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Metal Print : Laocoon and His Sons (marble)
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Laocoon and His Sons (marble)
3433290 LaocoAon and His Sons (marble) by Roman, (2nd century BC); Musei e Gallerie Pontificie, Musei Vaticani, Vatican City; (add.info.: LaocoAon, son of Acoetes, was a Trojan priest who, with his sons, was attacked by giant serpents sent by the gods.
Virgil gives LaocoAon the famous line " EquAc nA" crA" dite, TeucrA / Quidquid id est, timeAc DanaAcs et dAcna ferentA" s", or " Do not trust the Horse, Trojans / Whatever it is, I fear the Greeks even bearing gifts." This line is the source of the saying: " Beware of Greeks bearing gifts." In Sophocles, he was a priest of Apollo. The Laocoon Group. Marble sculpture of Laocoon and children, Roman copy of Hellenistic original Gruppo del Lacoonte - Roma, Musei Vaticani
); out of copyright
Media ID 23661208
© Bridgeman Images
Agony Archaeological Copy Galleries Hellenistic Museums Sophocles Suffering Vatican Virgil Citta Del Vaticano Greek Sculpture Serpent Snakes Thymbraeus
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of ancient art into your modern home with Media Storehouse Metal Prints. Our premium quality prints feature intricate details from Vincenzo Pirozzi's captivating image of "Laocoön and His Sons" (3433290). This iconic marble sculpture, originally from the 2nd century BC, is now showcased in Musei e Gallerie Pontificie, Musei Vaticani, Vatican City. Our metal prints are not just a reproduction, they are a work of art in themselves. The vibrant colors and stunning clarity are sure to make this masterpiece from Roman art a conversation starter in any room. Order yours today and experience the fusion of history and contemporary style.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the renowned marble sculpture "Laocoon and His Sons" by Roman, dating back to the 2nd century BC. The masterpiece is housed in the Musei e Gallerie Pontificie, located in Vatican City. The sculpture depicts Laocoon, a Trojan priest, and his sons being attacked by colossal serpents sent by the gods. This tragic scene has been immortalized through various literary works such as Virgil's Aeneid and Sophocles' plays. Virgil's famous line associated with Laocoon resonates from this artwork: "Do not trust the Horse, Trojans / Whatever it is, I fear the Greeks even bearing gifts". This cautionary phrase has become a well-known saying: "Beware of Greeks bearing gifts". The marble group portrays immense agony and suffering as Laocoon desperately tries to free himself and his children from the clutches of these menacing creatures. It is a powerful representation of human struggle against overwhelming odds. This photograph captures every intricate detail of this archaeological treasure - from the contorted bodies writhing in pain to the lifelike texture of snakes coiling around their victims. The composition evokes both awe for its artistic brilliance and empathy for its emotional intensity. Displayed against a backdrop reminiscent of ancient ruins, this image transports viewers into an era where Greek mythology intertwines with Roman artistry. It serves as a reminder that great works like these continue to inspire generations long after their creation.
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