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Metal Print : Venus Italica, c. 1822-23 (marble)
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Venus Italica, c. 1822-23 (marble)
3492980 Venus Italica, c.1822-23 (marble) by Canova, Antonio (1757-1822) (studio of); 175.3 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: Canovas first marble Venus is in the Palazzo Pitti, Florence. Known as the Venus Italica, it was ordered in 1804 by Ludovico I, King of Etruria, as a replacement for the ancient Medici Venus that had been taken by the French for the Musee Napoleon. This replica, believed to have been purchased from Canovas studio by the third marquess of Londonderry when he was visiting Rome in 1823, remained in Londonderry House, London, until 1962.); Italian, out of copyright
Media ID 23629744
© Bridgeman Images
Aphrodite Copy Neo Classicism Neoclassicism Replica Neo Classical Neoclassical
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of art into your home with Media Storehouse's Metal Prints. Featuring the iconic Venus Italica sculpture by Antonio Canova, this exquisite piece captures the essence of the goddess of love in all her grace and splendor. Originally created in marble around 1822-23, this masterpiece is now available in a modern and stylish metal print. The high-quality metal print preserves the intricate details and vibrant colors of the original artwork, making it a stunning addition to any room in your home or office. Experience the fusion of classic art and contemporary design with Media Storehouse's Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the timeless beauty of "Venus Italica" a marble sculpture created by Antonio Canova in the early 19th century. Standing at an impressive height of 175.3 centimeters, this neoclassical masterpiece is housed in the Metropolitan Museum of Art in New York City. Canova's Venus Italica was commissioned as a replacement for the ancient Medici Venus, which had been taken by the French and placed in the Musee Napoleon. This replica, believed to have been acquired from Canova's studio by the third Marquess of Londonderry during his visit to Rome in 1823, resided in Londonderry House until 1962. The sculpture depicts Aphrodite, known as Venus in Roman mythology, who is revered as the goddess of love and beauty. With her graceful pose and delicate features, she embodies classical ideals of feminine allure and elegance. Crafted with meticulous attention to detail, this neoclassical work showcases Canova's mastery over marble sculpting. The smoothness and purity of form highlight both the artist's technical skill and his ability to capture human emotion through stone. As we gaze upon this exquisite image, we are transported back to an era where mythological figures were celebrated for their divine grace and eternal charm. It serves as a reminder that art has no expiration date; it continues to inspire awe and admiration across generations.
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