Postimpressionism Collection (#6)

The Agony in the Garden (Christ in the Garden of Gethsemane), 1889. Found in the Collection of The Norton Museum of Art

Peasant Woman Planting Potatoes, c.1885 (black chalk & charcoal on paper)
7443473 Peasant Woman Planting Potatoes, c.1885 (black chalk & charcoal on paper) by Gogh, Vincent van (1853-90); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By van Gogh)

Boulevard des Italiens, Paris, 1902-03 (painting)
7422814 Boulevard des Italiens, Paris, 1902-03 (painting) by Houbron, Frederic Anatole (1851-1908); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Geography. France)

Wheat Field, 1888 (oil on canvas)
FIA5403684 Wheat Field, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); (add.info.: painting by Vincent Van Gogh); Photo © Fine Art Images

Miss Ida Heath, English Dancer, 1894 (lithograph on cream wove paper)
5859491 Miss Ida Heath, English Dancer, 1894 (lithograph on cream wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 35.5 -- 26.1 cm; The Art Institute of Chicago, IL

Croquis martiniquais, 1887 (w/c, charcoal & pencil on paper)
7407088 Croquis martiniquais, 1887 (w/c, charcoal & pencil on paper) by Gauguin, Paul (1848-1903); 15.8x11.8 cm; Private Collection; (add.info)

The Passenger in Cabin 54, A Cruise, 1896 (colour lithograph on cream wove paper)
5859489 The Passenger in Cabin 54, A Cruise, 1896 (colour lithograph on cream wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 59.8 -- 40 cm; The Art Institute of Chicago, IL

Cover and Frontispiece to Les Vieilles Histoires (Old Stories), 1893 (colour lithograph on cream wove paper)
5859488 Cover and Frontispiece to Les Vieilles Histoires (Old Stories), 1893 (colour lithograph on cream wove paper) by Toulouse-Lautrec

Reverse of Meules de ble, 1888 (gouache, w/c, pen & brush & black ink over pencil on paper)
7395334 Reverse of Meules de ble, 1888 (gouache, w/c, pen & brush & black ink over pencil on paper) by Gogh, Vincent van (1853-90); Private Collection; (add.info)

Mme Lili Grenier, 1875-88 (oil paint with graphite on cardboard))
5859723 Mme Lili Grenier, 1875-88 (oil paint with graphite on cardboard)) by Toulouse-Lautrec, Henri de (1864-1901); 44.7 -- 32.7 cm; The Art Institute of Chicago, IL

Jean Rene Gauguin, 1881 (chalk, brush and wash with pen and ink on paper)
5861594 Jean Rene Gauguin, 1881 (chalk, brush and wash with pen and ink on paper) by Gauguin, Paul (1848-1903); 11.9 -- 1.22 cm; The Art Institute of Chicago, IL

Bar of the Cafe of the rue de Rome, c. 1886 (charcoal and white chalk on blue wove paper)
5859684 Bar of the Cafe of the rue de Rome, c.1886 (charcoal and white chalk on blue wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 34.4 -- 46.2 cm; The Art Institute of Chicago, IL

Two Tahitian Women and a Marquesan Earplug, 1891-93 (pen, brown ink and graphite on parchment)
5860235 Two Tahitian Women and a Marquesan Earplug, 1891-93 (pen, brown ink and graphite on parchment) by Gauguin, Paul (1848-1903); 24 -- 31.8 cm; The Art Institute of Chicago, IL

Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth), 1893-94 (wash, pen)
5861973 Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth), 1893-94 (wash, pen, ink and chalk on paper) by Gauguin

La Macarona in the Costume of a Jockey, 1893 (oil, w/c and charcoal on paper laid down on card)
5860337 La Macarona in the Costume of a Jockey, 1893 (oil, w/c and charcoal on paper laid down on card) by Toulouse-Lautrec, Henri de (1864-1901); 61.9 -- 48.7 cm; The Art Institute of Chicago, IL

At the circus: Horsewoman, 1888 (tambourine with oil on vellum painting)
5862152 At the circus: Horsewoman, 1888 (tambourine with oil on vellum painting) by Toulouse-Lautrec, Henri de (1864-1901); diam: 26.7 cm; The Art Institute of Chicago, IL

Reverse of Cottages among olive and cypress trees, 1889 (oil on canvas)
7395335 Reverse of Cottages among olive and cypress trees, 1889 (oil on canvas) by Gogh, Vincent van (1853-90); Private Collection; (add.info)

Memory of Meijer de Haan, 1896-97 (woodblock print on paper)
5860287 Memory of Meijer de Haan, 1896-97 (woodblock print on paper) by Gauguin, Paul (1848-1903); 10.6 -- 8.1 cm; The Art Institute of Chicago, IL

A Fisherman Drinking Beside His Canoe, 1894 (woodblock print with w/c and gouache on paper)
5860910 A Fisherman Drinking Beside His Canoe, 1894 (woodblock print with w/c and gouache on paper) by Gauguin, Paul (1848-1903); 20.6 -- 14 cm; The Art Institute of Chicago, IL

Portrait of a child, 7 February 1875 (w/c on paper laid down on an original business card)
7407087 Portrait of a child, 7 February 1875 (w/c on paper laid down on an original business card) by Gauguin, Paul (1848-1903); 5.2 x 4.1 cm; Private Collection; (add.info)

Album Cover for Yvette Guilbert, 1894 (lithograph on gray-brown wove paper laid down on board)
5859582 Album Cover for Yvette Guilbert, 1894 (lithograph on gray-brown wove paper laid down on board) by Toulouse-Lautrec, Henri de (1864-1901); 38.4 -- 40.5 cm; The Art Institute of Chicago, IL

Fisherman and bathers at the Aven, 1888 (oil on canvas)
7389878 Fisherman and bathers at the Aven, 1888 (oil on canvas) by Gauguin, Paul (1848-1903); 74.2 x 61 cm; Private Collection; (add.info.: by Paul Gauguin); Photo © Christie's Images

Le Sourire, 1899-1900 (woodcut)
5860145 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL, USA; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack)

Le chapeau rouge, 1886 (oil on canvas)
7388058 Le chapeau rouge, 1886 (oil on canvas) by Gauguin, Paul (1848-1903); 44.5 x 53 cm; Private Collection; (add.info.: The red Hat by Paul Gauguin); Photo © Christie's Images

Vase decore avec feuillage, raisins et animaux (stoneware)
7388060 Vase decore avec feuillage, raisins et animaux (stoneware) by Gauguin, Paul (1848-1903); 24.1x30.5 cm; Private Collection; (add.info)

Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900 (w/c, pencil and pen)
5860165 Caricatures of Gauguin and Governor Gallet, with headpiece from Le sourire, 1900 (w/c, pencil and pen) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL

Le Sourire, 1899-1900 (woodcut)
7388920 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); Private Collection; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack French official)

Le Sourire, 1899-1900 (woodcut)
7388063 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); 35 x 24 cm; Private Collection; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack French)

Le Sourire, 1899-1900 (woodcut)
5860147 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL, USA; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack)

Park of the Saint-Paul Hospital in Saint-Remy-de-Provence, 1889 (oil on canvas)
7378234 Park of the Saint-Paul Hospital in Saint-Remy-de-Provence, 1889 (oil on canvas) by Gogh, Vincent van (1853-90); 64.5x49 cm; Private Collection; (add.info.: Artiste)

Self portrait, 1889 (oil on canvas)
7353751 Self portrait, 1889 (oil on canvas) by Gogh, Vincent van (1853-90); Musee d'Orsay, Paris, France; (add.info.: by Vincent van Gogh (1853-90))

Wheat stacks in Provence, c. 1888 (oil on canvas)
7352683 Wheat stacks in Provence, c.1888 (oil on canvas) by Gogh, Vincent van (1853-90); Rijksmuseum Kroller-Muller, Otterlo, Netherlands; (add.info.: by Vincent van Gogh (1853-1890))

Langlois bridge, 1888 (oil on canvas)
7352669 Langlois bridge, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); Rijksmuseum Kroller-Muller, Otterlo, Netherlands; (add.info.: by Vincent van Gogh (1853-1890))

Flowers in a Blue Vase, c. 1887 (oil on canvas)
7352673 Flowers in a Blue Vase, c.1887 (oil on canvas) by Gogh, Vincent van (1853-90); Rijksmuseum Kroller-Muller, Otterlo, Netherlands; (add.info.: by Vincent van Gogh (1853-1890))

The Sower, c. 1888 (oil on canvas)
7352460 The Sower, c.1888 (oil on canvas) by Gogh, Vincent van (1853-90); Rijksmuseum Kroller-Muller, Otterlo, Netherlands; (add.info.: by Van Gogh (1853-1890))

Tree Trunks (study for La Grande Jatte), 1884 (black conte crayon on ivory laid paper)
5861492 Tree Trunks (study for La Grande Jatte), 1884 (black conte crayon on ivory laid paper) by Seurat, Georges Pierre (1859-91); 47.4 -- 61.5 cm; The Art Institute of Chicago, IL

Entrance hall with Geraniums (oil on canvas)
CUL4934924 Entrance hall with Geraniums (oil on canvas) by Abarzuza y Rodriguez de Arias, Felipe (1871-1948); 74x60 cm; (add.info.: by ABARZUZA, Felipe (1871-1948) Cadiz. Museo de Cadiz); AIC

Bathers, 1914 (oil on canvas)
7226108 Bathers, 1914 (oil on canvas) by Madeline, Paul (1863-1920); 54.4 x 65.3 cm; Private Collection; (add.info.: by Paul Madeline (1863-1920)); Photo © Christie's Images

Merry-Go-Round, 1902-06 (oil on canvas)
7342819 Merry-Go-Round, 1902-06 (oil on canvas) by Prendergast, Maurice Brazil (1858-1924); 87.63 x 107.63 cm; Dallas Museum of Art, Texas

At the Coast, c. 1906 (oil on canvas)
7226110 At the Coast, c. 1906 (oil on canvas) by Madeline, Paul (1863-1920); 65.1 x 81.1 cm; Private Collection; (add.info.: by Paul Madeline (1863-1920)); Photo © Christie's Images

Bleachery at Scheveningen, 1882 (w/c heightened with white gouache)
7312257 Bleachery at Scheveningen, 1882 (w/c heightened with white gouache) by Gogh, Vincent van (1853-90); 31.8 -- 54 cm; J

View from the Wheatfields, 1888 (pen & ink)
7312249 View from the Wheatfields, 1888 (pen & ink) by Gogh, Vincent van (1853-90); 31.2 -- 24.1 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: by Vincent van Gogh (1853-1890))

Colona Romano, 1913 (oil on canvas)
7241661 Colona Romano, 1913 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); (add.info.: Colona Romano. Oil on Canvas)

The Demolisher, 1897-99 (oil on canvas)
7241665 The Demolisher, 1897-99 (oil on canvas) by Signac, Paul (1863-1935); Musee des Beaux-Arts, Nancy, France; (add.info.: The Demolition Worker. Oil on Canvas)

Double harness, 1897 (litho with w/c on paper)
5859897 Double harness, 1897 (litho with w/c on paper) by Toulouse-Lautrec, Henri de (1864-1901); 29.7--58.5 cm; The Art Institute of Chicago, IL

At the Circus: Trained Pony and Baboon, 1899 (pastel with pencil and graphite on paper)
5860048 At the Circus: Trained Pony and Baboon, 1899 (pastel with pencil and graphite on paper) by Toulouse-Lautrec, Henri de (1864-1901); 43.9--26.7 cm; The Art Institute of Chicago, IL

Le Margoin (Mademoiselle Louise Blouet), 1900 (litho on cream wove paper)
5859490 Le Margoin (Mademoiselle Louise Blouet), 1900 (litho on cream wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 50.5--35.9 cm; The Art Institute of Chicago, IL

At the Gaiete Rochechouart: Nicolle, 1893 (lithograph on ivory wove paper)
5859442 At the Gaiete Rochechouart: Nicolle, 1893 (lithograph on ivory wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 37.8--28 cm; The Art Institute of Chicago, IL

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Postimpressionism was a groundbreaking art movement that emerged in the late 19th and early 20th centuries, challenging traditional artistic conventions. Artists like Vincent van Gogh, Georges Seurat, and Henri de Toulouse-Lautrec pushed the boundaries of impressionism to create their own unique styles. In "Ballerina Anna Pavlova, " painted by Sir John Lavery, we see the grace and beauty of the renowned dancer captured on canvas. Lavery's use of vibrant colors and loose brushstrokes exemplifies the postimpressionist style. "The Golf Course, North Berwick" also showcases Lavery's talent for capturing landscapes with his distinct technique. The bold colors and dynamic composition bring life to this sporting scene. Seurat's "Bathers at Asnieres" demonstrates his meticulous pointillist approach. By using small dots of color placed side by side, he creates an optical mixture that gives depth and texture to the painting. Van Gogh's "Cafe table with absinth" is a striking representation of his emotional intensity. The vivid colors and expressive brushwork convey a sense of unease and turmoil within the scene. Another work by Van Gogh, "Vase with Chinese asters and gladioli, " reveals his fascination with nature. The vibrant flowers burst forth from the canvas in a celebration of life's beauty. Toulouse-Lautrec's "Rousse (La Toilette)" offers an intimate glimpse into Parisian nightlife during this period. His distinctive style captures both glamour and vulnerability in this portrayal of a woman preparing herself for an evening out. The abstract piece "Tetrahedra" challenges our perception of reality through its geometric forms. This experimental work reflects how postimpressionists sought new ways to express their ideas beyond traditional representation. In "The Orator of the Strike, " we witness powerful social commentary as artists began addressing political issues through their art.