Master Of The Collection (#2)

The Delivery of the Keys to Peter. Creator: Master of the Die
The Delivery of the Keys to Peter

Christ seated on the tomb supported by angels, 1530-60. Creator: Master of the Die
Christ seated on the tomb supported by angels, 1530-60

Venus removing a thorn from her foot, 1532. Creator: Master of the Die
Venus removing a thorn from her foot, 1532

The conversion of the Centurion who flings his arms open before Christ on the cross, 1532

Manuscript Leaf with the Celebration of a Mass in an Initial S, from an Antiphonary, Italian, second half 15th century

Manuscript Leaf with Saint Benedict Resuscitating a Boy in an Initial D, from an Antiphonary, Italian, second half 15th century

Speculum Romanae Magnificentiae: Naval Battle, 16th century. 16th century
Speculum Romanae Magnificentiae: Naval Battle, 16th century

Village Fair, 16th century. Creator: Master of the Hermitage Sketchbook
Village Fair, 16th century

Adoration of the Shepherds, 1540-60. Creator: Master Of The Liechtenstein Adoration
Adoration of the Shepherds, 1540-60

Adoration of the Shepherds, ca. 1549-50. Creator: Master Of The Liechtenstein Adoration
Adoration of the Shepherds, ca. 1549-50

Madonna and Child Enthroned. Creator: Master of the Magdalen
Madonna and Child Enthroned

Beggars at a Doorway. Creators: Master of the Beguins, Abraham Willemsens
Beggars at a Doorway

Manuscript Leaf with the Nativity in an Initial H, from an Antiphonary, second half 15th century

The Crucifixion, 1481-82. Creator: Circle of the Housebook Master (German, active Middle Rhineland)
The Crucifixion, 1481-82

Saint Anthony the Abbot in the Wilderness, ca. 1435. Creator: Master of the Osservanza Triptych
Saint Anthony the Abbot in the Wilderness, ca. 1435

The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints), ca. 1470

The Vision of Saint Catherine of Alexandria, second half 14th century. Creator: Silvestro
The Vision of Saint Catherine of Alexandria, second half 14th century

The Gopis Plead with Krishna to Return Their Clothing... ca. 1560-65. Creator: Master
The Gopis Plead with Krishna to Return Their Clothing: Folio from " Isarda" Bhagavata Purana, ca. 1560-65. Hindu devotional worship (bhakti)

The Nativity, ca. 1350. Creator: Puccio di Simone
The Nativity, ca. 1350

Maharaja Sidh Sen Receiving an Embassy, ca. 1700-10. Creator: Master of the Mandi atelier
Maharaja Sidh Sen Receiving an Embassy, ca. 1700-10. The subdues palette of grays, greens, and whites and the sophisticated drawing of this unusually large

All Saints in an Initial E or O, ca. 1430-40. Creator: Master of the Osservanza Triptych
All Saints in an Initial E or O, ca. 1430-40

Manuscript Leaf with the Feast of Saint Andrew in an Initial M... second half 15th century
Manuscript Leaf with the Feast of Saint Andrew in an Initial M, from an Antiphonary, second half 15th century

Virgin and Child with Saint Anne Presenting Anna van Nieuwenhove, 1479-82. Creator
Virgin and Child with Saint Anne Presenting Anna van Nieuwenhove, 1479-82

Abners Messenger before David (?); The Queen of Sheba Bringing Gifts to Solomon; The Annunciation, ca. 1480

Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537. Creator
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537

Madonna and Child. Creator: Master of the Lanckoronski Annunciation
Madonna and Child

Birth of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Birth of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Annunciation of the Virgin Mary, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Vyssi Brod Crucifixion, before 1400 (1955). Artist: Master of the Vyssi Brod Altar
The Vyssi Brod Crucifixion, before 1400 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

The Tomb of Christ, Master of the Trebon Altarpiece, about 1380, (1955). Artist: Master of the Trebon Altarpiece
The Tomb of Christ, c1380 (1955). Detail from the Trebon Altarpiece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

St Giles, St Gregory, and St Jerome, c1380 (1955). Artist: Master of the Trebon Altarpiece
St Giles, St Gregory, and St Jerome, c1380 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450

Painting on the reverse of the Trebon Altarpiece, c1380 (1955). Artist: Master of the Trebon Altarpiece
Painting on the reverse of the Trebon Altarpiece, c1380 (1955). St Catherine of Alexandria, St Mary Magdalene and St Margaret of Antioch

The Kaufmann Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Kaufmann Crucifixion, c1350 (1955). Found in the collection of the Gemaldegalerie, Berlin. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Madonna of Kladsko, detail, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Kladsko, detail, c1350 (1955). Middle part of a dismantled wing alter-piece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Madonna of Veveri, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Veveri, c1350 (1955). Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Ascension, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Ascension, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Descent of the Holy Ghost, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Descent of the Holy Ghost, c1350 (1955).Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Resurrection of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Resurrection of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Lament for Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Lament for Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Crucifixion, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Jesus in the Olive Grove, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Jesus in the Olive Grove, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Adoration of the Magi, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Adoration of the Magi, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Centre panel of the Ortenberg Altarpiece, c1410-1420. Artist: Master of the Ortenberg Altar
Centre panel of the Ortenberg Altarpiece, c1410-1420. The Virgin and Child surrounded by Saints Anne, Elizabeth, Mary Cleophas, Mary Salome, Agnes (with Lamb), Barbara (with Castle)

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"Master of the Mystical: Unveiling Ancient Tales and Divine Beauty" Step into a world where ancient myths come to life, as captured by the enigmatic "Master of the" fresco in Anagni, Italy. This unknown creator transports us through time with their mesmerizing artwork. In Plate 3, we witness Psyche's two sisters united with kings, an intriguing glimpse into the intricate web of destiny spun by this masterful artist. The following plate reveals Psyche's father seeking guidance from an oracle, setting in motion a series of events that will forever change her fate. As we delve deeper into The Fable of Psyche in Plate 5, our hearts race alongside hers as she is carried on a litter to a mysterious mountain. With each stroke of the brush or chisel, this master crafts an atmosphere filled with anticipation and wonder. Plate 10 unveils nymphs delicately assisting Psyche in adorning her hair—an ethereal scene that showcases not only the artist's technical prowess but also their ability to capture beauty and grace. Meanwhile, Bacchus surrounded by Putti reminds us of the divine presence intertwined within these tales. The Italian close helmet for foot combat takes us away from mythology momentarily but still captivates our attention with its exquisite craftsmanship. This piece serves as a testament to this master's versatility and skill across various subjects. In Plate 30, Venus and Cupid find themselves pleading their case before Jupiter and other gods—a momentous occasion brought forth by our elusive artist's imagination. Their ability to breathe life into these celestial beings leaves us awestruck at their mastery over both form and narrative. Returning once more to The Fable of Psyche in Plate 12, we witness how Psyches' sisters cunningly deceive her about a slumbering serpent—a pivotal moment that propels her towards unforeseen trials and tribulations. "The Coronation of the Virgin" transports us to a realm of divinity, where St.