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Jean Ignace Isidore Gerard Collection (#4)

Jean Ignace Isidore Gerard, also known as Grandville, was a prolific French artist and caricaturist who left an indelible mark on the art world

Background imageJean Ignace Isidore Gerard Collection: The Hunt from The Complete Works of Beranger, 1836

The Hunt from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Big Orgy from The Complete Works of Beranger, 1836

The Big Orgy from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: Robin, the Friend from The Complete Works of Beranger, 1836

Robin, the Friend from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Blind Man of Bagnolet from The Complete Works of Beranger, 1836

The Blind Man of Bagnolet from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: Request of quality dogs from The Complete Works of Beranger, 1836

Request of quality dogs from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Bell Ringer from The Complete Works of Beranger, 1836. Creator: John Thompson

The Bell Ringer from The Complete Works of Beranger, 1836. Creator: John Thompson
The Bell Ringer from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Tailor and the Fairy from The Complete Works of Beranger, 1836

The Tailor and the Fairy from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Fiddler of Meudon from The Complete Works of Beranger, 1836

The Fiddler of Meudon from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Swallows from The Complete Works of Beranger, 1836

The Swallows from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Fifth of May from The Complete Works of Beranger, 1836

The Fifth of May from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: Shooting Stars from The Complete Works of Beranger, 1836

Shooting Stars from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The favorite object of his studies is the collection of Idylles by Madame Deshouliè

The favorite object of his studies is the collection of Idylles by Madame Deshouliè
The favorite object of his studies is the collection of Idylles by Madame Deshoulieres from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageJean Ignace Isidore Gerard Collection: The Son of the Pope from The Complete Works of Beranger, 1836. Creator: H Designe

The Son of the Pope from The Complete Works of Beranger, 1836. Creator: H Designe
The Son of the Pope from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Exiled from The Complete Works of Beranger, 1836. Creator: Auguste Raffet

The Exiled from The Complete Works of Beranger, 1836. Creator: Auguste Raffet
The Exiled from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Exiled Angel from The Complete Works of Beranger, 1836

The Exiled Angel from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The rippling water seems to be mocking our misfortune. from the Little Miseries of Human

The rippling water seems to be mocking our misfortune. from the Little Miseries of Human Life, 1843

Background imageJean Ignace Isidore Gerard Collection: The diligence is gone!!! from the Little Miseries of Human Life, 1843. Creator: Brugnot

The diligence is gone!!! from the Little Miseries of Human Life, 1843. Creator: Brugnot
The diligence is gone!!! from the Little Miseries of Human Life, 1843

Background imageJean Ignace Isidore Gerard Collection: The Relics from The Complete Works of Beranger, 1836

The Relics from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Daughter of the People from The Complete Works of Beranger, 1836

The Daughter of the People from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Puppets from The Complete Works of Beranger, 1836. Creator: John Thompson

The Puppets from The Complete Works of Beranger, 1836. Creator: John Thompson
The Puppets from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Capuchins from The Complete Works of Beranger, 1836. Creator: John Thompson

The Capuchins from The Complete Works of Beranger, 1836. Creator: John Thompson
The Capuchins from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: Prediction of Nostradamus from The Complete Works of Beranger, 1836

Prediction of Nostradamus from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Prisonners Fire from The Complete Works of Beranger, 1836

The Prisonners Fire from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Child of Good Breeding from The Complete Works of Beranger, 1836

The Child of Good Breeding from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: Poniatowski from The Complete Works of Beranger, 1836. Creator: Auguste Raffet

Poniatowski from The Complete Works of Beranger, 1836. Creator: Auguste Raffet
Poniatowski from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: Only his belly was remarkable from Scenes from the Private and Public Life of Anima

Only his belly was remarkable from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageJean Ignace Isidore Gerard Collection: The Proprietor from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Proprietor from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageJean Ignace Isidore Gerard Collection: We live between ourselves, we hate the nuisances and the visits from Scenes from th

We live between ourselves, we hate the nuisances and the visits from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageJean Ignace Isidore Gerard Collection: Thirteen at the Table from The Complete Works of Beranger, 1836

Thirteen at the Table from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Vivandiere from The Complete Works of Beranger, 1836

The Vivandiere from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Traveler from The Complete Works of Beranger, 1836

The Traveler from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Third Husband from The Complete Works of Beranger, 1836

The Third Husband from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Spanish Fly from The Complete Works of Beranger, 1836

The Spanish Fly from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Potbellied Man from The Complete Works of Beranger, 1836

The Potbellied Man from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Parish Singers from The Complete Works of Beranger, 1836. Creator: Cherrier

The Parish Singers from The Complete Works of Beranger, 1836. Creator: Cherrier
The Parish Singers from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Opinion of these Ladies from The Complete Works of Beranger, 1836

The Opinion of these Ladies from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The occupations of my contemplative life were very simple from Scenes from the Pri

The occupations of my contemplative life were very simple from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageJean Ignace Isidore Gerard Collection: The Keys to Paradise from The Complete Works of Beranger, 1836

The Keys to Paradise from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Hunter and the Milkmaid from The Complete Works of Beranger, 1836

The Hunter and the Milkmaid from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Guardian Angel from The Complete Works of Beranger, 1836. Creator: Cherrier

The Guardian Angel from The Complete Works of Beranger, 1836. Creator: Cherrier
The Guardian Angel from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Fleeing Muse from The Complete Works of Beranger, 1836

The Fleeing Muse from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Female Cat from The Complete Works of Beranger, 1836. Creator: John Thompson

The Female Cat from The Complete Works of Beranger, 1836. Creator: John Thompson
The Female Cat from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: The Death of the Devil from The Complete Works of Beranger, 1836

The Death of the Devil from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: Praise of Chicken from The Complete Works of Beranger, 1836. Creator: Lacoste

Praise of Chicken from The Complete Works of Beranger, 1836. Creator: Lacoste
Praise of Chicken from The Complete Works of Beranger, 1836

Background imageJean Ignace Isidore Gerard Collection: One does not bother an honest man with trifles like this

One does not bother an honest man with trifles like this. from the Little Miseries of Human Life, 1843

Background imageJean Ignace Isidore Gerard Collection: Another world. Transformations, visions, incarnations, ascensions, locomotions?, metamorphoses

Another world. Transformations, visions, incarnations, ascensions, locomotions?, metamorphoses
Another world. Transformations, visions, incarnations, ascensions, locomotions, metamorphoses, apotheoses and some other things, 1844 (1947). From The Art of the French Book, edited by Andre Lejard



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Jean Ignace Isidore Gerard, also known as Grandville, was a prolific French artist and caricaturist who left an indelible mark on the art world. His works spanned various genres and mediums, showcasing his immense talent and creativity. In "Metamorphoses of the Day" (1829), Gerard invites us to ponder upon the expedition unfolding before our eyes. With intricate details and vivid colors, he captures the essence of this transformative journey, leaving us in awe of his artistic prowess. Through "Les Fleurs Animees" (1847), Gerard brings flowers to life, personifying them with human characteristics. In "Nenuphar, " we witness a delicate water lily gracefully blooming under Geoffroy's brush strokes. The enchanting beauty portrayed in this artwork is truly mesmerizing. Gerard's involvement in mythological themes is evident in his masterpiece "Judgement of Paris" (1829-31). This captivating piece depicts the iconic moment when Paris must decide which goddess deserves the golden apple. Langlumé's skillful execution transports us back to ancient times, immersing us in Greek mythology. With a touch of humor, Gerard portrays everyday situations that resonate with all of us. In "Jerome Paturot" (1846), he illustrates comical scenes from Louis Reybaud's novel that highlight societal quirks and misfortunes we can all relate to. Amidst these light-hearted depictions lies deeper social commentary. Through works like "Scenes from the Private and Public Life of Animals, " Gerard sheds light on injustices faced by society's marginalized members. These thought-provoking pieces challenge our perceptions while urging us towards empathy and understanding. Gerard's versatility shines through even further with his illustrations for Beranger's complete works (1836). From clowns to political satire, each drawing showcases his ability to capture emotion and convey powerful messages through his art.