Jean Ignace Isidore Gerard Collection (#3)

All that remains is to close the blessed trunk! from the Little Miseries of Human Life, 1843

A whirlwind of smoke and ashes seizes the air you breathe. from the Little Miseries of Human Life, 1843

Happy to get away with it so cheaply. from the Little Miseries of Human Life, 1843

The Old Minstrel from The Complete Works of Beranger, 1836. Creator: John Thompson
The Old Minstrel from The Complete Works of Beranger, 1836

The Barbaric Holy Alliance from The Complete Works of Beranger, 1836

The Sylph from The Complete Works of Beranger, 1836

Private and Public Life of Animals; Scenes of Customs, ca. 1837-47

We will be at your door at noon without fail. from the Little Miseries of Human Life, 1843

The Old Flag from The Complete Works of Beranger, 1836

The Old Vagabond from The Complete Works of Beranger, 1836

Orangutans from The Complete Works of Beranger, 1836

Only everywhere are water faucets, watering cans of any shape, shovels and pots of any size. from the Little Miseries of Human Life, 1843

We are going to incise the muscles, saw the bones, in a word, heal the sick from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Old Bachelor from The Complete Works of Beranger, 1836

One would be able to blame you for three years if you dropped their hat. from the Little Miseries of Human Life, 1843

Wait your turn, Monsieur... I had that first. from the Little Miseries of Human Life, 1843

The Neighbor from The Complete Works of Beranger, 1836. Creator: John Thompson
The Neighbor from The Complete Works of Beranger, 1836

Old clothes, old military stripes from The Complete Works of Beranger, 1836

The Old Corporal from The Complete Works of Beranger, 1836. Creator: Auguste Raffet
The Old Corporal from The Complete Works of Beranger, 1836

Ugliness and Beauty from The Complete Works of Beranger, 1836

The Myrmidons from The Complete Works of Beranger, 1836

Now, I understand the mother wolf of Rome from Scenes from the Private and Public Life of Animals, ca. 1837-47

To pay the landlord, a very harsh man, whose name was M. Vautour from Scenes from the Private and Public Life of Animals, ca. 1837-47

Time from The Complete Works of Beranger, 1836. Creator: Jean Ignace Isidore Gerard
Time from The Complete Works of Beranger, 1836

The Missionaries from The Complete Works of Beranger, 1836

The Boxers from The Complete Works of Beranger, 1836. Creator: John Thompson
The Boxers from The Complete Works of Beranger, 1836

The Little Red Man from The Complete Works of Beranger, 1836

The Wolf pleading against the Fox, in front of the Monkey, ca. 1838

The Marquis of Carabas from The Complete Works of Beranger, 1836

The Wedding Night from The Complete Works of Beranger, 1836. Creator: Cherrier
The Wedding Night from The Complete Works of Beranger, 1836

The Gypsies from The Complete Works of Beranger, 1836

The grieving widow gives them both the right to do well.... And they both retain an eternal grudge with each other. from the Little Miseries of Human Life, 1843

The Two Sisters of Charity from The Complete Works of Beranger, 1836

The God of Good People from The Complete Works of Beranger, 1836

The Good Pope from The Complete Works of Beranger, 1836

The Broken Violin from The Complete Works of Beranger, 1836

The Good God from The Complete Works of Beranger, 1836. Creator: John Thompson
The Good God from The Complete Works of Beranger, 1836

The Poor Woman from The Complete Works of Beranger, 1836

The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Wandering Jew from The Complete Works of Beranger, 1836

The Reverend Fathers from The Complete Works of Beranger, 1836

The first show that struck me was the wonderful activity of these people from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Tombs of July from The Complete Works of Beranger, 1836. Creator: Auguste Raffet
The Tombs of July from The Complete Works of Beranger, 1836

The Gauls and the Franks from The Complete Works of Beranger, 1836

The Five Stages from The Complete Works of Beranger, 1836

The Poor Putti from The Complete Works of Beranger, 1836

The Hunt from The Complete Works of Beranger, 1836

The Big Orgy from The Complete Works of Beranger, 1836

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Jean Ignace Isidore Gerard, also known as Grandville, was a prolific French artist and caricaturist who left an indelible mark on the art world. His works spanned various genres and mediums, showcasing his immense talent and creativity. In "Metamorphoses of the Day" (1829), Gerard invites us to ponder upon the expedition unfolding before our eyes. With intricate details and vivid colors, he captures the essence of this transformative journey, leaving us in awe of his artistic prowess. Through "Les Fleurs Animees" (1847), Gerard brings flowers to life, personifying them with human characteristics. In "Nenuphar, " we witness a delicate water lily gracefully blooming under Geoffroy's brush strokes. The enchanting beauty portrayed in this artwork is truly mesmerizing. Gerard's involvement in mythological themes is evident in his masterpiece "Judgement of Paris" (1829-31). This captivating piece depicts the iconic moment when Paris must decide which goddess deserves the golden apple. Langlumé's skillful execution transports us back to ancient times, immersing us in Greek mythology. With a touch of humor, Gerard portrays everyday situations that resonate with all of us. In "Jerome Paturot" (1846), he illustrates comical scenes from Louis Reybaud's novel that highlight societal quirks and misfortunes we can all relate to. Amidst these light-hearted depictions lies deeper social commentary. Through works like "Scenes from the Private and Public Life of Animals, " Gerard sheds light on injustices faced by society's marginalized members. These thought-provoking pieces challenge our perceptions while urging us towards empathy and understanding. Gerard's versatility shines through even further with his illustrations for Beranger's complete works (1836). From clowns to political satire, each drawing showcases his ability to capture emotion and convey powerful messages through his art.