Sere Collection (#4)

Bell and cannon caster, 16th century (1849). Artist: Jost Amman
Bell and cannon caster, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Armourer, 16th century (1849). Artist: Jost Amman
Armourer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The new-born child, 15th century (1849). Artist: A Bisson
The new-born child, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in the Histoire de la Belle Helaine, held by the Royal Library, Brussels

Philip the Good (1396-1467), Duke of Burgundy, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Nationale, Paris

Louis de Mallet, Lord of Graville and Admiral of France, 16th century (1849). Seen here in a war and tournament costume. A 19th century version based on an original 16th century engraving in

A knight and a lady, 15th century (1849). Artist: A Bisson
A knight and a lady, 15th century (1849). Private quarters in a chateau in the Court of Burgundy, France. A 19th century version based on an original 15th century manuscript illustration in Othea

Leonardo da Vinci (1452-1519), 16th century (1849). Da Vinvi was an Italian artist, engineer, scientist and inventor whose drawings featured ideas such as a spinning wheel and a flying machine

Chateau de Marcoussis, Paris, France, 17th century (1849)
Chateau de Marcoussis, Paris, France, 17th century (1846). A 19th century version based on an original 17th century manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale

Equestrian statue of King Philip le Bel, 1575 (1849)
Statue of King Philip le Bel, 1575 (1849). Wooden equestrian statue placed in Notre Dame Cathedral, Paris, 1328, destroyed in 1772

Costumes of the Bourgeoisie, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration (ms. no 6820), held by the Bibliotheque Nationale, Paris

Playing chess, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration (ms. no 7266), held by the Bibliotheque Nationale, Paris

A royal banquet, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration in l Histoire de St Graal (ms. no 6769), held by Bibliotheque Nationale, Paris

A knight and a maiden, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration in Psautier Latin (ms. no 175), held by the Bibliotheque Nationale, Paris

Nobelwomen, 9th century (1849). A 19th century version based on an original 9th century manuscript illustration in the bible of Charles le Chauve, held by the Bibliotheque Nationale, Paris

Statue of Charlemagne (712-814), St Julien le Pauvre, Paris, 11th-12th century (1849). A 19th century version based on an original 11th or 12th century manuscript illustration

The Chair of Dagobert, 7th century, (1849). Made of gilt bronze, this was originally a folding chair. A 19th century version based on an original manuscript illustration held by the Bibliotheque

The Palace of Treves, France, c17th century (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Arquebusier, 16th century (1849). Artist: Jost Amman
Arquebusier, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Wire worker, 16th century (1849). Artist: Jost Amman
Wire worker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Sword maker, 16th century (1849). Artist: Jost Amman
Sword maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Fisherman, 16th century (1849). Artist: Jost Amman
Fisherman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Physician, 16th century (1849). Artist: Jost Amman
Physician, 16th century, (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Painter, 16th century (1849). Artist: Jost Amman
Painter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Painter of popular pictures, 16th century (1849). Artist: Jost Amman
Painter of popular pictures, 16th century (1849). A 19th century version based on an original 16th century wood engraving

Illuminator, 16th century (1849). Artist: Jost Amman
Illuminator, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Wood engraver, 16th century (1849). Artist: Jost Amman
Wood engraver, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Draughtsman, 16th century (1849). Artist: Jost Amman
Draughtsman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Paper maker, 16th century, (1849). Artist: Jost Amman
Paper-maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Hatter, 16th century (1849). Artist: Jost Amman
Hatter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Clockmaker, 16th century (1849). Artist: Jost Amman
Clockmaker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Weaver, 16th century (1849). Artist: Jost Amman
Weaver, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The manufacture of oil, 16th century (1849). Artist: Jost Amman
The manufacture of oil, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Thimble makers, 16th century (1849). Artist: Jost Amman
Thimble makers, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Clasp-maker, 16th century (1849). Artist: Jost Amman
Clasp-maker, 16th century (1849). A 19th century version based on an original wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris)

Tinman, 16th century (1849). Artist: Jost Amman
Tinman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The market, 15th century (1849). Artist: H Moulin
The market, 15th century, (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Barber and wigmaker, 16th century (1849). Artist: H Moulin
Barber and wigmaker, 16th century (1849). Swiss stained glass in the collection of the Musee de Cluny, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The ancient Pont aux Changers, Paris, France, c16th century (1849). A 19th century version based on an original illustration in a manuscript on the topography of Paris

Commemorative painting of the Union of the Merchants of Rouen, late 17th century (1849). A 19th century version based on an original 17th century manuscript illustration

Wholesale dealers, 15th century (1849). Artist: Thurwanger Freres
Wholesale dealers, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

A brewery, 15th century (1849). Artist: Franz Kellerhoven
A brewery, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Brussels town hall, 17th century (1849). A 19th century version based on an original 17th century manuscript illustration

A carpenters apprentice working at a trial piece, 15th century (1849). From one of the stalls called Misericordes in Rouen Cathedral, France

Professional tradesmen, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels

Merchants, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels

Monnoyeurs et Changeurs, 13th century (1849). Artist: Thurwanger Freres
Monnoyeurs et Changeurs, 13th century (1849). Stained glass from the chapel dedicated to the Virgin Mary in Le Mans Cathedral

Toll bridge, 15th century (1849). Artist: H Moulin
Toll bridge, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Wine making, 13th century (1849). Artist: Thurwanger Freres
Wine making, 13th century (1849). Stained glass window from Le Mans Cathedral. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

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"Sere: A Glimpse into History's Enigmatic Beauty" Step into the enchanting world of "sere, " where art and history intertwine to create captivating representations. From the intricate enamel effigy of Geoffrey V on his tomb at Le Mans Cathedral, crafted by the talented Lemercier in 1849, to the majestic Fort de la Bonnelle standing proudly in Saint-Geosmes, Haute-Marne, France - each image tells a story. The fortresses' weathered walls bear witness to centuries gone by, silently narrating tales of strength and resilience. As we gaze upon these ancient structures, we are transported back in time, imagining the lives that once thrived within their protective embrace. Journey further through time with Jost Ammon's portrayal of a knight from 1565 (1849). The wear and tear etched onto his armor speaks volumes about battles fought and victories won, and is a testament to the bravery and valor displayed by those who wore such attire. But sere does not only capture moments of war; it also encapsulates beauty in its purest form. Agnes Sorel, mistress of King Charles VII of France during the fifteenth century (1849), radiates grace and elegance through her portrait. Her delicate features immortalized for generations to admire. Finally, we encounter Burmese court officials paying homage to an emperor - a glimpse into another culture's rich heritage. Their ornate garments reflect opulence while hinting at traditions passed down through generations. In this collection of images depicting various aspects of life throughout history, "sere" invites us to appreciate both grandeur and subtlety alike. These glimpses into our past remind us that even as time marches forward relentlessly, fragments remain frozen in artful representation - forever capturing our imagination and curiosity.