Leonardo Da Vinci Collection (#7)

Ludovico il Moro visiting Leonardo da Vinci in the Refectory of the Santa Maria delle Grazie Convent, Mid of the 19th Century. Private Collection

Virgin and Child, c. 1500. Creator: Leonardo da Vinci (Italian, 1452-1519), circle of
Virgin and Child, c. 1500. Madonna and Child appear in half-length, seated against a dark wall. The Childs body is covered in shadow as he looks over his shoulder at his mother

Leonardo da Vinci, 1795. Creator: Bartolozzi, Francesco (1728-1813)
Leonardo da Vinci, 1795. Found in the Collection of Bibliotheque Nationale de France

Allegory of Painting (The Death of Leonardo da Vinci), c. 1790. Creator: Cades, Giuseppe
Allegory of Painting (The Death of Leonardo da Vinci), c. 1790. Found in the Collection of Bibliotheque Nationale de France

The Death of Leonardo da Vinci in the Arms of Francis I, 1781. Creator: Menageot
The Death of Leonardo da Vinci in the Arms of Francis I, 1781. Found in the Collection of Musee de l Hotel de Ville, Amboise

La belle Feronnaire, c1830. Creator: Francois-Seraphin Delpech
La belle Feronnaire, c1830. Portrait of a lady, usually attributed to Leonardo da Vinci, known as Portrait of an Unknown Woman, reputedly a mistress of Francis I of France

Head of a Young Woman (Study for the Angel in the Virgin of the Rocks ), c1485, (1943). Drawing in the Biblioteca Reale, Turin, Italy

Landscape drawing for Santa Maria della Neve on 5th August 1473, (1943). Creator
Landscape drawing for Santa Maria della Neve on 5th August 1473, (1943). The Arno River Valley and Montelupo Castle in Tuscany, Leonardos earliest-known drawing, made when he was 21 years old

Leonardo da Vinci. Creator: Leonardo Da Vinci, Follower
Leonardo da Vinci. Found in the Collection of Galleria degli Uffizi, Florence

Characters and Caricaturas, 1807, (1827). Creator: Thomas Cook
Characters and Caricaturas, 1807, (1827). Hogarths response to the criticism that his characters were caricatures: above are characters with exaggerated features

Leonardo Da Vinci, (1933). Creator: Unknown
Leonardo Da Vinci, (1933). Portrait of Italian Renaissance artist, sculptor, engineer and inventor Leonardo da Vinci (1452-1519)

The Virgin of the Rocks, c1508, (c1950). Creator: Leonardo da Vinci
The Virgin of the Rocks, c1508, (c1950). Mary bringing the infant St John to be blessed by the Christ Child. Painting in the National Gallery, London

Leonardo da Vinci, ca 1568
Leonardo da Vinci. From: Giorgio Vasari, The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, ca 1568. Private Collection

A Great Feat Partly Accomplished. The Leonardo da Vinci resting in dry dock, 1936. From Shipping Wonders of the World, Vol. 1, edited by Clarence Winchester. [The Amalgamated Press Ltd. London]

Variety of expressions, 1743. Artist: William Hogarth
Variety of expressions, 1743. Over 100 faces, illustrating the infinite variety of expression. Final state of plate

Milan, Sforzesco Castle

Medieval towers. Leonardo da Vinci square. Pavia. Lombardy. Italy

Self-Portrait (Lucan portrait), ca. 1505-1510. Found in the collection of Museo delle Antiche Genti di Lucania

The Madonna with the Laughing Child, 1928. Artist: Leonardo da Vinci
The Madonna with the Laughing Child, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Anatomical drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Anatomical drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Giant crossbow, 1480-1485 (1954). Artist: Leonardo da Vinci
Giant crossbow, 1480-1485 (1954). Codex Atlanticus, 53v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Horses, c1490-1510. Artist: Leonardo da Vinci
Horses, c1490-1510. Left: Three Horses, c1508-1510; right: Two Horses, c1490, both studies for the Trivulzio Monument and found in the collection of the Royal Library, Windsor Castle, Windsor, England

The Last Supper, 1803. Artist: Michael Kock
The Last Supper, 1803. A copy of the famous painting by Leonardo da Vinci in the 1490s

Illustration of Leonardo da Vincis ornithopter flying machine

Leonardo da Vinci sketch for a siege machine
Military machine for firing arrows with a crossbow, designed by Leonardo da Vinci. Woodcut with a watercolor wash

Leonardo da Vinci drawing of a canal dredge
Leonardo da Vincis drawing of a device for excavating a canal. Woodcut reproduction with a watercolor wash

Sir Thomas Coke Baron Lovell Vicount Coke Earl Of Leicester
Sir Thomas Coke, Earl of Leicester, 1697 - 1759. English patron of the arts. During his travels he bought Leonardo da Vinci's Codex Leicester, which is named after him. From a print by W

The Last Supper. After a 19th century engraving by Raphael Morghen from the fresco by Leonardo da Vinci

Portrait of a Man in Red Chalk, after a work by Leonardo da Vinci. It is thought the picture may be a self-portrait. From a copy made by Italian photographer Carlo Naya, 1816 - 1882

Leonardo di ser Piero da Vinci, 1452 - 1519, also known as Leonardo da Vinci or Leonardo. Italian Renaissance polymath: artist, sculptor, architect, musician, scientist, mathematician, engineer

Tintoretto Jacopo Robusti Two Apostles Late 16th century
Tintoretto (Jacopo Robusti): Two Apostles, Tintoretto (Jacopo Robusti), Late 16th century, Oil on canvas, This painting by the Venetian artist Jacopo Tintoretto is likely a fragment of

Last Supper 1834 oil canvas 42 x 68 cm unmarked
The Last Supper, 1834, oil on canvas, 42 x 68 cm, unmarked. On the reverse probably dated by the artist: Milano the 11th of September 1834, Leonardo da Vinci, (Kopie nach / copy after)

hl. John Baptist c. 1505 / 07 oil poplar wood 71 x 52 cm
The hl. John the Baptist, c. 1505/07, oil on poplar wood, 71 x 52 cm, unmarked, Leonardo da Vinci, (Werkstatt (?) / workshop (?)), Anchiano (bei Vinci) 1452-1519 Ambois (bei Tours)

Leonardo da Vinci 1452-1519 painting Oil
Leonardo da Vinci, 1452-1519, painting, Oil, Height, 40 cm (15.7 inches), Width, 31 cm (12.2 inches)

Leonardo da Vinci 1452-1519 painting Watercolor
Leonardo da Vinci, 1452-1519, painting, Watercolor and gouache on parchment

Head screaming man Leonardo da Vinci follower
Head of a screaming man, Leonardo da Vinci (follower of), 1500 - 1600, chalk, h 244 mm × w 166 mm

Leonardo da Vinci Raffaello Morghen Italian 1761-1833
Leonardo da Vinci. Raffaello Morghen (Italian, 1761-1833). Engraving

The Last Supper After Leonardo Da Vinci. From Histoire Des Peintres, eCole Florentine, Published 1876
The Last Supper After Leonardo Da Vinci. From Histoire Des Peintres, ECole Florentine, Published 1876

Leonardo Di Ser Piero Da Vinci, 1452 A

Title-page to Varie Figurae& Probae, 1645. Creator: Wenceslaus Hollar
Title-page to Varie Figurae & Probae, 1645

Head of an old man with tufts of curly hair around ear in profile to left, 1644-52

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Leonardo da Vinci, a true Renaissance genius, left an indelible mark on the world of art and science. His diverse range of works showcased his unparalleled talent and insatiable curiosity. In "Head of a Bear, " created around 1480, da Vinci's attention to detail is evident as he captures the essence of this majestic creature with precision and grace. Similarly, his study on skull anatomy showcases his fascination with understanding the inner workings of the human body. Da Vinci's brilliance extends beyond mere drawings; he also designed innovative weapons like Da Vincis crossbow in 1490. This invention exemplifies his ability to merge creativity with practicality. The artist himself is immortalized in a color portrait from 1490. The intensity in his eyes reflects both determination and passion for his craft. Another iconic work attributed to him is "The Last Supper, " which has been recreated by artists throughout history, including Raphael Morghen and Teodoro Matteini in 1800. One cannot discuss Leonardo da Vinci without mentioning one of his most famous paintings - "Portrait of Cecilia Gallerani, Lady with an Ermine. " This masterpiece captures not only her beauty but also da Vinci's mastery at capturing emotions through subtle gestures. Da Vinci's scientific mind shines through in the Vitruvian Man drawing where he explores the harmony between man and nature. The flare in chest adds an enigmatic touch to this timeless representation. His extensive notes provide insight into his thought process as well as glimpses into various subjects that intrigued him. From anatomy to engineering, these writings showcase da Vinci's relentless pursuit of knowledge. Religion also played a significant role in Leonardo da Vinci's life as seen in "Madonna and Child. " Through delicate brushstrokes, he conveys tenderness between mother and child while infusing spiritual symbolism into every detail. Even maps were not exempt from da Vinci's influence.