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Outcast Collection (#2)

"The Outcast: A Tale of Ghosts, Rebels, and Redemption" In the realm of British Productions films in 1929 and 1930, an intriguing story unfolded

Background imageOutcast Collection: Loves Bitter Potion Or Dolly Pregnant. After Discovering She Is Pregnant Dolly Stares Into The Well

Loves Bitter Potion Or Dolly Pregnant. After Discovering She Is Pregnant Dolly Stares Into The Well, Contemplating Suicide. The Broken Pitcher Beside The Well Perhaps Symbolizes Her Lost Virginity

Background imageOutcast Collection: Four Yellow Apples With One Red Apple In A Row On A Reflective Surface; Calgary, Alberta, Canada

Four Yellow Apples With One Red Apple In A Row On A Reflective Surface; Calgary, Alberta, Canada

Background imageOutcast Collection: The Madman (oil on canvas)

The Madman (oil on canvas)
XIR213228 The Madman (oil on canvas) by Couture, Thomas (1815-79); 62x50 cm; Musee des Beaux-Arts, Rouen, France; (add.info.: homme; femme; folie; mains; etude; demi nu; ); French, out of copyright

Background imageOutcast Collection: Sarah, Abrahams wife, being barren, offers Hagar her maid to her husband. Result

Sarah, Abrahams wife, being barren, offers Hagar her maid to her husband. Result of the union was Ishmael whose name came to mean an outcast. Bible Genesis 16:3. Copperplate engraving c1804

Background imageOutcast Collection: The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney

The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney
The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Great Expectations is the thirteenth novel by Charles Dickens

Background imageOutcast Collection: Job, c1455, (1939). Artist: Jean Fouquet

Job, c1455, (1939). Artist: Jean Fouquet
Job, c1455, (1939). Job is the central figure of the Book of Job in the Bible. The illustration is part of the manuscript Livre d heures d Etienne Chevalier by Jean Fouquet

Background imageOutcast Collection: From the series Hundred Poems by One Hundred Poets: Ono no Takamura, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Ono no Takamura, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Ono no Takamura, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageOutcast Collection: Belgian Refugees - WW1

Belgian Refugees - WW1
Belgian refugees fleeing their homes following the German Army advance into Belgium rest by the roadside. Date: 1914

Background imageOutcast Collection: Hungry Peter as a piglet looking for food

Hungry Peter as a piglet looking for food
The Outcast -- Hungry Peter as a piglet wanders away from the farm looking for more substantial food. Date: 1912

Background imageOutcast Collection: The Outcast. after a Drawing by A. Fripp

The Outcast. after a Drawing by A. Fripp

Background imageOutcast Collection: The Works of Mercy (oil on panel)

The Works of Mercy (oil on panel)
XIR166370 The Works of Mercy (oil on panel) by Master of the Prodigal Son, (fl.1530-60); Musee des Beaux-Arts, Valenciennes, France; Netherlandish, out of copyright

Background imageOutcast Collection: Cissie Milford as Skittles - At The Worlds Mercy

Cissie Milford as Skittles - At The Worlds Mercy
Cissie Milford as Skittles " At The Worlds Mercy." Date: circa 1911

Background imageOutcast Collection: Christ healing the lepers at Capernaum. Mark I. From JJ Tissot The Life of Our Saviour

Christ healing the lepers at Capernaum. Mark I. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Background imageOutcast Collection: The Outcast. after a Drawing by A. Fripp

The Outcast. after a Drawing by A. Fripp

Background imageOutcast Collection: Africa, West Africa, Ghana, Yendi. Close-up shot of woven thatch

Africa, West Africa, Ghana, Yendi. Close-up shot of woven thatch

Background imageOutcast Collection: Isolation through disability, artwork

Isolation through disability, artwork
Isolation through disability, conceptual artwork, Computer image of a wheelchair in a darkened room, representing depression and the social isolation felt by many wheelchair users

Background imageOutcast Collection: EVRV2A-00113

EVRV2A-00113
Tory refugees fleeing to Canada during American Revolution. Hand-colored woodcut of a 19th-century illustration

Background imageOutcast Collection: The Outcast Mother

The Outcast Mother : an erring daughter clutching her illegitimate baby is turned away or cast out



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"The Outcast: A Tale of Ghosts, Rebels, and Redemption" In the realm of British Productions films in 1929 and 1930, an intriguing story unfolded. "The Outcast" captivated audiences with its haunting narrative that explored themes of love, loss, and societal rejection. At the heart of this tale lies the ghost of a dead lover, whose ethereal presence lingers to torment the protagonist's soul. Through mesmerizing cinematography reminiscent of "The Outlaw, " an oil on canvas masterpiece from 1861, viewers were transported into a world where spirits intertwine with mortal lives. Drawing inspiration from historical events and literary works alike, "The Outcast" weaves together various narratives. One such thread takes us back to Hagar and Ishmael in the Desert—an engraving from Dores The Holy Bible—where isolation becomes their only companion. Rorie Oge emerges as another central figure—a wild kerne and defeated rebel seeking solace amidst wolves in John Derricke's woodcut illustration from "The Image of Ireland. " Like Rorie Oge finding kinship among beasts, our protagonist finds unlikely comfort in solitude while navigating his own inner demons. Throughout history, outcasts have found refuge even in dire circumstances. A poignant scene captures a priest visiting a leper during the Middle Ages—a color engraving illustrating compassion amidst adversity from Jules Michelet's "Histoire de France. " As our protagonist grapples with his identity as an outcast, he discovers solace by Tanka Boats on the Shore—the tranquility depicted through delicate pen strokes and washes evoking both longing for belongingness and acceptance within nature's embrace. Yet society continues to dismiss those who do not conform; just like Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo—an episode immortalized in Book III—our hero faces rejection despite his yearning for connection. In the face of adversity, tales of redemption emerge.