex nature.