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Pillow : hue1947 bw neg 041

hue1947 bw neg 041




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Studiocanal

Home Decor from STUDIOCANAL

hue1947 bw neg 041

STUDIOCANAL Film and Theatre Film Posters and Stills

Media ID 19957820

© Studiocanal Films Ltd


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> People > Children

> STUDIOCANAL > HUE AND CRY (1947)


VISUAL DESCRIPTION
This black and white photograph captures a scene of urban desolation, where a group of children play amidst the ruins. The backdrop features a partially demolished multi-story building with its skeletal frame exposed, indicating either ongoing construction or the aftermath of destruction. In the foreground, clusters of children are engaged in various activities on an expanse of rubble-strewn ground that appears to have once been paved. Some kids seem to be playing games or interacting closely in small groups, while others are standing or moving around more independently. The setting suggests post-war devastation or slum clearance, common in many cities during the mid-20th century. Despite the harsh environment, there is a sense of resilience and adaptability among these young individuals as they find space for play and social interaction amid their challenging surroundings. The contrast between childhood innocence and the stark reality depicted here is poignant. In the distance beyond this immediate scene of urban decay stands another building with intact windows and what looks like operational infrastructure—a stark contrast to the dilapidation in front. Additionally, two spires can be seen rising above rooftops on the horizon suggesting some formality remains untouched by whatever event caused such extensive damage to this area. The presence of vehicles parked along one side implies that life continues adjacent to this derelict landscape; perhaps it serves as a makeshift playground only temporarily tolerated until reconstruction commences anew.

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