Departed Collection (#4)

Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board)
652096 Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board) by Caffieri, Hector (1847-1932); 57.1x74.9 cm; Private Collection; (add.info)

Fisherfolk on the Seashore, The Bay of Naples, 1873 (oil on canvas)
651518 Fisherfolk on the Seashore, The Bay of Naples, 1873 (oil on canvas) by Aivazovsky, Ivan Konstantinovich (1817-1900); Private Collection; (add.info.: Fisherfolk on the Seashore)

The Bridal Morning, (oil on canvas)
651479 The Bridal Morning, (oil on canvas) by Sauter, George (1866-1937); 134.6x111.7 cm; Private Collection; (add.info.: The Bridal Morning. Georg Sauter (1866-1937). Oil on canvas

Arab Horsemen, (watercolour on paper on board)
989323 Arab Horsemen, (watercolour on paper on board) by Rosati, Giulio (1858-1917); 35.9x52.7 cm; Private Collection; (add.info.: Arab Horsemen. Giulio Roasati (1858-1917)

An Embarkment of Camels on the Beach at Sale, Maroc, 1880 (oil on canvas)
987315 An Embarkment of Camels on the Beach at Sale, Maroc, 1880 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 91.5x155 cm; Private Collection; (add.info)

Madeleine in the Wood of Love, 1892 (oil on canvas)
987536 Madeleine in the Wood of Love, 1892 (oil on canvas) by Bernard, Emile (1868-1941); 72.4x98.4 cm; Private Collection; (add.info.: Madeleine in the Wood of Love; Madeleine au bois d amour)

Moses and the Israelites Crossing the Red Sea (oil on panel)
990198 Moses and the Israelites Crossing the Red Sea (oil on panel) by Claessens, Anthonie (16th Century) (circle of); 69.8x107.3 cm; Private Collection; (add.info)

Hector Taking Leave of Andromache, 1727 (oil on canvas)
990417 Hector Taking Leave of Andromache, 1727 (oil on canvas) by Restout, Jean II (1692-1768); 129x192 cm; Private Collection; (add.info.: Hector Taking Leave of Andromache)

The First Battle Squadron leaving the Forth for the Battle of Jutland
824164 The First Battle Squadron leaving the Forth for the Battle of Jutland, 1917 (oil on canvas) by Wyllie, William Lionel (1851-1931); 92x200.8

The Harbor, Liverpool, (oil on panel)
823288 The Harbor, Liverpool, (oil on panel) by Salmon, Robert (1775-1848); 20.3x25.4 cm; Private Collection; (add.info.: The Harbor, Liverpool. Robert Salmon (1775-ca.1851). Oil on panel

School Bound, 1873 (oil on canvas)
822752 School Bound, 1873 (oil on canvas) by Brown, John George (1831-1913); 45.5x35.5 cm; Private Collection; (add.info.: School Bound. John George Brown (1831-1913). Oil on canvas

The Maidens Isle, Zanzibar, (oil on canvas)
828331 The Maidens Isle, Zanzibar, (oil on canvas) by Randall, Maurice (fl.1899-1919); 74.9x101.7 cm; Private Collection; (add.info.: The Maidens Isle, Zanzibar. Maurice Randall (active 1899-1919)

Naval Ratings Embarking, Southampton, (oil on canvas)
826927 Naval Ratings Embarking, Southampton, (oil on canvas) by Lavery, John (1856-1941); 63.5x76.2 cm; Private Collection; (add.info.: Naval Ratings Embarking, Southampton)

Westminster Abbey, The Houses of Parliament with the Construction of Westminster Bridge
827358 Westminster Abbey, The Houses of Parliament with the Construction of Westminster Bridge, 1859 (oil on canvas) by Pether

The Hackney Carriage; Le Fiacre, (oil on canvas)
827500 The Hackney Carriage; Le Fiacre, (oil on canvas) by Bodoy, Ernest-Alexandre (fl.1874); 99.7x150.5 cm; Private Collection; (add.info.: The Hackney Carriage; Le Fiacre)

A Runaway Knock, (oil on paper on canvas)
827244 A Runaway Knock, (oil on paper on canvas) by Cruikshank, George (1792-1878); 58.7x48.3 cm; Private Collection; (add.info.: A Runaway Knock. George Cruikshank (1792-1878)

The Ingoldsby Legends: Frontispiece, (pen and black ink and watercolour)
827151 The Ingoldsby Legends: Frontispiece, (pen and black ink and watercolour) by Rackham, Arthur (1867-1939); 33.6x23.2 cm; Private Collection; (add.info.: The Ingoldsby Legends: Frontispiece)

Hagar "departed, and wandered in the wilderness of Beer-sheba"(engraving)
3638880 Hagar " departed, and wandered in the wilderness of Beer-sheba" (engraving) by English School, (19th century); Private Collection; (add.info.: Hagar " departed)

The Departure, 1836 (oil on panel)
651421 The Departure, 1836 (oil on panel) by Demay, Jean Francois (1798-1850); 27x34.9 cm; Private Collection; (add.info.: The Departure. Jean Francois Demay (1798-1850). Oil on panel

The Fishing Fleet, 1862 (oil on board)
651100 The Fishing Fleet, 1862 (oil on board) by Bierstadt, Albert (1830-1902); 24.7x34.8 cm; Private Collection; (add.info.: The Fishing Fleet. Albert Bierstadt (1830-1902). Oil on board

Noahs Ark, c. 1500 (paint and ink on vellum)
986373 Noahs Ark, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info.: Noahs Ark)

October on the Hudson, (oil on canvas)
985226 October on the Hudson, (oil on canvas) by Silva, Francis Augustus (1835-86); 61x112 cm; Private Collection; (add.info.: October on the Hudson. Francis Augustus Silva (1835-1886)

New York Harbour, (oil on canvas)
985362 New York Harbour, (oil on canvas) by Buttersworth, James E. (1817-1894); 30.8x41.3 cm; Private Collection; (add.info.: New York Harbour. James E. Buttersworth (1817-1894). Oil on canvas

A Spanish Christening, (oil on canvas)
659738 A Spanish Christening, (oil on canvas) by Kemm, Robert (1837-95); 93x137.1 cm; Private Collection; (add.info.: A Spanish Christening. Robert Kemm (1837-1895). Oil on canvas

A Southerly Wind and a Cloudy Sky, (pencil and watercolour heightened with bodycolour)
659725 A Southerly Wind and a Cloudy Sky, (pencil and watercolour heightened with bodycolour) by Kilburne, George Goodwin (1839-1924); 37.1x52.7 cm; Private Collection; (add.info)

Catching the Tram in Nassau Street, Dublin, (watercolour)
658055 Catching the Tram in Nassau Street, Dublin, (watercolour) by Barton, Rose Maynard (1856-1929); 28.5x18.2 cm; Private Collection; (add.info.: Catching the Tram in Nassau Street, Dublin)

Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil)
658054 Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil) by Orpen, William (1878-1931); 37.5x46.4 cm; Private Collection; (add.info.: Noreddin Ali Leaving Cairo)

On the Beach, (w / c & bodycolour on card)
659632 On the Beach, (w/c & bodycolour on card) by Mariani, Pompeo (1857-1927); 13.7x10.5 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

At the Window, 1892 (oil on canvas)
659621 At the Window, 1892 (oil on canvas) by Fischer, Paul (1860-1934); 65.4x29 cm; Private Collection; (add.info.: At the Window. Paul Fischer (1860-1934). Oil on canvas

A Ferry at Sunset, (watercolour with touches of white heightening)
652022 A Ferry at Sunset, (watercolour with touches of white heightening) by Foster, Myles Birket (1825-99); 18.7x25.7 cm; Private Collection; (add.info.: A Ferry at Sunset)

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage
651921 The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour) by Rowlandson

A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour)
651897 A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour) by Hunt, William Henry (1790-1864); 45x55.9 cm; Private Collection; (add.info.: A Sportsman with a Boy)

The Beauty of Zion Departed (engraving)
5204402 The Beauty of Zion Departed (engraving) by English School, (19th century); Private Collection; (add.info.: The Beauty of Zion Departed)

Nassau: Water and Sailboat, 1899 (watercolour on paper)
1767390 Nassau: Water and Sailboat, 1899 (watercolour on paper) by Homer, Winslow (1836-1910); 38.1x38.7 cm; Private Collection; (add.info.: Nassau: Water and Sailboat. Winslow Homer (1836-1910)

The Last Farewell (oil on canvas)
1767580 The Last Farewell (oil on canvas) by Lorenz, Richard (1858-1915); 153.7x238.8 cm; Private Collection; (add.info.: The Last Farewell. Richard Lorenz (1858-1915). Oil on canvas

The Soldiers Farewell, The Parents Gift [Leaving for the Crimea] (oil on canvas
1766775 The Soldiers Farewell, The Parents Gift [Leaving for the Crimea] (oil on canvas) by Thomas, George Housman (1824-68) (follower of); Private Collection; (add.info.: The Soldiers Farewell)

The Return from the Boating Trip, 1873 (oil on canvas)
1766764 The Return from the Boating Trip, 1873 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: The Return from the Boating Trip)

Outside the Plaza de Toros, Madrid, 1897 (oil on canvas)
1197528 Outside the Plaza de Toros, Madrid, 1897 (oil on canvas) by Lucas Villamil, Eugenio (1858-1918); 103x167 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

After the Flood: the Exit of Animals from the Ark, 1867 (oil on canvas)
1197551 After the Flood: the Exit of Animals from the Ark, 1867 (oil on canvas) by Palizzi, Filippo (1818-99); 104.5x150.5 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Fathers Off to the Fair, (indian ink and w / c on paper)
1195634 Fathers Off to the Fair, (indian ink and w/c on paper) by Bilibin, Ivan (1876-1942); 37x28.7 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Riding out from the Gates (litho)
1195717 Riding out from the Gates (litho) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832) (after); 50.8x64.8 cm; Private Collection; (add.info.: Orlowsky)

A Parisian Cafe, 1875 (oil on canvas)
1195560 A Parisian Cafe, 1875 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); 120.6x191.8 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

View of Venice; Vue de Venise, c. 1895 (oil on canvas)
824392 View of Venice; Vue de Venise, c.1895 (oil on canvas) by Boldini, Giovanni (1842-1931); 37.1x44.7 cm; Private Collection; (add.info.: View of Venice; Vue de Venise)

Buffalo Hunt no. 7, 1892-1895 (oil on canvas)
823314 Buffalo Hunt no. 7, 1892-1895 (oil on canvas) by Russell, Charles Marion (1865-1926); 57.1x89 cm; Private Collection; (add.info.: Buffalo Hunt no.7. Charles Marion Russell (1865-1926)

The Confession, (watercolour heightened with white on paper laid down on panel)
823531 The Confession, (watercolour heightened with white on paper laid down on panel) by Passini, Ludwig (1832-1903); 100.4x66.3 cm; Private Collection; (add.info.: The Confession)

Study for Paradis Perdu, (oil on canvas)
989910 Study for Paradis Perdu, (oil on canvas) by Cabanel, Alexandre (1823-89); 61x45.7 cm; Private Collection; (add.info.: Study for Paradis Perdu. Alexandre Cabanel (1824-1889). Oil on canvas

Indian Scene, 1884-89 (oil on canvas)
989572 Indian Scene, 1884-89 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 46.3x33 cm; Private Collection; (add.info.: Indian Scene. Edwin Lord Weeks (1849-1903). Oil on canvas

A Butchers Stall with the Holy Family on the Flight into Egypt, 1551 (oil on panel)
990076 A Butchers Stall with the Holy Family on the Flight into Egypt, 1551 (oil on panel) by Aertsen, Pieter (Lange Pier) (1507/08-75); 116.8x167.8 cm; Private Collection; (add.info)

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"Departed: A Journey Through Time and Loss" In this captivating collection of images, we are transported to various moments in history where departures have left an indelible mark on our collective memory. From the bustling View at St. Rollox Looking South East, capturing the opening of the Glasgow and Garnkirk Railway, to the majestic QSS Lusitania - a souvenir of its grand launch - each photograph tells a story of departure. Amidst these snapshots from different eras, we encounter poignant reminders of loss and mourning. An embossed Victorian mourning card dedicated to Mary Hickman serves as a somber tribute to departed loved ones. And there is Lady At Tomb, her sorrow palpable as she pays homage to someone dear who has passed on. But amidst these tales of departure tinged with sadness, there are also glimpses of adventure and exploration. The L'egare II North Atlantic expedition raft at Falmouth beckons us into uncharted waters, reminding us that departures can also be gateways to new horizons. The Cock Robin Nursery Rhymes Unfortunate Death Thrush adds a touch of whimsy amidst the solemnity. This classic rhyme reminds us that even in children's stories, departures are inevitable and often accompanied by heartache. As we delve deeper into this visual journey through time, it becomes clear that departures come in many forms - from railway inaugurations and ship launches to personal farewells etched onto Victorian cards or captured in sculptures like Archangel Gabriel smiting Assyrians. Ultimately, "Departed" invites us to reflect on the transient nature of life itself. It urges us not only to mourn what has been lost but also embrace what lies ahead when we embark on our own journeys toward new destinations – both physical and emotional – knowing that every departure carries within it the potential for growth and transformation.