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Metal Print : China Clay - Memories
Metal Prints from Mary Evans Picture Library
China Clay - Memories
China Clay - Memories. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s, she moved on from earlier highly-decorative fairy art to produce beautiful monotone woodcuts in a distinctly oriental style. This artwork (as seen here) was produced under the name Molly MacArthur, or F.M. MacArthur.
1922
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 18527790
© The Florence Mary Anderson Collection / Mary Evans Picture Library
Anderson Clay Florence Macarthur Memories Molly Monochrome Monotone Woodcut 1922
16"x24" (61x41cm) Metal Print
Bring the timeless charm of Florence Mary Anderson's illustrations into your home with our Media Storehouse Metal Prints. This exquisite piece, titled "China Clay - Memories," is taken from The Florence Mary Anderson Collection at Mary Evans Picture Library. Known for her two distinct styles, Anderson's work evokes a sense of nostalgia, especially in this illustration of China Clay mining from the 1920s. Our high-quality Metal Prints showcase vibrant colors and exceptional detail, making each print a unique and captivating addition to your decor. Experience the beauty of Anderson's artistry and preserve precious memories with our premium Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning woodcut print, titled "China Clay - Memories," is a beautiful example of the later work of Florence Mary Anderson, also known as Molly MacArthur. Born in 1893, Anderson was a prolific English illustrator who is best known for her two distinct artistic styles. From the mid-1920s until the end of her career, she shifted away from her earlier, highly-decorative fairy art and began producing exquisite monotone woodcuts in an oriental style. The image before you, created in 1922, is a testament to Anderson's mastery of this new style. The title "China Clay - Memories" suggests a nostalgic longing for the East, and the print itself transports the viewer to a far-off land filled with serene beauty and tranquility. The intricate details of the Chinese landscape, from the winding river to the graceful trees and the delicate flowers, are rendered with a deft hand and a deep understanding of the oriental aesthetic. Anderson's use of monochrome in this print adds to its timeless quality. The absence of color forces the viewer to focus on the intricacies of the lines and the textures, creating a sense of depth and dimension that is both captivating and calming. This woodcut is a true masterpiece of the 1920s, and a testament to Anderson's artistic versatility and her ability to transport her audience to another world through her art.
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