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Discourse Collection (#4)

"Discourse: A Tapestry of Conversations and Declarations" In the midst of historical turning points, it has played a pivotal role in shaping societies and ideologies

Background imageDiscourse Collection: John the Baptist (Jean-Baptiste) Massillon (French preacher

John the Baptist (Jean-Baptiste) Massillon (French preacher
LSE4108989 John the Baptist (Jean-Baptiste) Massillon (French preacher, 1663 - 1742) preaching in a church. by French School

Background imageDiscourse Collection: Archbishop Denis Affre crossed the barricades to meet the insurgents, June 25

Archbishop Denis Affre crossed the barricades to meet the insurgents, June 25
LSE4106631 Archbishop Denis Affre crossed the barricades to meet the insurgents, June 25, 1848 - lithography, 19th century by Unknown Artist

Background imageDiscourse Collection: A Toast (oil on canvas)

A Toast (oil on canvas)
1767706 A Toast (oil on canvas) by Moeller, Louis Charles (1855-1930); 45.7x61 cm; Private Collection; (add.info.: A Toast. Louis Charles Moeller (1855-1930). Oil on canvas

Background imageDiscourse Collection: Nicodemus Coming to Christ, 1927 (oil on canvas)

Nicodemus Coming to Christ, 1927 (oil on canvas)
1767698 Nicodemus Coming to Christ, 1927 (oil on canvas) by Tanner, Henry Ossawa (1859-1937); 155.6x180.3 cm; Private Collection; (add.info.: Nicodemus Coming to Christ)

Background imageDiscourse Collection: Market in Lower Egypt, (oil on canvas)

Market in Lower Egypt, (oil on canvas)
1197557 Market in Lower Egypt, (oil on canvas) by Muller, Leopold Karl (1834-92); 100x145.5 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageDiscourse Collection: A Conversation, (pen and ink and watercolour on paper)

A Conversation, (pen and ink and watercolour on paper)
989530 A Conversation, (pen and ink and watercolour on paper) by Guys, Constantin (1802-92); 25.1x19.7 cm; Private Collection; (add.info.: A Conversation. Constantin Guys (1802-1892)

Background imageDiscourse Collection: A Rug Bazaar, Tangier, 1878 (oil on canvas)

A Rug Bazaar, Tangier, 1878 (oil on canvas)
989321 A Rug Bazaar, Tangier, 1878 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 70.4x91.5 cm; Private Collection; (add.info.: A Rug Bazaar, Tangier. Edwin Lord Weeks (1849-1903). Oil on canvas

Background imageDiscourse Collection: Christ and the Doctors (oil on canvas)

Christ and the Doctors (oil on canvas)
987850 Christ and the Doctors (oil on canvas) by Tito, Diego Quispe (1611-c.1681); 119.2x152.4 cm; Private Collection; (add.info.: Christ and the Doctors; Cristo y les Doctores)

Background imageDiscourse Collection: The Conversation, 1895 (oil on canvas)

The Conversation, 1895 (oil on canvas)
987399 The Conversation, 1895 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 32.5x41 cm; Private Collection; (add.info.: The Conversation; La Conversation. Pierre-Auguste Renoir (1841-1919)

Background imageDiscourse Collection: A Gathering before the Temple, (oil on canvas)

A Gathering before the Temple, (oil on canvas)
651099 A Gathering before the Temple, (oil on canvas) by Rothermel, Peter Frederick (1817-1895); 161.4x197.5 cm; Private Collection; (add.info.: A Gathering before the Temple)

Background imageDiscourse Collection: The Tall Tale, (oil on canvas)

The Tall Tale, (oil on canvas)
650686 The Tall Tale, (oil on canvas) by Moeller, Louis Charles (1855-1930); 30.6x41 cm; Private Collection; (add.info.: The Tall Tale. Louis Charles Moeller (1855-1930). Oil on canvas

Background imageDiscourse Collection: Capricci of Classical ruins with philosophers discoursing (oil on canvas) (pair to 623398

Capricci of Classical ruins with philosophers discoursing (oil on canvas) (pair to 623398
623399 Capricci of Classical ruins with philosophers discoursing (oil on canvas) (pair to 623398) by Pannini or Panini, Giovanni Paolo (1691/2-1765)

Background imageDiscourse Collection: A Rabbinical Disputation, (oil on canvas)

A Rabbinical Disputation, (oil on canvas)
990202 A Rabbinical Disputation, (oil on canvas) by Toorenvliet, Jacob (1635-1719); 42.6x51.5 cm; Private Collection; (add.info.: A Rabbinical Disputation. Jacob Toorenvliet (1635-1719)

Background imageDiscourse Collection: Christ among the Doctors (oil on panel)

Christ among the Doctors (oil on panel)
990084 Christ among the Doctors (oil on panel) by Wtewael, Joachim (c.1566-1638) & Wtewael, Peter (1596-1660); 35.5x49.3 cm; Private Collection; (add.info.: Christ among the Doctors)

Background imageDiscourse Collection: Conversation at Cagnes, c. 1931 (oil on gessoboard)

Conversation at Cagnes, c. 1931 (oil on gessoboard)
657465 Conversation at Cagnes, c. 1931 (oil on gessoboard) by Dismorr, Jessica Stewart (1885-1939); Private Collection; (add.info.: Conversation at Cagnes. Jessica Dismorr (1885-1939)

Background imageDiscourse Collection: Arabs Conversing in a Village Street, 1894 (oil on canvas)

Arabs Conversing in a Village Street, 1894 (oil on canvas)
658357 Arabs Conversing in a Village Street, 1894 (oil on canvas) by Swoboda, Rudolf Der G. (1859-1914); 110x85.5 cm; Private Collection; (add.info.: Arabs Conversing in a Village Street)

Background imageDiscourse Collection: Talking Politics, (oil on panel)

Talking Politics, (oil on panel)
658639 Talking Politics, (oil on panel) by Friedlander, Friedrich (1825-1901); 39.5x31.6 cm; Private Collection; (add.info.: Talking Politics. Friedlich Friedlander (1825-1901). Oil on panel

Background imageDiscourse Collection: The Conference, (oil on panel)

The Conference, (oil on panel)
658562 The Conference, (oil on panel) by Croegaert, Georges (1848-1923); 65.4x53.3 cm; Private Collection; (add.info.: The Conference. Georges Croegaert (1848-1923). Oil on panel

Background imageDiscourse Collection: Female Nude and Man sitting at a Table; Weiblicher Akt und Mann an einem Tisch sitzend

Female Nude and Man sitting at a Table; Weiblicher Akt und Mann an einem Tisch sitzend
824312 Female Nude and Man sitting at a Table; Weiblicher Akt und Mann an einem Tisch sitzend, (pencil and watercolour on paper) by Kirchner

Background imageDiscourse Collection: On the Terrace (Self-Portrait); Auf der Terrasse (Selbstbildnis)

On the Terrace (Self-Portrait); Auf der Terrasse (Selbstbildnis)
652962 On the Terrace (Self-Portrait); Auf der Terrasse (Selbstbildnis), 1923 (watercolour on paper) by Schrimpf, Georg (1889-1938); 33x43.5 cm; Private Collection; (add.info)

Background imageDiscourse Collection: Palace Corridor Scene; Scene de Couloir au Palais, c. 1905 (oil on canvas)

Palace Corridor Scene; Scene de Couloir au Palais, c. 1905 (oil on canvas)
652866 Palace Corridor Scene; Scene de Couloir au Palais, c.1905 (oil on canvas) by Forain, Jean Louis (1852-1931); 60x73 cm; Private Collection; (add.info)

Background imageDiscourse Collection: A Scene from Love in a Village by Isaac Bickerstaffe, Act 1, Scene 2

A Scene from Love in a Village by Isaac Bickerstaffe, Act 1, Scene 2
652189 A Scene from Love in a Village by Isaac Bickerstaffe, Act 1, Scene 2, with Edward Shuter as Justice Woodcock, John Beard as Hawthorn, and John Dunstall as Hodge, (oil on canvas) by Zoffany

Background imageDiscourse Collection: Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

Background imageDiscourse Collection: The Latin Class, 1869 (watercolour over pencil traces)

The Latin Class, 1869 (watercolour over pencil traces)
827406 The Latin Class, 1869 (watercolour over pencil traces) by Passini, Ludwig (1832-1903); 47.5x69.2 cm; Private Collection; (add.info.: The Latin Class. Ludwig Passini (1832-1903)

Background imageDiscourse Collection: Cafe Maxim, Paris, (oil on canvas)

Cafe Maxim, Paris, (oil on canvas)
825527 Cafe Maxim, Paris, (oil on canvas) by Forain, Jean Louis (1852-1931); 60.3x73.7 cm; Private Collection; (add.info.: Cafe Maxim, Paris. Jean Louis Forain (1852-1931). Oil on canvas

Background imageDiscourse Collection: Attic Red-figure Vase with Symposium Scene, 505-500 BC (CERAMIC)

Attic Red-figure Vase with Symposium Scene, 505-500 BC (CERAMIC)
1219272 Attic Red-figure Vase with Symposium Scene, 505-500 BC (CERAMIC) by Euphronios, (fl.c.520-500 BC); State Hermitage Museum, St. Petersburg, Russia; Greek, out of copyright

Background imageDiscourse Collection: Le Charivari, 1849_2_22 - Illustration by Honore Daumier (1808-1879)

Le Charivari, 1849_2_22 - Illustration by Honore Daumier (1808-1879)
ICA4944619 Le Charivari, 1849_2_22 - Illustration by Honore Daumier (1808-1879): House of Deputies Hemicycle National Assembly, Utopian Socialist - Considerant Victor (1808-1893) by Daumier

Background imageDiscourse Collection: Le Charivari, 1849_9_7 - Illustration by Honore Daumier (1808-1879)

Le Charivari, 1849_9_7 - Illustration by Honore Daumier (1808-1879)
ICA4947833 Le Charivari, 1849_9_7 - Illustration by Honore Daumier (1808-1879): Remembrance of the Congress of Peace - Peace, Revolution of 1848, Congresses - Hugo Victor

Background imageDiscourse Collection: Cover of 'L Assiette au Beurre', number 195, Satirique en Couleurs

Cover of "L Assiette au Beurre", number 195, Satirique en Couleurs
ICA4893707 Cover of " L Assiette au Beurre", number 195, Satirique en Couleurs, 1904_12_31: Louis Loucheur (1872-1931) - by Radiguet, Maurice (1866-1941); Photo eCaricadoc; French

Background imageDiscourse Collection: Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst

Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst
ICA4894262 Illustration of Pear Emmanuel dit Caran d Ache (1858-1909) in Psst...!, 1898-3-19 - After the marriage - Antisemitism, Dreyfus affair, Chamber of Deputes Hemicycle

Background imageDiscourse Collection: Womens Club (Lithography, 1850)

Womens Club (Lithography, 1850)
LRI4669241 Womens Club (Lithography, 1850) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Womens Club. Lithograph of 1850)

Background imageDiscourse Collection: The Greek philosopher Aristotle (383-322 BC) teaches his students morality

The Greek philosopher Aristotle (383-322 BC) teaches his students morality
LRI4666843 The Greek philosopher Aristotle (383-322 BC) teaches his students morality and contempt for women (mysoginia) Miniature from an Italian manuscript of the 14th century

Background imageDiscourse Collection: Domenico Pino speaks to the crowd in Mercanti square in Milan, April 21th 1814 (painting

Domenico Pino speaks to the crowd in Mercanti square in Milan, April 21th 1814 (painting
LRI4624193 Domenico Pino speaks to the crowd in Mercanti square in Milan, April 21th 1814 (painting, 19th century) by Migliara, Giovanni (1785-1837); Palazzo Morando, Milano

Background imageDiscourse Collection: St Cecilia and story of her life Detail: St Cecilia converting soldiers - altarpiece, c

St Cecilia and story of her life Detail: St Cecilia converting soldiers - altarpiece, c
LRI4573167 St Cecilia and story of her life Detail: St Cecilia converting soldiers - altarpiece, c.1290-1320 by Master of St

Background imageDiscourse Collection: St Francis appears to a chapter in Arles during the predication of St Anthony of Padua

St Francis appears to a chapter in Arles during the predication of St Anthony of Padua
LRI4572464 St Francis appears to a chapter in Arles during the predication of St Anthony of Padua (Fresco, 1320-1330) by Giotto (Giotto di Bondone) (c.1266-1337); Cappella Bardi di Vernio

Background imageDiscourse Collection: Presidential election in the United States of America. Candidates William Howard Taft

Presidential election in the United States of America. Candidates William Howard Taft
XEE4174624 Presidential election in the United States of America. Candidates William Howard Taft (1857-1930) and William Jennings Bryan (1860e1925) had their speeches delivered in other states

Background imageDiscourse Collection: The Prediction of Saint Paul to Ephese Painting of Eustache Le Sueur (1617-1655) 1649 Sun

The Prediction of Saint Paul to Ephese Painting of Eustache Le Sueur (1617-1655) 1649 Sun
JLJ4604386 The Prediction of Saint Paul to Ephese Painting of Eustache Le Sueur (1617-1655) 1649 Sun. 3, 94x3, 28 m by Le Sueur, Eustache (1617-55); Louvre, Paris

Background imageDiscourse Collection: French Revolution: Portrait of Jean Paul Marat (1743-1793)

French Revolution: Portrait of Jean Paul Marat (1743-1793)
GIA4728948 French Revolution: Portrait of Jean Paul Marat (1743-1793), Montagnard depute at the Convention, branches a pistol at the podium - by Unknown Artist

Background imageDiscourse Collection: Speech by President Theodore Roosevelt (1858 - 1919), 26th President of the United States

Speech by President Theodore Roosevelt (1858 - 1919), 26th President of the United States
GIA4751978 Speech by President Theodore Roosevelt (1858 - 1919), 26th President of the United States in 1903. Illustration of Beltrame. La Domenica del corriere. 19/04/1903

Background imageDiscourse Collection: St John the baptist preaching, detail (Fresco, 1416)

St John the baptist preaching, detail (Fresco, 1416)
LRI4697726 St John the baptist preaching, detail (Fresco, 1416) by Salimbeni, Lorenzo (1374-c.1420); Oratorio di San Giovanni, Urbino

Background imageDiscourse Collection: St John the Baptist preaching (Fresco, 1416)

St John the Baptist preaching (Fresco, 1416)
LRI4697775 St John the Baptist preaching (Fresco, 1416) by Salimbeni, Lorenzo (1374-c.1420); Oratorio di San Giovanni, Urbino

Background imageDiscourse Collection: Alphonse Baudin (1811-1851) on the barricade of the faubourg Saint Antoine on 3 December

Alphonse Baudin (1811-1851) on the barricade of the faubourg Saint Antoine on 3 December
JLJ4644517 Alphonse Baudin (1811-1851) on the barricade of the faubourg Saint Antoine on 3 December 1851 During the insurrection provoked by the coup d etat of Louis Bonaparte (future Napoleon III)

Background imageDiscourse Collection: The swearing-in of Louis Napoleon III (Louis-Napoleon), who was officially proclaimed

The swearing-in of Louis Napoleon III (Louis-Napoleon), who was officially proclaimed
JLJ4607442 The swearing-in of Louis Napoleon III (Louis-Napoleon), who was officially proclaimed president of the Republic, at the National Assembly on 20 December 1848

Background imageDiscourse Collection: Meeting of the chapter among the Trappists of Oelenberg

Meeting of the chapter among the Trappists of Oelenberg
LSE4334392 Meeting of the chapter among the Trappists of Oelenberg. Engraving by Lix to illustrate the story A travers l Alsace et la Lorraine, by Charles Grad, German deputer, in 1885

Background imageDiscourse Collection: Predication of St. Peter - Fresco by Tommaso di Cristoforo Fini dit Masolino da Panicale

Predication of St. Peter - Fresco by Tommaso di Cristoforo Fini dit Masolino da Panicale
LRI4353786 Predication of St. Peter - Fresco by Tommaso di Cristoforo Fini dit Masolino da Panicale (1383-around 1440), 255x162 cm, circa 1425

Background imageDiscourse Collection: Merchant Mission. Commander Jean Baptiste Marchand (1863-1934

Merchant Mission. Commander Jean Baptiste Marchand (1863-1934
XEE4176595 Merchant Mission. Commander Jean Baptiste Marchand (1863-1934) in Paris on the balcony of the military circle: " Vive la France! Long live the Republic! Long live the army



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"Discourse: A Tapestry of Conversations and Declarations" In the midst of historical turning points, it has played a pivotal role in shaping societies and ideologies. From Lenin's impassioned speech to the workers of the Putilov factory during the Russian Revolution of 1917, to Georges Jacques Danton's resolute proclamation in the French Revolution that "to defeat, we need audacity, and always audacity, " words have ignited revolutions and inspired change. But discourse is not limited to political arenas alone; it permeates various aspects of human existence. Underneath a horse chestnut tree, where whispers intertwine with rustling leaves, conversations unfold between lovers or friends seeking solace. In Albert Fourie's painting depicting a wedding meal in Yport, lively discussions fill the air as guests celebrate love and unity. Even art itself becomes an instrument for dialogue. An elegant conversation emerges from brushstrokes on canvas in "Elegant Conversation. " Meanwhile, Gabriele D'annunzio captivates his audience while reading his inauguration speech at Monumento ai Mille near Genoa in 1914—a moment when poetry merges with rhetoric. Throughout history, it has been both weaponized and celebrated. Francois Guizot faced opposition denouncing his foreign policy but defiantly declared that insults could be piled up endlessly without deterring him. Richard Blome's publication "The Gentlemans Recreation" explores rhetorick as a means to persuade minds through eloquence. From Café Parisien (Bal Tabarin) bustling with animated exchanges among patrons to Robert Boyle challenging scientific dogmas in "The Sceptical Chymist, " discourse transcends boundaries—be they geographical or intellectual. It fuels progress by encouraging critical thinking and fostering understanding among diverse perspectives. Whether spoken or written, whispered or shouted from podiums adorned with zodiac symbols like Cupid/Eros' wings—an embodiment of passion—the lifeblood of human interaction.