Fraud Blocker Skip to main content

Galleries Collection (page 6)

Galleries have the power to transport us through time and space, allowing us to explore different cultures, eras, and perspectives

Background imageGalleries Collection: Serena Rescued by the Red-Cross Knight (engraving)

Serena Rescued by the Red-Cross Knight (engraving)
5220322 Serena Rescued by the Red-Cross Knight (engraving) by English School, (19th century); Private Collection; (add.info.: Serena Rescued by the Red-Cross Knight)

Background imageGalleries Collection: New Mansion, Museum, and Galleries, Barnard Castle (engraving)

New Mansion, Museum, and Galleries, Barnard Castle (engraving)
5204611 New Mansion, Museum, and Galleries, Barnard Castle (engraving) by English School, (19th century); Private Collection; (add.info.: New Mansion, Museum, and Galleries, Barnard Castle)

Background imageGalleries Collection: Connoisseurs Examining a Collection of George Morland s, 1807 (engraving)

Connoisseurs Examining a Collection of George Morland s, 1807 (engraving)
2562208 Connoisseurs Examining a Collection of George Morland s, 1807 (engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: George Morland (26 June 1763 - 29 October 1804)

Background imageGalleries Collection: Romeo and Juliet (colour litho)

Romeo and Juliet (colour litho)
6020559 Romeo and Juliet (colour litho) by Dicksee, Frank (1853-1928) (after); Private Collection; (add.info.: Romeo and Juliet)

Background imageGalleries Collection: Ariadne (colour litho)

Ariadne (colour litho)
6020554 Ariadne (colour litho) by Lavery, John (1856-1941) (after); Private Collection; (add.info.: Ariadne. Illustration for Great Pictures in Private Galleries (Cassell)

Background imageGalleries Collection: Hercules wrestling with Death for the body of Alcestis (colour litho)

Hercules wrestling with Death for the body of Alcestis (colour litho)
6020547 Hercules wrestling with Death for the body of Alcestis (colour litho) by Leighton, Frederic (1830-96) (after); Private Collection; (add.info)

Background imageGalleries Collection: Photo of a group of workmen who presented the address to King Edward VII at the opening of

Photo of a group of workmen who presented the address to King Edward VII at the opening of the Victoria
6032960 Photo of a group of workmen who presented the address to King Edward VII at the opening of the Victoria and Albert Museum (b/w photo) by English Photographer

Background imageGalleries Collection: The Duke of Edinburgh opening the Yorkshire Exhibition of Arts and Manufactures at Leeds (engraving)

The Duke of Edinburgh opening the Yorkshire Exhibition of Arts and Manufactures at Leeds (engraving)
1611869 The Duke of Edinburgh opening the Yorkshire Exhibition of Arts and Manufactures at Leeds (engraving) by Robinson, Charles (1840-81); Private Collection; (add.info)

Background imageGalleries Collection: Preparing for the Ulster Convention at Belfast (b / w photo)

Preparing for the Ulster Convention at Belfast (b / w photo)
1614988 Preparing for the Ulster Convention at Belfast (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Preparing for the Ulster Convention at Belfast)

Background imageGalleries Collection: The International Exhibition, Plan of the Galleries (engraving)

The International Exhibition, Plan of the Galleries (engraving)
1587818 The International Exhibition, Plan of the Galleries (engraving) by English School, (19th century); Private Collection; (add.info.: The International Exhibition, Plan of the Galleries)

Background imageGalleries Collection: Arnold Mitchell, Architect (colour litho)

Arnold Mitchell, Architect (colour litho)
3652252 Arnold Mitchell, Architect (colour litho) by English School, (20th century); Private Collection; (add.info.: Arnold Mitchell, Architect)

Background imageGalleries Collection: Germanisches Nationalmuseum, Nuremberg (b / w photo)

Germanisches Nationalmuseum, Nuremberg (b / w photo)
3095174 Germanisches Nationalmuseum, Nuremberg (b/w photo) by German Photographer (20th Century); Private Collection; (add.info.: Germanisches Nationalmuseum, Nuremberg. Postcard, early 20th century)

Background imageGalleries Collection: Kelvingrove Art Gallery and Museum, Glasgow (colour photo)

Kelvingrove Art Gallery and Museum, Glasgow (colour photo)
3094850 Kelvingrove Art Gallery and Museum, Glasgow (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Kelvingrove Art Gallery and Museum, Glasgow)

Background imageGalleries Collection: A gallery in the Louvre, Paris, 1890-1900 (chromolitho)

A gallery in the Louvre, Paris, 1890-1900 (chromolitho)
942808 A gallery in the Louvre, Paris, 1890-1900 (chromolitho) by French Photographer, (19th century); Private Collection; The Stapleton Collection; French, out of copyright

Background imageGalleries Collection: The Exhibition Room at Somerset House, London Ackermanns Repository of Arts

The Exhibition Room at Somerset House, London Ackermanns Repository of Arts
810287 The Exhibition Room at Somerset House, London Ackermanns Repository of Arts, 1809 (coloured aquatint) by Rowlandson, T.(1756-1827) & Pugin

Background imageGalleries Collection: The aberrations of womens suffragism, suffragette that cuts Venus with knife blows... (colour litho)

The aberrations of womens suffragism, suffragette that cuts Venus with knife blows... (colour litho)
2815632 The aberrations of womens suffragism, suffragette that cuts Venus with knife blows... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageGalleries Collection: Former Dutch sailor who, in revenge against the State, ruins the famous painting in Amsterdam

Former Dutch sailor who, in revenge against the State, ruins the famous painting in Amsterdam... (colour litho)
2815406 Former Dutch sailor who, in revenge against the State, ruins the famous painting in Amsterdam... (colour litho) by Beltrame

Background imageGalleries Collection: Architectural design by Mr Arthur Adam (engraving)

Architectural design by Mr Arthur Adam (engraving)
602328 Architectural design by Mr Arthur Adam (engraving) by English School, (19th century); Private Collection; (add.info.: The National Gallery, architectural design by Mr Arthur Adam)

Background imageGalleries Collection: George Washingtons wine cooler (sheffield-plated silver)

George Washingtons wine cooler (sheffield-plated silver)
mask, pendant, cooler, bucket, wine-cooler, circular, bottle, inscription, container, handles, wine, bottle-sleeve, drink, handle, oval, rings, wirework, metalwork, four, galleries, cooling

Background imageGalleries Collection: Second tier galleries of the amphitheatre at Nimes, from Antiquites de la France

Second tier galleries of the amphitheatre at Nimes, from Antiquites de la France
468641 Second tier galleries of the amphitheatre at Nimes, from AntiquitA©s de la France: Vol I, Monuments de Nimes (engraving) by French School

Background imageGalleries Collection: Queens Head Inn, Southwark, c. 1881 (b / w photo)

Queens Head Inn, Southwark, c. 1881 (b / w photo)
JHL394934 Queens Head Inn, Southwark, c.1881 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: From a series of 120 photographs by the Society for Photographing Relics of Old)

Background imageGalleries Collection: Atalanta (colour litho)

Atalanta (colour litho)
6020552 Atalanta (colour litho) by Leighton, Frederic (1830-96) (after); Private Collection; (add.info.: Atalanta. Illustration for Great Pictures in Private Galleries (Cassell)

Background imageGalleries Collection: Evangeline (colour litho)

Evangeline (colour litho)
6020549 Evangeline (colour litho) by Boughton, George Henry (1833-1905) (after); Private Collection; (add.info.: Evangeline)

Background imageGalleries Collection: Street of balconies in the Vieux Carre, New Orleans, 1925 (b / w photo)

Street of balconies in the Vieux Carre, New Orleans, 1925 (b / w photo)
PNP405113 Street of balconies in the Vieux Carre, New Orleans, 1925 (b/w photo) by American Photographer, (20th century); Private Collection; Peter Newark American Pictures; American, out of copyright

Background imageGalleries Collection: Interior of the Crystal Palace, 1851 (coloured lithograph)

Interior of the Crystal Palace, 1851 (coloured lithograph)
5903992 Interior of the Crystal Palace, 1851 (coloured lithograph) by Butler, Augustus (fl.1854); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imageGalleries Collection: From Dickinsons Comprehensive Pictures of the Great Exhibition of 1851

From Dickinsons Comprehensive Pictures of the Great Exhibition of 1851
5904011 From Dickinsons Comprehensive Pictures of the Great Exhibition of 1851, published 1854 India No. 3, 1854 (coloured lithograph) by English School

Background imageGalleries Collection: From Dickinsons Comprehensive Pictures of the Great Exhibition of 1851

From Dickinsons Comprehensive Pictures of the Great Exhibition of 1851
5903991 From Dickinsons Comprehensive Pictures of the Great Exhibition of 1851, published 1854 The Foreign Nave, 1851 (coloured lithograph) by English School

Background imageGalleries Collection: Testing the Galleries of the Great Exhibition Building (engraving)

Testing the Galleries of the Great Exhibition Building (engraving)
1625438 Testing the Galleries of the Great Exhibition Building (engraving) by English School, (19th century); Private Collection; (add.info.: Testing the Galleries of the Great Exhibition Building)

Background imageGalleries Collection: Richard invited to assume the crown, 25th June 1483, from A Chronicle of England BC 55 to

Richard invited to assume the crown, 25th June 1483, from A Chronicle of England BC 55 to
984794 Richard invited to assume the crown, 25th June 1483, from A Chronicle of England BC 55 to AD 1485 pub. London, 1863 (colour litho) by Doyle

Background imageGalleries Collection: Amsterdam Stock Exchange, 1609 (etching)

Amsterdam Stock Exchange, 1609 (etching)
1765792 Amsterdam Stock Exchange, 1609 (etching) by Dutch School, (17th century); 43.2A--60.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info)

Background imageGalleries Collection: The Misers (engraving)

The Misers (engraving)
5220339 The Misers (engraving) by Teniers, David the Younger (1610-90) (after); Private Collection; (add.info.: The Misers)

Background imageGalleries Collection: The Money Changers (engraving)

The Money Changers (engraving)
5220328 The Money Changers (engraving) by Massys or Metsys, Quentin (c.1465-1530) (after); Private Collection; (add.info.: The Money Changers)

Background imageGalleries Collection: The Raising of Jairus Daughter (engraving)

The Raising of Jairus Daughter (engraving)
5220323 The Raising of Jairus Daughter (engraving) by Holst, Theodor M. von (1810-44) (after); Private Collection; (add.info.: The Raising of Jairus Daughter)

Background imageGalleries Collection: Napoleon in the Prison of Nice, 1794 (engraving)

Napoleon in the Prison of Nice, 1794 (engraving)
5220312 Napoleon in the Prison of Nice, 1794 (engraving) by Ward, Edgar Melville (1839-1915) (after); Private Collection; (add.info.: Napoleon in the Prison of Nice, 1794)

Background imageGalleries Collection: General Post Office, East Loading Stage, Galleries (b / w photo)

General Post Office, East Loading Stage, Galleries (b / w photo)
3650521 General Post Office, East Loading Stage, Galleries (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: General Post Office, East Loading Stage, Galleries)

Background imageGalleries Collection: The Art Gallery, Birmingham (colour photo)

The Art Gallery, Birmingham (colour photo)
3091249 The Art Gallery, Birmingham (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The Art Gallery, Birmingham)

Background imageGalleries Collection: Wolverhampton Art Gallery, Lichfield Street (b / w photo)

Wolverhampton Art Gallery, Lichfield Street (b / w photo)
3091237 Wolverhampton Art Gallery, Lichfield Street (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Wolverhampton Art Gallery, Lichfield Street)

Background imageGalleries Collection: Walker Art Gallery, Liverpool (colour photo)

Walker Art Gallery, Liverpool (colour photo)
3094645 Walker Art Gallery, Liverpool (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Walker Art Gallery, Liverpool)

Background imageGalleries Collection: The Wallace Collection, Manchester Square (colour photo)

The Wallace Collection, Manchester Square (colour photo)
3094870 The Wallace Collection, Manchester Square (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The Wallace Collection, Manchester Square)

Background imageGalleries Collection: The Tate Gallery, Millbank, London (colour photo)

The Tate Gallery, Millbank, London (colour photo)
3093759 The Tate Gallery, Millbank, London (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The Tate Gallery, Millbank, London)

Background imageGalleries Collection: The Jubilee of Her Majesty the Queen (litho)

The Jubilee of Her Majesty the Queen (litho)
1050713 The Jubilee of Her Majesty the Queen (litho) by Renouard, Charles Paul (1845-1924) (after); Private Collection; (add.info.: The Jubilee of Her Majesty the Queen)

Background imageGalleries Collection: Gardens at the Chateau de Vallery, from Les Plus Belles Bastiments de France

Gardens at the Chateau de Vallery, from Les Plus Belles Bastiments de France
STC172735 Gardens at the Chateau de Vallery, from Les Plus Belles Bastiments de France, published 1570s (engraving) by Ducerceau, J

Background imageGalleries Collection: The Duke and Duchess of Connaught at Gibraltar (engraving)

The Duke and Duchess of Connaught at Gibraltar (engraving)
1106639 The Duke and Duchess of Connaught at Gibraltar (engraving) by English School, (19th century); Private Collection; (add.info.: The Duke and Duchess of Connaught at Gibraltar)

Background imageGalleries Collection: Illusionistic Ceiling with a Grape Arbor, Figures Poised on Galleries, and a Central

Illusionistic Ceiling with a Grape Arbor, Figures Poised on Galleries, and a Central Scene of Olympian Gods, c. 1570/1580

Background imageGalleries Collection: Lady Lever Art Gallery and Gardens, Port Sunlight, Merseyside, 9th July 1992

Lady Lever Art Gallery and Gardens, Port Sunlight, Merseyside, 9th July 1992

Background imageGalleries Collection: Many Liverpool schoolchildren, now on summer holidays, spend at least a few hours of one

Many Liverpool schoolchildren, now on summer holidays, spend at least a few hours of one day in visits to the citys museum and the Walker Art Gallery

Background imageGalleries Collection: Artist Jeremy Fry at Robert Fraser Gallery 1969

Artist Jeremy Fry at Robert Fraser Gallery 1969



All Professionally Made to Order for Quick Shipping

Galleries have the power to transport us through time and space, allowing us to explore different cultures, eras, and perspectives. From the iconic painting "Scotland Forever" depicting a heroic charge during the Battle of Waterloo, to Wandsworth Prison in south west London that once held notorious criminals, galleries hold stories that captivate our imagination. The Guggenheim Museum on 5th Avenue in Manhattan stands as a testament to architectural brilliance and houses some of the most renowned contemporary art collections worldwide. In contrast, Batchelor's "The Picture of the Year" at Raven Gallery in Tucson's Barrio Historico District captures raw emotions frozen in time. Even plans like the Crystal Palace Plan showcase visionary ideas for urban spaces. Meanwhile, Lowry Centre at dusk paints a mesmerizing picture of Salford Quays' vibrant skyline in Manchester and can not limited by geographical boundaries; they can be found even in unexpected places like The Galleries nestled within Gibraltar's unique landscape. Another Guggenheim Museum also graces New York City with its presence—two distinct locations sharing artistic wonders. Delving into history takes us back to 1945 when Kansas City Museum stood as a beacon of knowledge and culture amidst post-war chaos. And who could forget an advert for White City Greyhound Racing from 1932—a glimpse into popular entertainment during that era? Lastly, The Courtauld Institute offers intellectual nourishment with its extensive collection of masterpieces spanning centuries. These galleries serve as gateways into worlds unknown or forgotten—an invitation for all to appreciate beauty and expand their horizons. In essence, they can windows into humanity's past triumphs and struggles while simultaneously inspiring future generations towards creativity and innovation.