Outcast Collection

Sarah, Abraham's wife, being barren, offers Hagar her maid to her husband, c.1804 (engraving)
531241 Sarah, Abraham's wife, being barren, offers Hagar her maid to her husband, c.1804 (engraving); (add.info.: Sarah, Abraham's wife, being barren, offers Hagar her maid to her husband)

Rocky landscape with Hagar and Ishmael (oil on canvas)
NGW238899 Rocky landscape with Hagar and Ishmael (oil on canvas) by Gainsborough, Thomas (1727-88); 78.2x95 cm; National Museum Wales; National Museums & Galleries of Wales

Courageous
Sergey Kokinskiy

Girl of the Rodiya Caste in Sri Lanka (b / w photo)
5999719 Girl of the Rodiya Caste in Sri Lanka (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Girl of the Rodiya Caste in Sri Lanka)

British Productions films 1929 and 1930 - The Bondman, The First-Born, The Wrecker, The Burgomaster of Stilemonde, The Woman in White, The Blue Peter, Albino the Outcast, When Knights Were Bold

The ghost of a dead lover draws the bride away from her bridegroom - thou and I together, In the outcast weather Toss and howl and spin

The Outlaw, 1861 (oil on canvas)
2636063 The Outlaw, 1861 (oil on canvas) by Windus, William Lindsay (1822-1907); 36x34 cm; Manchester Art Gallery, UK; (add.info.: Lush wooded landscape seen from a high viewpoint)

Priest visiting a leper in the Middle Ages, illustration from Histoire de France by Jules Michelet (1798-1874)
CHT164376 Priest visiting a leper in the Middle Ages, illustration from Histoire de France by Jules Michelet (1798-1874) (colour engraving) by Bombled

Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash)
651942 Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash) by Chinnery, George (1774-1852); 23.5x18.1 cm; Private Collection; (add.info.: Tanka Boats on the Shore)

"The Outcast", illustration for a feature story
451974 " The Outcast", illustration for a feature story, A Community of Outcasts, from Appletons Journal, March 23, 1872 (litho) by American School

Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo, Book III
STC415842 Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo, Book III, illustration from Ovids Metamorphoses, Florence, 1832 (hand-coloured engraving) by Ademollo

Genevieve of Brabant (chromolitho)
2817033 Genevieve of Brabant (chromolitho) by French School, (19th century); Private Collection; (add.info.: Genevieve of Brabant)

The Charity of Dr Johnson (engraving)
2781023 The Charity of Dr Johnson (engraving) by English School, (19th century); Private Collection; (add.info.: The Charity of Dr Johnson. Illustration for Chatterbox (1889).); © Look and Learn

Ms Lat. Q. v. I. 126 fol. 14 Expulsion from the Garden of Eden
XJL197003 Ms Lat. Q.v.I.126 fol.14 Expulsion from the Garden of Eden, from Book of Hours of Louis d Orleans, 1490 (vellum) by Colombe, Jean (c.1430-c.93); 225x155 cm; National Library, St

Sketch for The Outcast, 1851 (oil on canvas)
1199489 Sketch for The Outcast, 1851 (oil on canvas) by Redgrave, Richard (1804-88); 25.4x34.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

La Repudiee, 1882 (oil on canvas)
1197549 La Repudiee, 1882 (oil on canvas) by Maignan, Albert Pierre Rene (1845-1908); 142x125 cm; Private Collection; Photo eChristies Images; French, out of copyright

Belisarius Begging (pen and gray ink on ivory)
989694 Belisarius Begging (pen and gray ink on ivory) by Karpff, Jean-Jacques Casimir (1770-1829); 12.8x9.8 cm; Private Collection; (add.info.: Belisarius Begging. Jean-Jacques Karpff (1770-1829)

A misericord depicting an elaborately carved hydra, symbolic of the seven deadly sins
NCO313057 A misericord depicting an elaborately carved hydra, symbolic of the seven deadly sins, incorporating a realistic human head, New College Chapel, Oxford

The Leper, after a 16th century manuscript (colour engraving)
CHT164377 The Leper, after a 16th century manuscript (colour engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Ms. Fr. 22532 Fol. 118 Leper, from Le Livre des Proprietez des Choses
CHT164375 Ms.Fr.22532 Fol.118 Leper, from Le Livre des Proprietez des Choses by Barthelemy l Anglais (vellum) by French School, (15th century); Bibliotheque Nationale, Paris

Proposed leper colony, Siberia, Russia. 1893

Leper woman at entrance of hut, Siberia. 1893

Outcast woman outside a house 1871
Outcast woman outside a house. Date: 1871

She saw the children disporting themselves
931006 She saw the children disporting themselves by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Scarlet Letter, published by Metheun & Co circa 1920); British, out of copyright

St. Adelard (c. 752-827) distributing alms (engraving) (b / w photo)
CHT237287 St. Adelard (c.752-827) distributing alms (engraving) (b/w photo) by Burgkmair, Hans (c.1473-1531); Musee d Histoire de la Medecine, Paris

Lepers outside the walls of Jerusalem, 1892 (colour litho)
CHT236340 Lepers outside the walls of Jerusalem, 1892 (colour litho) by Haener, T. de (fl.1892); Private Collection; (add.info.: lepreux au pied des murailles de; ); eArchives Charmet; French

William in the forest, illustration from Cassells History of the United States pub
3502307 William in the forest, illustration from Cassells History of the United States pub. by Petter & Galpin c.1890 (litho) by American School

"There was an Old Man of Whitehaven, who danced a quadrille with a Raven", from A Book of Nonsense
LLM386664 " There was an Old Man of Whitehaven, who danced a quadrille with a Raven", from A Book of Nonsense, published by Frederick Warne and Co

"There was a young lady whose eyes were unique as to colour and size", from A Book of Nonsense
LLM386603 " There was a young lady whose eyes were unique as to colour and size", from A Book of Nonsense, published by Frederick Warne and Co

Homeless man on Blackfriars Bridge, from Wonderful London
STC427930 Homeless man on Blackfriars Bridge, from Wonderful London, published 1926-27 (photogravure) by English Photographer, (20th century); Private Collection; The Stapleton Collection; English

Lepers in Ethiopia, 1898 (coloured engraving)
CHT236343 Lepers in Ethiopia, 1898 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France; eArchives Charmet; French, out of copyright

Betrayed, 1887 (w / c & bodycolour on paper)
1203476 Betrayed, 1887 (w/c & bodycolour on paper) by Langley, Walter (1852-1922); 75x120 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Idle Prentice Turned Away, and Sent to Sea, 1747 (engraving)
1071413 The Idle Prentice Turned Away, and Sent to Sea, 1747 (engraving) by Hogarth, William (1697-1764); 26.4x34.6 cm; Dallas Museum of Art, Texas

"The Modern Wandering Jew", 1880 (colour litho)
1078643 " The Modern Wandering Jew", 1880 (colour litho) by Keppler, Joseph (1838-94); Collection of the New-York Historical Society

Saint Elzear of Sabran healing three Lepers, c. 1373 (alabaster)
3619776 Saint Elzear of Sabran healing three Lepers, c.1373 (alabaster) by French School, (14th century); 43.5x38.5x12 cm; Walters Art Museum, Baltimore

Vashti, the Outcast (engraving)
727504 Vashti, the Outcast (engraving) by American School, (19th century); Private Collection; (add.info.: Vashti, the Outcast)

Out of the Game (oil on canvas)
CH466683 Out of the Game (oil on canvas) by Geoffroy, Henri Jules Jean (1853-1924); 71.1x58.4 cm; Private Collection; (add.info.: hors-concours; ); Photo eChristies Images; French, out of copyright

Dr Johnson (1709-84) at Caves the Publisher, 1854 (oil on canvas)
VFS109729 Dr Johnson (1709-84) at Caves the Publisher, 1854 (oil on canvas) by Wallis, Henry (1830-1916); 49.5x59.7 cm; Private Collection; (add.info)

MS 1-2005, fol. 98r: A Beggar and a Wealthy Pig (?), marginal decoration from
FIT309715 MS 1-2005, fol. 98r: A Beggar and a Wealthy Pig (?), marginal decoration from the Macclesfield Psalter, Use of Sarum, East Anglia, c.1330 (vellum) by English School

Outcast! (engraving)
6016537 Outcast! (engraving) by English School, (19th century); Private Collection; (add.info.: Outcast! Illustration for The Illustrated Sporting and Dramatic News)

Sandstorm
Sergey Kokinskiy

The autist
Gilbert Claes

The Wild Man or the Masquerade of Orson and Valentine, 1566. Creator: Unknown
The Wild Man or the Masquerade of Orson and Valentine, 1566. After Pieter Bruegel the Elder

Mother begging in streets of London 1851
Mother selling flowers from a basket for a bit of money in the Strand, London, while her baby sleeps in her arms. Date: 1851

The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney
The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Great Expectations is the thirteenth novel by Charles Dickens

Job, c1455, (1939). Artist: Jean Fouquet
Job, c1455, (1939). Job is the central figure of the Book of Job in the Bible. The illustration is part of the manuscript Livre d heures d Etienne Chevalier by Jean Fouquet

From the series Hundred Poems by One Hundred Poets: Ono no Takamura, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Ono no Takamura, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Loves Bitter Potion Or Dolly Pregnant. After Discovering She Is Pregnant Dolly Stares Into The Well, Contemplating Suicide. The Broken Pitcher Beside The Well Perhaps Symbolizes Her Lost Virginity

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"The Outcast: A Tale of Ghosts, Rebels, and Redemption" In the realm of British Productions films in 1929 and 1930, an intriguing story unfolded. "The Outcast" captivated audiences with its haunting narrative that explored themes of love, loss, and societal rejection. At the heart of this tale lies the ghost of a dead lover, whose ethereal presence lingers to torment the protagonist's soul. Through mesmerizing cinematography reminiscent of "The Outlaw, " an oil on canvas masterpiece from 1861, viewers were transported into a world where spirits intertwine with mortal lives. Drawing inspiration from historical events and literary works alike, "The Outcast" weaves together various narratives. One such thread takes us back to Hagar and Ishmael in the Desert—an engraving from Dores The Holy Bible—where isolation becomes their only companion. Rorie Oge emerges as another central figure—a wild kerne and defeated rebel seeking solace amidst wolves in John Derricke's woodcut illustration from "The Image of Ireland. " Like Rorie Oge finding kinship among beasts, our protagonist finds unlikely comfort in solitude while navigating his own inner demons. Throughout history, outcasts have found refuge even in dire circumstances. A poignant scene captures a priest visiting a leper during the Middle Ages—a color engraving illustrating compassion amidst adversity from Jules Michelet's "Histoire de France. " As our protagonist grapples with his identity as an outcast, he discovers solace by Tanka Boats on the Shore—the tranquility depicted through delicate pen strokes and washes evoking both longing for belongingness and acceptance within nature's embrace. Yet society continues to dismiss those who do not conform; just like Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo—an episode immortalized in Book III—our hero faces rejection despite his yearning for connection. In the face of adversity, tales of redemption emerge.