Metal Print : Schooling a Pair in a Brake at Lucass Yard, Clerkenwell (oil on canvas)

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Schooling a Pair in a Brake at Lucass Yard, Clerkenwell (oil on canvas)

XYC159650 Schooling a Pair in a Brake at Lucass Yard, Clerkenwell (oil on canvas) by Pollard, James (1792-1867); 43.2x33 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 22604938

© Bridgeman Images

Breaking In Coach Coaches Coaching Horse And Carriage Lucas Stable Training

16"x20" (51x41cm) Metal Print

Bring the timeless beauty of fine art into your home with Media Storehouse Metal Prints. This exquisite piece, "Schooling a Pair in a Brake at Lucass Yard, Clerkenwell" by James Pollard, showcases the intricate details and vibrant colors of the original oil on canvas painting from the Yale Center for British Art. Our high-quality metal prints are not just a reproduction, but a true representation of the artwork, with a distinctive metallic sheen that adds depth and dimension. Experience the elegance and sophistication of this 19th-century masterpiece, now available in a modern and durable format.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > P > James Pollard

> Arts > Fine Art

EDITORS COMMENTS
This oil on canvas painting by James Pollard takes us back in time to the bustling streets of Clerkenwell, London. Titled "Schooling a Pair in a Brake at Lucass Yard" the artwork showcases a scene of horse and carriage training at Lucas's Yard. The artist skillfully captures the energy and movement of this Victorian era coaching session. A pair of magnificent horses are being schooled within the confines of an archway, their powerful bodies straining against the reins as they learn to navigate through obstacles with precision. The setting itself is richly detailed, depicting a stable filled with other carriages waiting their turn for training. The architectural elements add depth to the composition, with an ornate arch framing the action and drawing our eyes towards the focal point. Pollard's masterful brushstrokes bring life to every element in this painting - from the sleek coats of the horses to the worn wooden beams supporting Lucas's Yard. It is evident that he had a deep understanding and appreciation for both equine beauty and human ingenuity. Displayed at Yale Center for British Art as part of Paul Mellon Collection, this artwork serves as a testament to Britain's rich equestrian history. It invites us into a world where horse-drawn coaches were not just means of transportation but also symbols of elegance and power. Through "Schooling a Pair in a Brake at Lucass Yard". Pollard immortalizes an important aspect of Victorian society while showcasing his own artistic prowess.

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