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Leonardo Da Vinci Collection (#9)

Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science

Background imageLeonardo Da Vinci Collection: Ecorche head of a man in profile to left, 1660. Creator: Wenceslaus Hollar

Ecorche head of a man in profile to left, 1660. Creator: Wenceslaus Hollar
Ecorche head of a man in profile to left, 1660

Background imageLeonardo Da Vinci Collection: Head of a toothless man with bare, sinewy neck in profile to left, 1648

Head of a toothless man with bare, sinewy neck in profile to left, 1648

Background imageLeonardo Da Vinci Collection: Man with doleful expression to left with hand emerging from cloak, 1625-77

Man with doleful expression to left with hand emerging from cloak, 1625-77

Background imageLeonardo Da Vinci Collection: Head of a muscular old man in profile to left with flowing hair, 1625-77

Head of a muscular old man in profile to left with flowing hair, 1625-77

Background imageLeonardo Da Vinci Collection: Head of a man with serious expression, 1625-77. Creator: Wenceslaus Hollar

Head of a man with serious expression, 1625-77. Creator: Wenceslaus Hollar
Head of a man with serious expression, 1625-77

Background imageLeonardo Da Vinci Collection: Christ proclaiming the law, 1817. Creators: Raphael Morghen, Pietro Ermini

Christ proclaiming the law, 1817. Creators: Raphael Morghen, Pietro Ermini
Christ proclaiming the law, 1817

Background imageLeonardo Da Vinci Collection: Charles VIII, King of France, (c1820s). Artist: Maurin

Charles VIII, King of France, (c1820s). Artist: Maurin
Charles VIII. Roi de France, Charles VIII, King of France, (c1820s). Charles VIII of France (1470-1498) became king in 1483

Background imageLeonardo Da Vinci Collection: Portrait of a Man in Red Chalk, c1512, (1932). Artist: Leonardo da Vinci

Portrait of a Man in Red Chalk, c1512, (1932). Artist: Leonardo da Vinci
Portrait of a Man in Red Chalk, c1512, (1932). From the collection of the Biblioteca Reale, Turin. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Background imageLeonardo Da Vinci Collection: Drawing of Two Halves of a Skull, c1480 (1945). Artist: Leonardo da Vinci

Drawing of Two Halves of a Skull, c1480 (1945). Artist: Leonardo da Vinci
Drawing of Two Halves of a Skull, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Profile to the Right of an Bearded Man, c1480 (1945). Artist: Leonardo da Vinci

Profile to the Right of an Bearded Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Right of an Bearded Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). Artist: Leonardo da Vinci

Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). Artist: Leonardo da Vinci
Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci

Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci

Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci
Two Allegories of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Studies for a Madonna and Child with a Cat, 1478-1480 (1945). Artist: Leonardo da Vinci

Studies for a Madonna and Child with a Cat, 1478-1480 (1945). Artist: Leonardo da Vinci
Studies for a Madonna and Child with a Cat, 1478-1480 (1945). The drawing is held by the Musee Bonnat, Bayonne, France. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci

Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). The drawing is held by the Corsini Gallery, Rome. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: A Spray of a Plant, c1480 (1945). Artist: Leonardo da Vinci

A Spray of a Plant, c1480 (1945). Artist: Leonardo da Vinci
A Spray of a Plant, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: Mona Lisa, c16th century, (1911)

Mona Lisa, c16th century, (1911). Copy of famous portrait of Lisa Gherardini, wife of Francesco del Giocondo, from original work by Leonardo di ser Piero da Vinci (1452-1519)

Background imageLeonardo Da Vinci Collection: Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageLeonardo Da Vinci Collection: Diagram illustrating the theory of light and shade and sketches of figures, c1472-c1519 (1883)

Diagram illustrating the theory of light and shade and sketches of figures, c1472-c1519 (1883)
Diagram illustrating the theory of light and shade and sketches of figures illustrating the movements of the human body, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol

Background imageLeonardo Da Vinci Collection: Study for the head of Christ for The Last Supper, c1495, (1911). Artist: Leonardo da Vinci

Study for the head of Christ for The Last Supper, c1495, (1911). Artist: Leonardo da Vinci
Study for the head of Christ for The Last Supper, c1495. Painting held in the Pinacoteca di Brera, Milan. From A History of Painting Vol. 1 by Haldane MacFall [T.C. and E.C

Background imageLeonardo Da Vinci Collection: Scaramuccia, 1500-1505 (1954). Artist: Leonardo da Vinci

Scaramuccia, 1500-1505 (1954). Artist: Leonardo da Vinci
Scaramuccia, 1500-1505 (1954). Found in the collection of Christ Church Library, Oxford. A print from Leonardo da Vinci by Ludwig H Heydenreich, (London, 1954)

Background imageLeonardo Da Vinci Collection: Cartoon of St Anne with Madonna and Child and St John, 15th century (1930)

Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). Artist: Leonardo da Vinci
Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). From Apollo magazine, volume XII, no 71 (November 1930)

Background imageLeonardo Da Vinci Collection: Proportions of the human figure, c1492, (1936). Artist: Albrecht Durer

Proportions of the human figure, c1492, (1936). Artist: Albrecht Durer
Proportions of the human figure, c1492, (1936). Vitruvian Man. Found in the collection of the Galleria dell Accademia, Venice, Italy

Background imageLeonardo Da Vinci Collection: Heads of Warriors, 1503-1505. Artist: Leonardo da Vinci

Heads of Warriors, 1503-1505. Artist: Leonardo da Vinci
Heads of Warriors, 1503-1505. A study for the Battle of Anghiari. From the collection of the Museum of Fine Art, Budapest, Hungary

Background imageLeonardo Da Vinci Collection: Head of Christ by Leonardo Da Vinci

Head of Christ by Leonardo Da Vinci
Antique illustration of a Head of Christ by Leonardo Da Vinci

Background imageLeonardo Da Vinci Collection: Tomb of Leonardo Bruni

Tomb of Leonardo Bruni
Antique illustration of a Tomb of Leonardo Bruni

Background imageLeonardo Da Vinci Collection: Early mechanical wing aircraft

Early mechanical wing aircraft

Background imageLeonardo Da Vinci Collection: Illustration of Vitruvian man symbol

Illustration of Vitruvian man symbol

Background imageLeonardo Da Vinci Collection: Light and shade

Light and shade
Three Leonardo da Vinci sketches to illustrate linear perspective and light and shade.The upper diagram shows the light from three luminous bodies being projected on to a surface after passing

Background imageLeonardo Da Vinci Collection: Leonardos automatic bobbin winder

Leonardos automatic bobbin winder
Leonardo sketch of an automatic bobbin winder with an exploded view to illustrate the component parts. The crankshaft rotates the bobbin and the connecting rod moves the bobbin back

Background imageLeonardo Da Vinci Collection: The Fight for the Standard from The Battle of Anghiari

The Fight for the Standard from The Battle of Anghiari. Private Collection

Background imageLeonardo Da Vinci Collection: Monna Vanna, ca 1515. Artist: Leonardo da Vinci, (School)

Monna Vanna, ca 1515. Artist: Leonardo da Vinci, (School)
Monna Vanna, ca 1515. Found in the collection of Musee Conde, Chantilly

Background imageLeonardo Da Vinci Collection: Portrait of Leonardo da Vinci (Giovio Series), 1566-1568. Artist: Dell Altissimo

Portrait of Leonardo da Vinci (Giovio Series), 1566-1568. Artist: Dell Altissimo, Cristofano (1525-1605)
Portrait of Leonardo da Vinci (Giovio Series), 1566-1568. Found in the collection of Galleria degli Uffizi, Florence

Background imageLeonardo Da Vinci Collection: Portrait of Isabella d Este, c. 1510. Artist: Leonardo da Vinci, (attributed)

Portrait of Isabella d Este, c. 1510. Artist: Leonardo da Vinci, (attributed)
Portrait of Isabella d Este, c. 1510

Background imageLeonardo Da Vinci Collection: Francis I Receives the Last Breaths of Leonardo da Vinci. Artist: Ingres

Francis I Receives the Last Breaths of Leonardo da Vinci. Artist: Ingres, Jean Auguste Dominique (1780-1867)
Francis I Receives the Last Breaths of Leonardo da Vinci. Found in the collection of Petit Palais, Musee des Beaux-Arts de la Ville de Paris

Background imageLeonardo Da Vinci Collection: Leda and the Swan. Artist: Leonardo da Vinci, (School)

Leda and the Swan. Artist: Leonardo da Vinci, (School)
Leda and the Swan. Found in the collection of Galleria degli Uffizi, Florence

Background imageLeonardo Da Vinci Collection: Head of an Old Man, c15th century, (1932). Artist: Leonardo da Vinci

Head of an Old Man, c15th century, (1932). Artist: Leonardo da Vinci
Head of an Old Man, c15th century, (1932). From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519. [The Studio Limited, William Edwin Rudge, London & New York, 1932]

Background imageLeonardo Da Vinci Collection: Head of the Redeemer, c15th century, (1932). Artist: Leonardo da Vinci

Head of the Redeemer, c15th century, (1932). Artist: Leonardo da Vinci
Head of the Redeemer, c15th century, (1932). From the collection of the Pinacoteca of Brera, Milan. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Background imageLeonardo Da Vinci Collection: Head of a Virgin, c15th century, (1932). Artist: Leonardo da Vinci

Head of a Virgin, c15th century, (1932). Artist: Leonardo da Vinci
Head of a Virgin, c15th century, (1932). Part of the Royal Collection, Windsor Castle. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Background imageLeonardo Da Vinci Collection: Head of a Woman, c15th century, (1932). Artist: Leonardo da Vinci

Head of a Woman, c15th century, (1932). Artist: Leonardo da Vinci
Head of a Woman, c15th century, (1932). From the collection of the Galleria dell Accademia, Florence. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Background imageLeonardo Da Vinci Collection: Study of a Childs Head, 1482-1483, (1932). Artist: Leonardo da Vinci

Study of a Childs Head, 1482-1483, (1932). Artist: Leonardo da Vinci
Study of a Childs Head, 1482-1483, (1932). From the collection of the Musee du Louvre, Paris. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Background imageLeonardo Da Vinci Collection: Leonardo da Vinci 1452-1519. - Selbstbildnis, 1934

Leonardo da Vinci 1452-1519. - Selbstbildnis, 1934
Leonardo da Vinci 1452-1519. 1934. Leonardo di ser Piero da Vinci (1452-1519), more commonly Leonardo da Vinci or simply Leonardo, was an Italian polymath

Background imageLeonardo Da Vinci Collection: Aristotle and Phyllis, c1480 (1945). Artist: Leonardo da Vinci

Aristotle and Phyllis, c1480 (1945). Artist: Leonardo da Vinci
Aristotle and Phyllis, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageLeonardo Da Vinci Collection: St. John the Baptist as a Youth, 1928. Artist: Leonardo da Vinci

St. John the Baptist as a Youth, 1928. Artist: Leonardo da Vinci
St. John the Baptist as a Youth, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageLeonardo Da Vinci Collection: Portrait of a Young Princess, 1928. Artist: Leonardo da Vinci

Portrait of a Young Princess, 1928. Artist: Leonardo da Vinci
Portrait of a Young Princess, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageLeonardo Da Vinci Collection: Study of Motive Apparatus of Flying Machine with Ground Plan of Mechanism of Base, 1928

Study of Motive Apparatus of Flying Machine with Ground Plan of Mechanism of Base, 1928. Artist: Leonardo da Vinci
Study of Motive Apparatus of Flying Machine with Ground Plan of Mechanism of Base, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageLeonardo Da Vinci Collection: Studies of Birds in Flight When Rising and Circling, 1928. Artist: Leonardo da Vinci

Studies of Birds in Flight When Rising and Circling, 1928. Artist: Leonardo da Vinci
Studies of Birds in Flight When Rising and Circling, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Background imageLeonardo Da Vinci Collection: Anatomical Study of Muscles of Foot, 1928. Artist: Leonardo da Vinci

Anatomical Study of Muscles of Foot, 1928. Artist: Leonardo da Vinci
Anatomical Study of Muscles of Foot, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]



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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.