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Postimpressionism Collection (#7)

Postimpressionism was a groundbreaking art movement that emerged in the late 19th and early 20th centuries, challenging traditional artistic conventions

Background imagePostimpressionism Collection: The Fainting Fit, 1894 (litho on cream wove paper)

The Fainting Fit, 1894 (litho on cream wove paper)
5860540 The Fainting Fit, 1894 (litho on cream wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 38.2--28.1 cm; The Art Institute of Chicago, IL

Background imagePostimpressionism Collection: Jane Avril, from Le Cafe-Concert, 1893 (litho on ivory wove paper)

Jane Avril, from Le Cafe-Concert, 1893 (litho on ivory wove paper)
5859726 Jane Avril, from Le Cafe-Concert, 1893 (litho on ivory wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 43.5--31.8 cm; The Art Institute of Chicago, IL

Background imagePostimpressionism Collection: In the Oise Valley, 1878-80 (graphite, gouache, and w / c)

In the Oise Valley, 1878-80 (graphite, gouache, and w / c)
7286109 In the Oise Valley, 1878-80 (graphite, gouache, and w/c) by Cezanne, Paul (1839-1906); 32.4x50 cm; Metropolitan Museum of Art, New York, USA

Background imagePostimpressionism Collection: Red Rooves of L Estaque, 1883-85 (oil on canvas)

Red Rooves of L Estaque, 1883-85 (oil on canvas)
7272291 Red Rooves of L Estaque, 1883-85 (oil on canvas) by Cezanne, Paul (1839-1906); 65.5x81.4 cm; Private Collection; (add.info.: Original title)

Background imagePostimpressionism Collection: Pastoral landscape with stream, fisherman and strollers, c. 1875-80 (oil on canvas)

Pastoral landscape with stream, fisherman and strollers, c. 1875-80 (oil on canvas)
7262806 Pastoral landscape with stream, fisherman and strollers, c. 1875-80 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 38x46 cm; Private Collection; (add.info)

Background imagePostimpressionism Collection: The outskirts of Paris, c. 1910 (oil on canvas)

The outskirts of Paris, c. 1910 (oil on canvas)
7262766 The outskirts of Paris, c.1910 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 33x41 cm; Private Collection; (add.info.: by Henri Rousseau (1844-1910))

Background imagePostimpressionism Collection: The Seine at Suresnes, c. 1911 (oil on canvas)

The Seine at Suresnes, c. 1911 (oil on canvas)
7262761 The Seine at Suresnes, c.1911 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 46.1x55.2 cm; Private Collection; (add.info.: by Henri Rousseau (1844-1910))

Background imagePostimpressionism Collection: May Milton, 1895 (oil and pastel on cardboard)

May Milton, 1895 (oil and pastel on cardboard)
5860157 May Milton, 1895 (oil and pastel on cardboard) by Toulouse-Lautrec, Henri de (1864-1901); 66.1--49.4 cm; The Art Institute of Chicago, IL

Background imagePostimpressionism Collection: Te burao (The Hibiscus Tree), 1892 (oil on cotton canvas)

Te burao (The Hibiscus Tree), 1892 (oil on cotton canvas)
5859201 Te burao (The Hibiscus Tree), 1892 (oil on cotton canvas) by Gauguin, Paul (1848-1903); 68--90.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Gauguin (1848-1903))

Background imagePostimpressionism Collection: Man with an Ax, 1891-93 (gouache, with pen and black ink on paper) r

Man with an Ax, 1891-93 (gouache, with pen and black ink on paper) r
5861975 Man with an Ax, 1891-93 (gouache, with pen and black ink on paper) r by Gauguin, Paul (1848-1903); 31.7--22.8 cm; The Art Institute of Chicago, IL

Background imagePostimpressionism Collection: Ballet Dancers, 1885 (oil on plaster, transferred to canvas)

Ballet Dancers, 1885 (oil on plaster, transferred to canvas)
5859585 Ballet Dancers, 1885 (oil on plaster, transferred to canvas) by Toulouse-Lautrec, Henri de (1864-1901); 153.5--152.5 cm; The Art Institute of Chicago, IL

Background imagePostimpressionism Collection: Two Tahitian Women in a Landscape, c. 1892 (w / c and gouache)

Two Tahitian Women in a Landscape, c. 1892 (w / c and gouache)
5863034 Two Tahitian Women in a Landscape, c.1892 (w/c and gouache) by Gauguin, Paul (1848-1903); 32.2--23.8 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Gauguin (1848-1903))

Background imagePostimpressionism Collection: Two Maori Women Squatting Down, 1894-95 (zincograph in black ink on cream wove paper)

Two Maori Women Squatting Down, 1894-95 (zincograph in black ink on cream wove paper)
5861981 Two Maori Women Squatting Down, 1894-95 (zincograph in black ink on cream wove paper) by Gauguin, Paul (1848-1903); 28--38 cm; The Art Institute of Chicago, IL

Background imagePostimpressionism Collection: Tahitian Landscape, 1894 (w / c monotype on paper)

Tahitian Landscape, 1894 (w / c monotype on paper)
5861979 Tahitian Landscape, 1894 (w/c monotype on paper) by Gauguin, Paul (1848-1903); 21.7--24.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Gauguin (1848-1903))

Background imagePostimpressionism Collection: Portrait of the Artists Mother (Eve), 1889-90 (gouache, over a white ground, on gray millboard)

Portrait of the Artists Mother (Eve), 1889-90 (gouache, over a white ground, on gray millboard)
5861974 Portrait of the Artists Mother (Eve), 1889-90 (gouache, over a white ground, on gray millboard) by Gauguin, Paul (1848-1903); 17--13 cm; The Art Institute of Chicago, IL

Background imagePostimpressionism Collection: Wood Tankard and Metal Pitcher, 1880 (oil on linen canvas)

Wood Tankard and Metal Pitcher, 1880 (oil on linen canvas)
5861882 Wood Tankard and Metal Pitcher, 1880 (oil on linen canvas) by Gauguin, Paul (1848-1903); 54--65 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Gauguin (1848-1903))

Background imagePostimpressionism Collection: The Carrot Puller, 1885 (black chalk on paper)

The Carrot Puller, 1885 (black chalk on paper)
5861861 The Carrot Puller, 1885 (black chalk on paper) by Gogh, Vincent van (1853-90); 52.5x42.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Vincent van Gogh (1853-1890))

Background imagePostimpressionism Collection: Cottages with a Woman Working in the Middle Ground, 1890 (charcoal, pen, ink)

Cottages with a Woman Working in the Middle Ground, 1890 (charcoal, pen, ink, pastel and chalk on paper)
5860162 Cottages with a Woman Working in the Middle Ground, 1890 (charcoal, pen, ink, pastel and chalk on paper by Gogh, Vincent van (1853-90); 47x62 cm; The Art Institute of Chicago, IL

Background imagePostimpressionism Collection: A Rainy morning (oil on canvas)

A Rainy morning (oil on canvas)
7262772 A Rainy morning (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); Private Collection; (add.info.: by Henri Rousseau (1844-1910))

Background imagePostimpressionism Collection: The Avenue in the Park at Saint Cloud, c. 1908 (oil on canvas)

The Avenue in the Park at Saint Cloud, c. 1908 (oil on canvas)
7262771 The Avenue in the Park at Saint Cloud, c.1908 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); Stadelsches Kunstinstitut, Frankfurt-am-Main

Background imagePostimpressionism Collection: Meadowland (The Pasture), 1910 (oil on canvas)

Meadowland (The Pasture), 1910 (oil on canvas)
7262764 Meadowland (The Pasture), 1910 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 55.3x46 cm; Collection of Ishibashi, Tokyo, Japan; (add.info.: by Henri Rousseau (1844-1910))

Background imagePostimpressionism Collection: Two Lovers, 1888 (oil on canvas)

Two Lovers, 1888 (oil on canvas)
7262760 Two Lovers, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); 32.7x22.8 cm; Private Collection; (add.info.: by Vincent van Gogh (1853-90))

Background imagePostimpressionism Collection: The Haymaker (oil on canvas)

The Haymaker (oil on canvas)
XIR426203 The Haymaker (oil on canvas) by Martin, Henri (1860-1943); Musee Antoine Lecuyer, Saint-Quentin, France

Background imagePostimpressionism Collection: Henri de Toulouse-Lautrec, French post-Impressionist painter, 1894 (b / w photo)

Henri de Toulouse-Lautrec, French post-Impressionist painter, 1894 (b / w photo)
7157544 Henri de Toulouse-Lautrec, French post-Impressionist painter, 1894 (b/w photo) by Sescau, Paul (1858-1926); Private Collection; (add.info.: Henri de Toulouse-Lautrec (1864-1901)

Background imagePostimpressionism Collection: Study of the Artists son by Paul Cezanne, 1850

Study of the Artists son by Paul Cezanne, 1850
3330364 Study of the Artists son by Paul Cezanne, 1850 by Cezanne, Paul (1839-1906); (add.info.: Study of the Artists son by Paul Cezanne (1839-1906) a French artist and post-impressionist painter

Background imagePostimpressionism Collection: I greet thee Maria, c. 1894 (litho)

I greet thee Maria, c. 1894 (litho)
6431703 I greet thee Maria, c.1894 (litho) by Gauguin, Paul (1848-1903); Private Collection; (add.info.: La Orana Maria)

Background imagePostimpressionism Collection: Autumn landscape near Knokke, Belgium, 1894 (oil on canvas)

Autumn landscape near Knokke, Belgium, 1894 (oil on canvas)
5310881 Autumn landscape near Knokke, Belgium, 1894 (oil on canvas) by Baum, Paul (1859-1932); 58.4x75.5 cm; Private Collection; (add.info.: Baum, Paul (1859-1932))

Background imagePostimpressionism Collection: Sien, Facing Left, 1883 (pencil and black chalk on paper)

Sien, Facing Left, 1883 (pencil and black chalk on paper)
7063427 Sien, Facing Left, 1883 (pencil and black chalk on paper) by Gogh, Vincent van (1853-90); 28.5x18 cm; Private Collection; (add.info.: Gogh, Vincent van (1853-90))

Background imagePostimpressionism Collection: Skull of a Skeleton with Burning Cigarette, c. 1886 (oil on canvas)

Skull of a Skeleton with Burning Cigarette, c. 1886 (oil on canvas)
7225175 Skull of a Skeleton with Burning Cigarette, c.1886 (oil on canvas) by Gogh, Vincent van (1853-90); 32.5x24 cm; Van Gogh Museum, Amsterdam, The Netherlands

Background imagePostimpressionism Collection: The Bath (Seville) - Iturrino, Francisco (1864-1924) - c. 1908 - Oil on canvas - 200x174 - Museo

The Bath (Seville) - Iturrino, Francisco (1864-1924) - c. 1908 - Oil on canvas - 200x174 - Museo Carmen Thyssen, Malaga
FIA5398818 The Bath (Seville) - Iturrino, Francisco (1864-1924) - c. 1908 - Oil on canvas - 200x174 - Museo Carmen Thyssen, Malaga by Iturrino, Francisco de (1864-1924); Museo Carmen Thyssen, Malaga

Background imagePostimpressionism Collection: The Small Port, Twilight (oil on canvas)

The Small Port, Twilight (oil on canvas)
7076697 The Small Port, Twilight (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 66x82 cm; Private Collection

Background imagePostimpressionism Collection: The Pier (oil)

The Pier (oil)
7088598 The Pier (oil) by Le Sidaner, Henri Eugene Augustin (1862-1939); Private Collection

Background imagePostimpressionism Collection: Henri de Toulouse-Lautrec, French post-Impressionist painter (b / w photo)

Henri de Toulouse-Lautrec, French post-Impressionist painter (b / w photo)
7157545 Henri de Toulouse-Lautrec, French post-Impressionist painter (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Henri de Toulouse-Lautrec (1864-1901)

Background imagePostimpressionism Collection: Notre Dame de Paris (oil on canvas)

Notre Dame de Paris (oil on canvas)
145488 Notre Dame de Paris (oil on canvas) by Lebourg, Albert-Charles (1849-1928); Private Collection

Background imagePostimpressionism Collection: Brookleton Dale, Youlgrave, Derbyshire, 1928 (oil on canvas)

Brookleton Dale, Youlgrave, Derbyshire, 1928 (oil on canvas)
259386 Brookleton Dale, Youlgrave, Derbyshire, 1928 (oil on canvas) by Pissarro, Lucien (1863-1944); 25.4x20.3 cm; Private Collection

Background imagePostimpressionism Collection: Mother and Child, Tahiti at the front, Figure at the Back (w / c)

Mother and Child, Tahiti at the front, Figure at the Back (w / c)
7076696 Mother and Child, Tahiti at the front, Figure at the Back (w/c) by Gauguin, Paul (1848-1903); Private Collection

Background imagePostimpressionism Collection: Driftwood Collectors on the Cure, 1906-08 (oil on canvas)

Driftwood Collectors on the Cure, 1906-08 (oil on canvas)
7088544 Driftwood Collectors on the Cure, 1906-08 (oil on canvas) by Luce, Maximilien (1858-1941); Private Collection

Background imagePostimpressionism Collection: Street at Meudon (oil on canvas)

Street at Meudon (oil on canvas)
6431041 Street at Meudon (oil on canvas) by Schuffenecker, Claude Emile (1851-1934); 65x74 cm; Private Collection

Background imagePostimpressionism Collection: House by the Water (oil on canvas)

House by the Water (oil on canvas)
7088545 House by the Water (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); Private Collection

Background imagePostimpressionism Collection: Henri de Toulouse-Lautrec in his studio (b / w photo)

Henri de Toulouse-Lautrec in his studio (b / w photo)
7157548 Henri de Toulouse-Lautrec in his studio (b/w photo) by French Photographer, (19th century); Private Collection; (add.info)

Background imagePostimpressionism Collection: Henri de Toulouse-Lautrec, French post-Impressionist painter (b / w photo)

Henri de Toulouse-Lautrec, French post-Impressionist painter (b / w photo)
7157542 Henri de Toulouse-Lautrec, French post-Impressionist painter (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Henri de Toulouse-Lautrec (1864-1901)

Background imagePostimpressionism Collection: 7177140

7177140

Background imagePostimpressionism Collection: 7177118

7177118

Background imagePostimpressionism Collection: An Orchard in Pontoise in Winter, 1877 (oil on canvas)

An Orchard in Pontoise in Winter, 1877 (oil on canvas)
7088591 An Orchard in Pontoise in Winter, 1877 (oil on canvas) by Pissarro, Camille (1830-1903); 46.7x55.9 cm; Private Collection; French, out of copyright

Background imagePostimpressionism Collection: The Music Pavilion Under the Snow (oil on canvas)

The Music Pavilion Under the Snow (oil on canvas)
7088596 The Music Pavilion Under the Snow (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); Private Collection; French, out of copyright

Background imagePostimpressionism Collection: Gerberoy Under the Snow (oil on canvas)

Gerberoy Under the Snow (oil on canvas)
7088592 Gerberoy Under the Snow (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); Private Collection; French, out of copyright

Background imagePostimpressionism Collection: La Porte de Bourgogne, Moret, 1918 (oil on canvas)

La Porte de Bourgogne, Moret, 1918 (oil on canvas)
7088553 La Porte de Bourgogne, Moret, 1918 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 78x63.5 cm; Private Collection; French, out of copyright

Background imagePostimpressionism Collection: 7177148

7177148



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Postimpressionism was a groundbreaking art movement that emerged in the late 19th and early 20th centuries, challenging traditional artistic conventions. Artists like Vincent van Gogh, Georges Seurat, and Henri de Toulouse-Lautrec pushed the boundaries of impressionism to create their own unique styles. In "Ballerina Anna Pavlova, " painted by Sir John Lavery, we see the grace and beauty of the renowned dancer captured on canvas. Lavery's use of vibrant colors and loose brushstrokes exemplifies the postimpressionist style. "The Golf Course, North Berwick" also showcases Lavery's talent for capturing landscapes with his distinct technique. The bold colors and dynamic composition bring life to this sporting scene. Seurat's "Bathers at Asnieres" demonstrates his meticulous pointillist approach. By using small dots of color placed side by side, he creates an optical mixture that gives depth and texture to the painting. Van Gogh's "Cafe table with absinth" is a striking representation of his emotional intensity. The vivid colors and expressive brushwork convey a sense of unease and turmoil within the scene. Another work by Van Gogh, "Vase with Chinese asters and gladioli, " reveals his fascination with nature. The vibrant flowers burst forth from the canvas in a celebration of life's beauty. Toulouse-Lautrec's "Rousse (La Toilette)" offers an intimate glimpse into Parisian nightlife during this period. His distinctive style captures both glamour and vulnerability in this portrayal of a woman preparing herself for an evening out. The abstract piece "Tetrahedra" challenges our perception of reality through its geometric forms. This experimental work reflects how postimpressionists sought new ways to express their ideas beyond traditional representation. In "The Orator of the Strike, " we witness powerful social commentary as artists began addressing political issues through their art.