Galleries Collection (page 5)

Exposition Bijoux d Art, late 19th to early 20th century (colour litho)
747131 Exposition Bijoux d Art, late 19th to early 20th century (colour litho) by French School; Private Collection; (add.info.: Lithograph by E)

Exhibition of Dusseldorf Artists at the Kunstgewerbe Museum, Dusseldorf (colour litho)
747079 Exhibition of DAosseldorf Artists at the Kunstgewerbe Museum, DAosseldorf (colour litho) by German School, (20th century); Private Collection; (add.info.: Kunstgewerbe Museum)

Interior of the Bodleian Library, 1903 (colour litho)
STC364723 Interior of the Bodleian Library, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: The Bodleian Library)

The pantomime from the clowns point of view (engraving)
584943 The pantomime from the clowns point of view (engraving) by English School, (19th century); Private Collection; (add.info.: The pantomime from the clowns point of view; from Illustrated Times)

Edwardes Brothers & Burke, trade card (engraving)
610438 Edwardes Brothers & Burke, trade card (engraving) by English School, (19th century); Private Collection; (add.info.: Edwardes Brothers & Burke)

Workmen testing the galleries in Westminster Abbey (engraving)
603532 Workmen testing the galleries in Westminster Abbey (engraving) by English School, (19th century); Private Collection; (add.info.: Workmen testing the galleries in Westminster Abbey)

Gallery of paintings in Dulwich College (engraving)
605086 Gallery of paintings in Dulwich College (engraving) by English School, (19th century); Private Collection; (add.info.: Gallery of paintings in Dulwich College)

The geometrical ascent to the galleries in the Coloseum, Regents Park (engraving)
558231 The geometrical ascent to the galleries in the Coloseum, Regents Park (engraving) by English School, (19th century); Private Collection; (add.info)

The George Inn Yard, Southwark, c. 1881 (b / w photo)
JHL394935 The George Inn Yard, Southwark, c.1881 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: From a series of 120 photographs by the Society for Photographing Relics of Old)

The Oxford Arms, Warwick Lane, 1875 (b / w photo)
JHL394912 The Oxford Arms, Warwick Lane, 1875 (b/w photo) by Bool, Alfred & Bool, John (fl.1870s); Private Collection; (add.info)

Kings Head Inn Yard, Southwark, c. 1881 (b / w photo)
JHL394915 Kings Head Inn Yard, Southwark, c.1881 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: From a series of 120 photographs by the Society for Photographing Relics of Old)

The Military Tournament at the Agricultural Hall, the Soldiers Quarters in the Galleries (engraving)
1056197 The Military Tournament at the Agricultural Hall, the Soldiers Quarters in the Galleries (engraving) by Dadd, Frank (1851-1929) (after); Private Collection; (add.info)

Key to a photo of a group of workmen who presented the address to King Edward VII at the opening of the Victoria
6032965 Key to a photo of a group of workmen who presented the address to King Edward VII at the opening of the Victoria and Albert Museum (ink on paper) by English School

Plan of the Galleries of the International Exhibition Building (engraving)
1620327 Plan of the Galleries of the International Exhibition Building (engraving) by Dower, John (fl.c.1845-55); Private Collection; (add.info)

South East View of the Taylor Building and University Galleries
1216755 South East View of the Taylor Building and University Galleries (watercolour with bodycolour over graphite) by Mackenzie, Frederick (c.1788-1854); 22.8x35.5 cm; Ashmolean Museum

The National Museum in Bangkok, c. 1890 (b / w photo)
423761 The National Museum in Bangkok, c.1890 (b/w photo) by Lenz, Robert (fl.1890s); Private Collection; Photo eLuca Tettoni; out of copyright

The interior of a picture gallery (oil on canvas)
6173296 The interior of a picture gallery (oil on canvas) by Janssens, H. (1624-93) & Ehrenberg, W. van (1630-c.1676); 133.7x204.8 cm; Private Collection; Photo eChristies Images; Flemish

The Earls of Desmond and Ormond (colour litho)
6020546 The Earls of Desmond and Ormond (colour litho) by Maclise, Daniel (1806-70) (after); Private Collection; (add.info.: The Earls of Desmond and Ormond)

After the Ball, Venice (colour litho)
6020550 After the Ball, Venice (colour litho) by Ruben, Franz Leo (1842-1920); Private Collection; (add.info.: After the Ball, Venice)

Petra, Site of the City, Jeremiah XLIX, 16 (engraving)
5220342 Petra, Site of the City, Jeremiah XLIX, 16 (engraving) by Bartlett, William Henry (1809-54); Private Collection; (add.info.: Petra, Site of the City, Jeremiah XLIX, 16)

The Sanctuary (engraving)
5220340 The Sanctuary (engraving) by Ward, Edgar Melville (1839-1915) (after); Private Collection; (add.info.: The Sanctuary)

The Good Shepherd (engraving)
5220316 The Good Shepherd (engraving) by Murillo, Bartolome Esteban (1618-82) (after); Private Collection; (add.info.: The Good Shepherd)

The Baggage Waggon (engraving)
5220311 The Baggage Waggon (engraving) by Clennell, Luke (1781-1840) (after); Private Collection; (add.info.: The Baggage Waggon)

The Captives in Babylon (engraving)
5220327 The Captives in Babylon (engraving) by European School, (19th century); Private Collection; (add.info.: The Captives in Babylon)

The Snake in the Grass (engraving)
5220310 The Snake in the Grass (engraving) by Reynolds, Joshua (1723-92) (after); Private Collection; (add.info.: The Snake in the Grass)

Submarine Blasting (engraving)
5207120 Submarine Blasting (engraving) by American School, (19th century); Private Collection; (add.info.: Submarine Blasting)

The Premises of the Architectural Union Company, Conduit-Street, London (engraving)
5213521 The Premises of the Architectural Union Company, Conduit-Street, London (engraving) by English School, (19th century); Private Collection; (add.info)

The British Department viewed from the Transept (The Great Exhibition)
5903993 The British Department viewed from the Transept (The Great Exhibition), 1851 (coloured lithograph) by English School, (19th century); Courtesy of the Warden and Scholars of New College

Art-Progress (litho)
780237 Art-Progress (litho) by Leech, John (1817-64); Private Collection; (add.info.: Artist (!) " Now, mum! Take orf yer ead for sixpence, or yer ole body for a shillin

A poster announcing A. D. Pepercorns Watercolour show at Goupil Galleries
747081 A poster announcing A.D. Pepercorns Watercolour show at Goupil Galleries (colour litho) by English School, (20th century); Private Collection; (add.info.: Lithograph by J.S)

An artists campsite (colour litho)
2783931 An artists campsite (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: An artists camp)

Paris (colour litho)
2797834 Paris (colour litho) by English School, (19th century); Private Collection; (add.info.: Paris. Illustration for card from game called The Kingdoms Of Europe by John Jaques, late 19th century)

Thomas Walker and Peter Monamy, c. 1735 (oil on canvas)
2968161 Thomas Walker and Peter Monamy, c.1735 (oil on canvas) by Hamilton, Gawen (c.1697-1737); 61.6x53.3 cm; The Art Institute of Chicago, IL, USA; (add.info.: Peter Monamy (1670-1749)

The entrance to Coade and Sealys (engraving)
605064 The entrance to Coade and Sealys (engraving) by Rawle, Samuel (1771-1860); Private Collection; (add.info.: The entrance to Coade and Sealys gallery of sculpture of artificial stone)

The Old Bell Inn, High Holborn, inner courtyard, c. 1884 (b / w photo)
JHL394944 The Old Bell Inn, High Holborn, inner courtyard, c.1884 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info)

Paris, the Demolition of the Tuileries (engraving)
1044093 Paris, the Demolition of the Tuileries (engraving) by English School, (19th century); Private Collection; (add.info.: Paris, the Demolition of the Tuileries)

Sketches at Gibraltar (engraving)
1060249 Sketches at Gibraltar (engraving) by Boot, William Henry James (1848-1918) (after); Private Collection; (add.info.: Sketches at Gibraltar)

Mr Fielding, what do you think of these pictures? This is Art
3057508 Mr Fielding, what do you think of these pictures? This is Art, Private View at the Grosvenor Gallery (pen & ink on paper) by Du Maurier

Dining Hall, Charterhouse, London (b / w photo)
3095044 Dining Hall, Charterhouse, London (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Dining Hall, Charterhouse, London. Postcard, early 20th century)

The National Gallery and St Martins Church, London (litho)
3094804 The National Gallery and St Martins Church, London (litho) by English School, (20th century); Private Collection; (add.info.: The National Gallery and St Martins Church, London)

Library, Houses of Parliament (b / w photo)
3092519 Library, Houses of Parliament (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Library, Houses of Parliament)

South African Public Library (b / w photo)
3092370 South African Public Library (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: South African Public Library)

At the Gallery (colour litho)
3094678 At the Gallery (colour litho) by English School, (20th century); Private Collection; (add.info.: At the Gallery. Postcard, early 20th century.); © Look and Learn

The Statue Gallery, Chatsworth House (b / w photo)
3096719 The Statue Gallery, Chatsworth House (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Statue Gallery, Chatsworth House)

L Opprime Prenant Conscience De Sa Force by Albert Guilloux, The Lady Lever Art Gallery, Port Sunlight (b / w photo)
3095237 L Opprime Prenant Conscience De Sa Force by Albert Guilloux, The Lady Lever Art Gallery, Port Sunlight (b/w photo) by English Photographer

General view of G Browns Portrait Galleries (engraving)
614324 General view of G Browns Portrait Galleries (engraving) by English School, (19th century); Private Collection; (add.info.: General view of G Browns Portrait Galleries)

The Errand Boy (engraving)
5220325 The Errand Boy (engraving) by Wilkie, David (1785-1841) (after); Private Collection; (add.info.: The Errand Boy. Illustration for Royal Gems from the Galleries of Europe engraved after)

All Professionally Made to Order for Quick Shipping

Galleries have the power to transport us through time and space, allowing us to explore different cultures, eras, and perspectives. From the iconic painting "Scotland Forever" depicting a heroic charge during the Battle of Waterloo, to Wandsworth Prison in south west London that once held notorious criminals, galleries hold stories that captivate our imagination. The Guggenheim Museum on 5th Avenue in Manhattan stands as a testament to architectural brilliance and houses some of the most renowned contemporary art collections worldwide. In contrast, Batchelor's "The Picture of the Year" at Raven Gallery in Tucson's Barrio Historico District captures raw emotions frozen in time. Even plans like the Crystal Palace Plan showcase visionary ideas for urban spaces. Meanwhile, Lowry Centre at dusk paints a mesmerizing picture of Salford Quays' vibrant skyline in Manchester and can not limited by geographical boundaries; they can be found even in unexpected places like The Galleries nestled within Gibraltar's unique landscape. Another Guggenheim Museum also graces New York City with its presence—two distinct locations sharing artistic wonders. Delving into history takes us back to 1945 when Kansas City Museum stood as a beacon of knowledge and culture amidst post-war chaos. And who could forget an advert for White City Greyhound Racing from 1932—a glimpse into popular entertainment during that era? Lastly, The Courtauld Institute offers intellectual nourishment with its extensive collection of masterpieces spanning centuries. These galleries serve as gateways into worlds unknown or forgotten—an invitation for all to appreciate beauty and expand their horizons. In essence, they can windows into humanity's past triumphs and struggles while simultaneously inspiring future generations towards creativity and innovation.