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Metal Print : Man casts his shadow on the ground at Akihabara Electric Town, the largest electronics

Man casts his shadow on the ground at Akihabara Electric Town, the largest electronics



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Man casts his shadow on the ground at Akihabara Electric Town, the largest electronics

A man casts his shadow on the ground at Akihabara Electric Town, the largest electronics shopping district in Tokyo February 13, 2007. Japanese wholesale prices rose less than expected in January from a year earlier, a sign that price growth remains tame, and investors now await GDP data to see if the Bank of Japan is likely to raise interest rates next week. REUTERS/Kim Kyung-Hoon (JAPAN) - GM1DUPHCEHa

Reuters photo archive features some of the most dramatic and iconic moments ever captured

Media ID 19272130


16"x24" (61x41cm) Metal Print

Bring the vibrant energy of Akihabara Electric Town to your home with our stunning Metal Print of 'A Man Casts His Shadow on the Ground' by renowned Reuters photographer Kim Kyung Hoon. This captivating image of the bustling electronics district in Tokyo, captured in February 2007, is now available in our premium Metal Print collection. The sleek metal surface enhances the rich colors and details, making it a standout addition to any wall. Experience the magic of this iconic moment every day, as the metal print reflects light and casts a unique shadow of its own. Transform your space into a gallery with this beautiful and thought-provoking piece of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Asia > Japan > Related Images

> Asia > Japan > Tokyo

> Reuters Images > Japan

> Reuters Images > Reuters > Japan > Economy

> Reuters Images > Reuters > Japan

> Reuters Images > Shadows


EDITORS COMMENTS
In this print captured by Kim Kyung-Hoon, we are transported to the bustling streets of Akihabara Electric Town, Tokyo's largest electronics shopping district. The image showcases a moment frozen in time, as a man casts his elongated shadow on the ground beneath him. The juxtaposition of the man's silhouette against the vibrant cityscape creates a striking visual contrast. As he walks through this technological haven filled with neon lights and towering billboards advertising cutting-edge gadgets, his presence seems almost ethereal. His shadow serves as a reminder of our transient existence amidst an ever-evolving world driven by innovation and progress. Taken on February 13,2007, this photograph not only captures a fleeting moment but also reflects upon Japan's economic landscape at that time. With Japanese wholesale prices rising less than expected in January from the previous year, it hints at subdued price growth and prompts investors to eagerly await GDP data for insights into potential interest rate hikes by the Bank of Japan. Kim Kyung-Hoon's masterful composition invites us to contemplate both the individual within society and broader economic trends. It reminds us that even amidst rapid technological advancements, human presence remains integral – casting shadows that connect us to our surroundings while leaving traces of our passage through time.

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