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Discourse Collection (#7)

"Discourse: A Tapestry of Conversations and Declarations" In the midst of historical turning points, it has played a pivotal role in shaping societies and ideologies

Background imageDiscourse Collection: L Assiette au Beurre, number 473, Satirique en couleurs, 1910_4_23: Feminism anti

L Assiette au Beurre, number 473, Satirique en couleurs, 1910_4_23: Feminism anti
ICA4916121 L Assiette au Beurre, number 473, Satirique en couleurs, 1910_4_23: Feminism anti, Elections, Suffrage universal, Political meeting, Suffragism - Women - by Radiguet

Background imageDiscourse Collection: Manila and its Environs: A Scene (watercolour with bodycolour)

Manila and its Environs: A Scene (watercolour with bodycolour)
1767250 Manila and its Environs: A Scene (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); Private Collection; (add.info.: Manila and its Environs: A Scene)

Background imageDiscourse Collection: Laughter, Satirical in Colors, 1912_12_7: A Bale: the Gospel according to Saint Jaures

Laughter, Satirical in Colors, 1912_12_7: A Bale: the Gospel according to Saint Jaures
ICA4865528 Laughter, Satirical in Colors, 1912_12_7: A Bale: the Gospel according to Saint Jaures - Religion, Congres, Socialism, Bale

Background imageDiscourse Collection: Sages in Religious Discussion, c. 1680 (w / c & gold paint on paper)

Sages in Religious Discussion, c. 1680 (w / c & gold paint on paper)
1196810 Sages in Religious Discussion, c.1680 (w/c & gold paint on paper) by Mughal School, (17th century); 43.9x34.6 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageDiscourse Collection: A Market in Granada (oil on canvas)

A Market in Granada (oil on canvas)
1197529 A Market in Granada (oil on canvas) by Fernandez Alvarado, Jose (1871-1935); 48x57.9 cm; Private Collection; (add.info.: Fernandez Alvarado)

Background imageDiscourse Collection: Womens Club, 1848 - Womens Club, c. 1848 (litho)

Womens Club, 1848 - Womens Club, c. 1848 (litho)
LSE4078126 Womens Club, 1848 - Womens Club, c.1848 (litho) by French School, (19th century); Bibliotheque Historique de la Ville de Paris, Paris, France; (add.info.: Womens Club, 1848 - Womens Club)

Background imageDiscourse Collection: Les Grandes Journees de l Hotel de Ville de Paris by A

Les Grandes Journees de l Hotel de Ville de Paris by A
JLJ4634209 Les Grandes Journees de l Hotel de Ville de Paris by A. Mercier, illustrated by Louis Bombled (1862-1927): February 24, 1848

Background imageDiscourse Collection: Camille Desmoulins (1760-1794) haranged the patriots in the gardens of the Palais Royal

Camille Desmoulins (1760-1794) haranged the patriots in the gardens of the Palais Royal
JLJ4569738 Camille Desmoulins (1760-1794) haranged the patriots in the gardens of the Palais Royal Premiere scene of the French revolution in Paris: on 12/07/1789

Background imageDiscourse Collection: Illustration taken from the book 'Joan of Arc '

Illustration taken from the book "Joan of Arc "
JLJ4624937 Illustration taken from the book " Joan of Arc " by Theodore Cahu and illustrated by Paul De Semant (1855-1915)

Background imageDiscourse Collection: The farewell of Napoleon I Bonaparte (1769-1821) in the courtyard of the Cheval Blanc in

The farewell of Napoleon I Bonaparte (1769-1821) in the courtyard of the Cheval Blanc in
JLJ4620067 The farewell of Napoleon I Bonaparte (1769-1821) in the courtyard of the Cheval Blanc in Fontainebleau on April 20, 1814. In " Napoleon" by Georges Montorgueil

Background imageDiscourse Collection: The Poet Educating Peasants, 1929 (oil on canvas)

The Poet Educating Peasants, 1929 (oil on canvas)
JLJ4621976 The Poet Educating Peasants, 1929 (oil on canvas) by Pierre, Gustave (1875-1939); Musee Des Beaux-Arts, Reims, France; Photo ePhoto Josse; Musee des Beaux-Arts, Reims; French

Background imageDiscourse Collection: Opening speech of the Reichstag by William II on May 6, 1890 (1859-1941)

Opening speech of the Reichstag by William II on May 6, 1890 (1859-1941)
JLJ4593571 Opening speech of the Reichstag by William II on May 6, 1890 (1859-1941). Engraving from 1890. Private collection

Background imageDiscourse Collection: Etruscan civilization: 'The magistrate of Perugia Aulus Metellus says

Etruscan civilization: "The magistrate of Perugia Aulus Metellus says
LRI4593318 Etruscan civilization: " The magistrate of Perugia Aulus Metellus says the Speaker or the Arringatore" Bronze sculpture, 1st century BC From Pila, Italy Dim 179 cm - Florence

Background imageDiscourse Collection: French Revolution: Motion made at the Royal Palace by Camille Desmoulins (1760-1794

French Revolution: Motion made at the Royal Palace by Camille Desmoulins (1760-1794
JLJ4616899 French Revolution: Motion made at the Royal Palace by Camille Desmoulins (1760-1794) on 12 July 1789. Engraving by Berthaut after Prior

Background imageDiscourse Collection: Portrait of Uncle Dominique in Lawyer Painting by Paul Cezanne (1839-1906) 1866 Sun

Portrait of Uncle Dominique in Lawyer Painting by Paul Cezanne (1839-1906) 1866 Sun
JLJ4576584 Portrait of Uncle Dominique in Lawyer Painting by Paul Cezanne (1839-1906) 1866 Sun. 0, 65x0, 54 m Paris, musee d Orsay by Cezanne, Paul (1839-1906); Musee d Orsay, Paris

Background imageDiscourse Collection: Horace Vernet shares the discovery of the daguerreotype in Monsieur Irisson

Horace Vernet shares the discovery of the daguerreotype in Monsieur Irisson
JLJ4600496 Horace Vernet shares the discovery of the daguerreotype in Monsieur Irissons living room (10 rue Antin, the evening of August 10, 1839)

Background imageDiscourse Collection: French Revolution, 1789: Jacobin vocifering a motion in the gallery

French Revolution, 1789: Jacobin vocifering a motion in the gallery
JLJ4595650 French Revolution, 1789: Jacobin vocifering a motion in the gallery. Gouache des Freres Lesueur (18th century), 18th century

Background imageDiscourse Collection: After Dinner Conversation (pencil and ink on paper)

After Dinner Conversation (pencil and ink on paper)
1195769 After Dinner Conversation (pencil and ink on paper) by Yakunchikova, Maria (1870-1902); 34.9x50 cm; Private Collection; (add.info.: Yakunchikova)

Background imageDiscourse Collection: The Sunbathers, 1921 (pencil and w / c on paper)

The Sunbathers, 1921 (pencil and w / c on paper)
1199620 The Sunbathers, 1921 (pencil and w/c on paper) by Tuke, Henry Scott (1858-1929); 25.7x36.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageDiscourse Collection: The Politicians, (oil on canvas)

The Politicians, (oil on canvas)
989762 The Politicians, (oil on canvas) by Worms, Jules (1832-1914); 73.7x101.6 cm; Private Collection; (add.info.: The Politicians; Les Politiciens. Jules Worms (1832-1914). Oil on canvas

Background imageDiscourse Collection: Figures in an Interior, (oil on canvas)

Figures in an Interior, (oil on canvas)
989436 Figures in an Interior, (oil on canvas) by Lami, Eugene-Louis (1800-90); 54.6x60.3 cm; Private Collection; (add.info.: Figures in an Interior. Eugene Louis Lami (1800-1890). Oil on canvas

Background imageDiscourse Collection: The Six Immortal Poets, Edo Period (ink & colour on paper)

The Six Immortal Poets, Edo Period (ink & colour on paper)
3062966 The Six Immortal Poets, Edo Period (ink & colour on paper) by Sori, Hishikawa (fl.1798-1840); 122.2x69.5 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Background imageDiscourse Collection: Abelard and Heloise: Pierre Abelard or Abailard (1079-1142

Abelard and Heloise: Pierre Abelard or Abailard (1079-1142
XEE4409313 Abelard and Heloise: Pierre Abelard or Abailard (1079-1142) became monk of the abbey of Saint Denis. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century

Background imageDiscourse Collection: Representation of Polyhymnia, Muse of sacred hymn and eloquence

Representation of Polyhymnia, Muse of sacred hymn and eloquence
XEE4417221 Representation of Polyhymnia, Muse of sacred hymn and eloquence. From " Mythology of Youth" by Pierre Blanchard 1803

Background imageDiscourse Collection: Richelieu delivered the speech, in the name of the clerk

Richelieu delivered the speech, in the name of the clerk
LSE4103646 Richelieu delivered the speech, in the name of the clerk, at the closing meeting of the States Generals of 1614 - in " Richelieu" by Maurice Leloir

Background imageDiscourse Collection: Ancient Rome: tribune proposing a new law - Liebig Chromolithography, v. 1900

Ancient Rome: tribune proposing a new law - Liebig Chromolithography, v. 1900
LSE4103939 Ancient Rome: tribune proposing a new law - Liebig Chromolithography, v.1900 by French School, (20th century); Private Collection; (add.info.: Ancient Rome)

Background imageDiscourse Collection: Royaumont Bible, New Testament: Sermon on the mountain. Jesus Christ chooses twelve

Royaumont Bible, New Testament: Sermon on the mountain. Jesus Christ chooses twelve
XEE4137998 Royaumont Bible, New Testament: Sermon on the mountain. Jesus Christ chooses twelve Apoters of his disciples, and makes before them and before a great people the Sermon

Background imageDiscourse Collection: depart of King Louis XVIII on 19 March 1815 - Louis XVIII addresses the army to ask him

depart of King Louis XVIII on 19 March 1815 - Louis XVIII addresses the army to ask him
XEE4159101 depart of King Louis XVIII on 19 March 1815 - Louis XVIII addresses the army to ask him to remain faithful, while promising forgiveness and forgetting to the " children egars"

Background imageDiscourse Collection: Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist presented to

Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist presented to
XEE4143168 Jean Baptiste (Jean-Baptiste) Andre Dumas (1800-1884) French chemist presented to the Academy of Sciences his report on the invention Ruolz and Elkington

Background imageDiscourse Collection: Cloviss last words: 'Unhappy I am! i remain like a traveller among

Cloviss last words: "Unhappy I am! i remain like a traveller among
XEE4113735 Cloviss last words: " Unhappy I am! i remain like a traveller among strangers and i no longer have parents to support me if adversity comes." Chromolithography of the Series

Background imageDiscourse Collection: Cola di Rienzo (1314-1354), in the campaign to become a tribune of the Roman people

Cola di Rienzo (1314-1354), in the campaign to become a tribune of the Roman people
GIA4800719 Cola di Rienzo (1314-1354), in the campaign to become a tribune of the Roman people, explains to the people of Rome the frescoes he had installed in the Capitol symbolizing the agony of

Background imageDiscourse Collection: Lecture on the Universal Exhibition of Philadelphia given at the Theatre du Chateau d

Lecture on the Universal Exhibition of Philadelphia given at the Theatre du Chateau d
XEE4181094 Lecture on the Universal Exhibition of Philadelphia given at the Theatre du Chateau d eau by Victor Hugo (1802-1885) and Louis Blanc (1811-1882)

Background imageDiscourse Collection: Jesus preaches to the crowd - Jesus preaching to the multitude - Jesus prechant before

Jesus preaches to the crowd - Jesus preaching to the multitude - Jesus prechant before
XEE4163411 Jesus preaches to the crowd - Jesus preaching to the multitude - Jesus prechant before the crowd - - engraving in " The Bible illustree" by Gustave Dore (1832-1883)

Background imageDiscourse Collection: Marcus Atilius Regulus before the Roman Senate - The Roman consul Marcus Atilius Regulus

Marcus Atilius Regulus before the Roman Senate - The Roman consul Marcus Atilius Regulus
XEE4164387 Marcus Atilius Regulus before the Roman Senate - The Roman consul Marcus Atilius Regulus (about 256 BC) before the Roman Senate - in " Popular history of science

Background imageDiscourse Collection: L Hirondelle et les petits Oiseaux - The Swallow And The Little Birds - from

L Hirondelle et les petits Oiseaux - The Swallow And The Little Birds - from
XEE4156122 L Hirondelle et les petits Oiseaux - The Swallow And The Little Birds - from Fables by Jean de La Fontaine (Lafontaine) (1621-95) - engraving after Gustave Dore (1832-83)

Background imageDiscourse Collection: A Japanese Preacher - engraving from 'Usi e Costumi di Tutti i i Popoli

A Japanese Preacher - engraving from "Usi e Costumi di Tutti i i Popoli
XEE4155794 A Japanese Preacher - engraving from " Usi e Costumi di Tutti i i Popoli dell Universo. Ovvero Storia del governo, delle leggi, della milizia

Background imageDiscourse Collection: A man of power holding assembled Detail. 1300-1308 (miniature)

A man of power holding assembled Detail. 1300-1308 (miniature)
LRI4635820 A man of power holding assembled Detail. 1300-1308 (miniature) by Italian School, (14th century); Archivio di Stato, Pisa, Italy; (add.info.: A man of power holding assembled Detail)

Background imageDiscourse Collection: The farewell of Napoleon Bonaparte (1769-1821) to the imperiale guard in the courtyard of

The farewell of Napoleon Bonaparte (1769-1821) to the imperiale guard in the courtyard of
JLJ4671597 The farewell of Napoleon Bonaparte (1769-1821) to the imperiale guard in the courtyard of Cheval Blanc in Fontainebleau 20/04/1814 Engraving by Emile Vernet dit Horace Vernet (1789-1863)

Background imageDiscourse Collection: Mussolini announces to the Italian people the imminent constitution of the Empire

Mussolini announces to the Italian people the imminent constitution of the Empire
GIA4697724 Mussolini announces to the Italian people the imminent constitution of the Empire. Drawing by A. Beltrame for the cover of " la Domenica del Corriere", 13/10/1935

Background imageDiscourse Collection: Representation of Daniele Manin (1808-1857), politician who led the Venice revolution

Representation of Daniele Manin (1808-1857), politician who led the Venice revolution
LRI4676793 Representation of Daniele Manin (1808-1857), politician who led the Venice revolution against the Austrian presence in 1848: the proclamation of the Venetian Republic in March 1848

Background imageDiscourse Collection: La Parabole du Vigneron, d Apres Andrea del Sarto, (black chalk, pen and brown ink

La Parabole du Vigneron, d Apres Andrea del Sarto, (black chalk, pen and brown ink
827618 La Parabole du Vigneron, d Apres Andrea del Sarto, (black chalk, pen and brown ink, brown on beige paper) by Rubens

Background imageDiscourse Collection: The Start for the Hunt, (oil on canvas)

The Start for the Hunt, (oil on canvas)
827377 The Start for the Hunt, (oil on canvas) by Washington, Georges (1827-1910); 61x82.2 cm; Private Collection; (add.info.: The Start for the Hunt. Georges Washington (1827-1910). Oil on canvas

Background imageDiscourse Collection: The Afternoon Stroll, 1879 (oil on canvas)

The Afternoon Stroll, 1879 (oil on canvas)
651306 The Afternoon Stroll, 1879 (oil on canvas) by Firmin-Girard, Marie Francois (1838-1921); 56x45.8 cm; Private Collection; (add.info.: The Afternoon Stroll)

Background imageDiscourse Collection: A Conversation, 1917 (oil on canvas laid on board)

A Conversation, 1917 (oil on canvas laid on board)
657398 A Conversation, 1917 (oil on canvas laid on board) by Lessore, Therese (1884-1945); Private Collection; (add.info.: A Conversation. Therese Lessore (1884-1945). Oil on canvas laid on board

Background imageDiscourse Collection: Gustave Dores Don Quixote: 'They passed that day, and four more after that

Gustave Dores Don Quixote: "They passed that day, and four more after that
6008444 Gustave Dores Don Quixote: " They passed that day, and four more after that, in such kind of discourse" (engraving) by Dore

Background imageDiscourse Collection: Cover of 'The Don Quixote', number 851, Satirique en Colours

Cover of "The Don Quixote", number 851, Satirique en Colours
ICA4924724 Cover of " The Don Quixote", number 851, Satirique en Colours, 1890_10_18: The speech of M. Crispi - Anticlericalism, Italy - Rome/Vatican - Fox, Crispi Francesco (1818-1901)

Background imageDiscourse Collection: Three People at a Table, 1924 (oil on canvas)

Three People at a Table, 1924 (oil on canvas)
1196137 Three People at a Table, 1924 (oil on canvas) by Scherer, Hermann (1893-1927); 121x140 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageDiscourse Collection: Discussion in a Bar, 1932 (oil on canvas)

Discussion in a Bar, 1932 (oil on canvas)
1196130 Discussion in a Bar, 1932 (oil on canvas) by Cardinaux, Emil (1877-1936); 66x54 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright



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"Discourse: A Tapestry of Conversations and Declarations" In the midst of historical turning points, it has played a pivotal role in shaping societies and ideologies. From Lenin's impassioned speech to the workers of the Putilov factory during the Russian Revolution of 1917, to Georges Jacques Danton's resolute proclamation in the French Revolution that "to defeat, we need audacity, and always audacity, " words have ignited revolutions and inspired change. But discourse is not limited to political arenas alone; it permeates various aspects of human existence. Underneath a horse chestnut tree, where whispers intertwine with rustling leaves, conversations unfold between lovers or friends seeking solace. In Albert Fourie's painting depicting a wedding meal in Yport, lively discussions fill the air as guests celebrate love and unity. Even art itself becomes an instrument for dialogue. An elegant conversation emerges from brushstrokes on canvas in "Elegant Conversation. " Meanwhile, Gabriele D'annunzio captivates his audience while reading his inauguration speech at Monumento ai Mille near Genoa in 1914—a moment when poetry merges with rhetoric. Throughout history, it has been both weaponized and celebrated. Francois Guizot faced opposition denouncing his foreign policy but defiantly declared that insults could be piled up endlessly without deterring him. Richard Blome's publication "The Gentlemans Recreation" explores rhetorick as a means to persuade minds through eloquence. From Café Parisien (Bal Tabarin) bustling with animated exchanges among patrons to Robert Boyle challenging scientific dogmas in "The Sceptical Chymist, " discourse transcends boundaries—be they geographical or intellectual. It fuels progress by encouraging critical thinking and fostering understanding among diverse perspectives. Whether spoken or written, whispered or shouted from podiums adorned with zodiac symbols like Cupid/Eros' wings—an embodiment of passion—the lifeblood of human interaction.