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Master Of The Collection (#3)

"Master of the Mystical: Unveiling Ancient Tales and Divine Beauty" Step into a world where ancient myths come to life

Background imageMaster Of The Collection: The Resurrection of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar

The Resurrection of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Resurrection of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Background imageMaster Of The Collection: Lament for Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar

Lament for Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Lament for Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Background imageMaster Of The Collection: Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar

Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Crucifixion, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Background imageMaster Of The Collection: Jesus in the Olive Grove, c1350 (1955). Artist: Master of the Vyssi Brod Altar

Jesus in the Olive Grove, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Jesus in the Olive Grove, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Background imageMaster Of The Collection: The Adoration of the Magi, c1350 (1955). Artist: Master of the Vyssi Brod Altar

The Adoration of the Magi, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Adoration of the Magi, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Background imageMaster Of The Collection: Centre panel of the Ortenberg Altarpiece, c1410-1420. Artist: Master of the Ortenberg Altar

Centre panel of the Ortenberg Altarpiece, c1410-1420. Artist: Master of the Ortenberg Altar
Centre panel of the Ortenberg Altarpiece, c1410-1420. The Virgin and Child surrounded by Saints Anne, Elizabeth, Mary Cleophas, Mary Salome, Agnes (with Lamb), Barbara (with Castle)



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"Master of the Mystical: Unveiling Ancient Tales and Divine Beauty" Step into a world where ancient myths come to life, as captured by the enigmatic "Master of the" fresco in Anagni, Italy. This unknown creator transports us through time with their mesmerizing artwork. In Plate 3, we witness Psyche's two sisters united with kings, an intriguing glimpse into the intricate web of destiny spun by this masterful artist. The following plate reveals Psyche's father seeking guidance from an oracle, setting in motion a series of events that will forever change her fate. As we delve deeper into The Fable of Psyche in Plate 5, our hearts race alongside hers as she is carried on a litter to a mysterious mountain. With each stroke of the brush or chisel, this master crafts an atmosphere filled with anticipation and wonder. Plate 10 unveils nymphs delicately assisting Psyche in adorning her hair—an ethereal scene that showcases not only the artist's technical prowess but also their ability to capture beauty and grace. Meanwhile, Bacchus surrounded by Putti reminds us of the divine presence intertwined within these tales. The Italian close helmet for foot combat takes us away from mythology momentarily but still captivates our attention with its exquisite craftsmanship. This piece serves as a testament to this master's versatility and skill across various subjects. In Plate 30, Venus and Cupid find themselves pleading their case before Jupiter and other gods—a momentous occasion brought forth by our elusive artist's imagination. Their ability to breathe life into these celestial beings leaves us awestruck at their mastery over both form and narrative. Returning once more to The Fable of Psyche in Plate 12, we witness how Psyches' sisters cunningly deceive her about a slumbering serpent—a pivotal moment that propels her towards unforeseen trials and tribulations. "The Coronation of the Virgin" transports us to a realm of divinity, where St.