Sere Collection (#5)

Saint Colette (1381-1447), c16th century (1849). A 19th century version based on an original earlier manuscript illustration

Ship carpenter, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chronique de Nuremberg

Boat and ship carpenters, c late 11th / early 12th century (1849)
Boat and ship carpenters, c late 11th/early 12th century (1849). A 19th century version based on a fragment of the Bayeux Tapestry

King Philip II of France (1165-1223), 16th century (1849). Artist: Dutillet
King Philip II of France (1165-1223), 16th century (1849). A 19th century version based on an original 16th century miniature in Rois de France, held by the Bibliotheque Nationale, Paris

Tomb of Dagobert I (603-689), Merovingian king, Basilisque Saint-Denis, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Dagobert I (603-689), Merovingian king, c16th century (1849). A 19th century version based on an original manuscript illustration from the Gaignieres Collection, held by the Cabinet des Estampes

Building construction, France, 15th century (1849). Artist: Franz Kellerhoven
Building construction, France, 15th century (1846). A 19th century version based on an original 15th century manuscript illustration in From Le Moyen Age et la Renaissance, by Paul Lacroix

Entry of the King of Epinette, 16th century (1849). A 19th century version based on an original manuscript illustration held by the Library of Rouen

Officers of the table and the chamber of the imperial court, 1512 (1849). Artist: J Resch
Officers of the table and the chamber of the imperial court, 1512 (1849). Featured are a cup-bearer, a cook, a barber, a tailor and a shoemaker

Meeting at the Field of the Cloth of Gold, c16th century (1849). A 19th century version based on an original bas-relief on the Hotel Bourgtheroulde, Rouen

The Congress of Wartburg, 15th century (1849). Artist: A Bisson
The Congress of Wartburg, 15th century (1849). A 19th century version based on an original manuscript illustration in the Minnesoenger, held by the Bibliotheque Nationale, Paris

Sergeant at arms, 14th century (1849). Artist: Edward May
Sergeant at arms, 14th century (1849). A 19th century version based on a 14th century carving at the Church of St catherine du Val des Ecoliers

Imperial procession, 1529-1530 (1849). Artist: Lucas Cranach the Elder
Imperial procession, 1529-1530 (1849). A 19th century version based on an original 16th century manuscript illustration in Solemn Entry of Charles V and Clement VII into Bologna

The entry of Queen Isabel into Paris, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chroniques of Froissart, volume IV

Standards of the church and the empire, 1529-1530 (1849). Artist: Lucas Cranach the Elder
Standards of the church and the empire, 1529-1530 (1849). A 19th century version based on an original 16th century manuscript illustration in Entry of Charles V and Clement VII into Bologna

Grand procession of the Doge, Venice, Italy, 16th century (1849). One of fourteen engravings representing this ceremony. From Le Moyen Age et la Renaissance, by Paul Lacroix

The Duke of Saxony and the Marquis of Brandenburg, c16th century (1849). A 19th century version based on an original manuscript illustration in Theatrum Orbis Terrarum

Royal garments of Charlemagne (742-814), 15th century (1849). Artist: A Bisson
Royal garments of Charlemagne (742-814), 15th century (1849). Dalmatica and sandals of Charlemagne, and insignia of the kings of France as used during their coronations

The coronation of Emperor Sigismund (1368-1437) by Pope Eugene IV, 15th century (1849). Sigismund was crowned in 1433. A 19th century version based on a 15th century bronze bas-relief in the church

A herald, 14th century (1849). A 19th century version based on an original manuscript illustration in the Chroniques de Saint-Denis, held by the Bibliotheque Nationale, Paris

The coronation of King Charles V of France (1337-1380), 14th century (1849). Artist: A Bisson
The coronation of King Charles V of France (1337-1380), 14th century (1849). A 19th century version based on an original manuscript illustration in Chroniques de Froissart, volume IV

Abbey of Saint-Denis, late 16th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale, Paris

Grand costume of a Supreme Commander of the French armies, 16th century (1849). Artist: A Bisson
Grand costume of a Supreme Commander of the French armies, 16th century (1849). A 19th century version based on an original manuscript illustration held in the collection of the Cabinet des Estampes

Commemoration of the second council of Nice, 9th-10th century (1849). A 19th century version based on an original 9th-10th manuscript illustration in the Monologue Grec

The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1846). Artist: A Bisson
The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1849). A 19th century version based on an original manuscript illustration in Insignia Sacre Majistatis

Facade of the ancient church of the Abbey of Sainte-Genevieve, Paris, France, 1849
Facade of the ancient church of the Abbey of Sainte-Genevieve, Paris, France, 1846. Founded by Clovis, the church was rebuilt from the 11th to the 13th century

Baptism, 15th century (1849). Artist: A Bisson
Baptism, 15th century (1849). A 19th century version based on an original manuscript illustration in l Hostorie de la Belle Helene, in the collection of the Royal Library of Belgium

Religious procession, 1449-1456 (1849). Artist: A Bisson
Religious procession, 1449-1456 (1849). A 19th century version based on an original manuscript illustration in the book of common prayer of Jacques Juvenal the Ursins (1449-1456)

Pope Sylvester I (d335), 1849. Sylvester was pope between 314 and 335. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Pope Gregory IX (c1143-1241), 1849. Gregory was pope from 1227 to 1242. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Pope Innocent IV (1180-1254), 1849
Pope Innocent IV (c1180/1190-1254), 1849. Innocent was Pope between 1243 and 1254. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Pope Clement IV (d1268), 1849. Clement was Pope between 1265 and 1268. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Pope Honorius III (1148-1227), 1849. Honorius was Pope from 1216 to his death in 1227. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Druggist, 16th century (1849). Artist: Jost Amman
Druggist, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Brewer, 16th century (1849). Artist: Jost Amman
Brewer, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Winemaker, 16th century (1849). Artist: Jost Amman
Winemaker, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Poultry supplier, 16th century (1849). Artist: Jost Amman
Poultry supplier, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Miller, 16th century (1849). Artist: Jost Amman
Miller, 16th century (1849). A 19th century version of an original 16th century engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Catching birds, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France, Paris

Bird piping, 14th century (1849). The manner of catching birds by piping. A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus

How to bathe a new falcon, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France, Paris

How to make young hawks fly, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France

German falconer, 16th century (1849). Artist: Jost Amman
German falconer, 16th century (1849). A 19th century version of an original 16th century manuscript illustration in De Omnibus Illiberalibus Siue Mechanicis Artibus... by Hartmann Schopper

A lady setting out hawking, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France

How to train a young falcon, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France

King Modus teaching the art of falconry, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus

Vailets of falconry, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France, Paris

Falconers dressing their birds, 14th century (1849). A 19th century version of an original 14th century manuscript illustration in Livres du Roy Modus, held at the Bibliotheque Nationale de France

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"Sere: A Glimpse into History's Enigmatic Beauty" Step into the enchanting world of "sere, " where art and history intertwine to create captivating representations. From the intricate enamel effigy of Geoffrey V on his tomb at Le Mans Cathedral, crafted by the talented Lemercier in 1849, to the majestic Fort de la Bonnelle standing proudly in Saint-Geosmes, Haute-Marne, France - each image tells a story. The fortresses' weathered walls bear witness to centuries gone by, silently narrating tales of strength and resilience. As we gaze upon these ancient structures, we are transported back in time, imagining the lives that once thrived within their protective embrace. Journey further through time with Jost Ammon's portrayal of a knight from 1565 (1849). The wear and tear etched onto his armor speaks volumes about battles fought and victories won, and is a testament to the bravery and valor displayed by those who wore such attire. But sere does not only capture moments of war; it also encapsulates beauty in its purest form. Agnes Sorel, mistress of King Charles VII of France during the fifteenth century (1849), radiates grace and elegance through her portrait. Her delicate features immortalized for generations to admire. Finally, we encounter Burmese court officials paying homage to an emperor - a glimpse into another culture's rich heritage. Their ornate garments reflect opulence while hinting at traditions passed down through generations. In this collection of images depicting various aspects of life throughout history, "sere" invites us to appreciate both grandeur and subtlety alike. These glimpses into our past remind us that even as time marches forward relentlessly, fragments remain frozen in artful representation - forever capturing our imagination and curiosity.