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Departed Collection (#2)

"Departed: A Journey Through Time and Loss" In this captivating collection of images

Background imageDeparted Collection: Rowing out of a Cove, 1878 (oil on canvas)

Rowing out of a Cove, 1878 (oil on canvas)
650675 Rowing out of a Cove, 1878 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 30.6x50.1 cm; Private Collection; (add.info.: Rowing out of a Cove. Jasper Francis Cropsey (1823-1900)

Background imageDeparted Collection: On the Wawayanda Lake, New Jersey, 1873 (oil on canvas)

On the Wawayanda Lake, New Jersey, 1873 (oil on canvas)
650673 On the Wawayanda Lake, New Jersey, 1873 (oil on canvas) by Cropsey, Jasper Francis (1823-1900); 36x61 cm; Private Collection; (add.info.: On the Wawayanda Lake, New Jersey)

Background imageDeparted Collection: The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony

The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony
990213 The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony during his Visit in 1740, (oil on canvas) by Canaletto

Background imageDeparted Collection: The Parting of Lord William and Lady Rachel Russell in 1683

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

Background imageDeparted Collection: Napoleons Abdication, c. 1890-1899 (oil on canvas)

Napoleons Abdication, c. 1890-1899 (oil on canvas)
989884 Napoleons Abdication, c.1890-1899 (oil on canvas) by Cain, Georges Jules Auguste (1856-1914); 170.2x140.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageDeparted Collection: Off to the Meet (oil on canvas)

Off to the Meet (oil on canvas)
990552 Off to the Meet (oil on canvas) by Watmough, G. (fl.19th century); 71.7x103 cm; Private Collection; (add.info.: Off to the Meet. G Watmough. Oil on canvas)

Background imageDeparted Collection: The Embarkment of King Charles III from Naples, (oil on canvas)

The Embarkment of King Charles III from Naples, (oil on canvas)
990426 The Embarkment of King Charles III from Naples, (oil on canvas) by Joli, Antonio (1700-77); 76.2x170.8 cm; Private Collection; (add.info.: The Embarkment of King Charles III from Naples)

Background imageDeparted Collection: The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas)

The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas)
659851 The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 101.6x132 cm; Private Collection; (add.info)

Background imageDeparted Collection: Mousehole, Cornwall, 1928 (oil on board laid down on panel)

Mousehole, Cornwall, 1928 (oil on board laid down on panel)
657064 Mousehole, Cornwall, 1928 (oil on board laid down on panel) by Wood, Christopher (1901-30); 40x54.5 cm; Private Collection; (add.info.: Mousehole, Cornwall. Christopher Wood (1901-1930)

Background imageDeparted Collection: Portrait of the Earl of Lonsdale, K, 1931 (oil on panel)

Portrait of the Earl of Lonsdale, K, 1931 (oil on panel)
657031 Portrait of the Earl of Lonsdale, K, 1931 (oil on panel) by Lavery, John (1856-1941); Private Collection; (add.info.: Portrait of the Earl of Lonsdale, K.G)

Background imageDeparted Collection: Figures on a Beach, 1909 (oil on canvas)

Figures on a Beach, 1909 (oil on canvas)
656975 Figures on a Beach, 1909 (oil on canvas) by Talmage, Algernon Mayow (1871-1939); Private Collection; (add.info.: Figures on a Beach. Algernon Talmage (1871-1939). Oil on canvas

Background imageDeparted Collection: A Day Trip, Ramsgate, 1854 (oil on canvas)

A Day Trip, Ramsgate, 1854 (oil on canvas)
658878 A Day Trip, Ramsgate, 1854 (oil on canvas) by Parrott, William (1813-69); 45.8x77.5 cm; Private Collection; (add.info.: A Day Trip, Ramsgate. William Parrott (1813-1869). Oil on canvas

Background imageDeparted Collection: Place du Theatre Francais, Paris, 1902 (oil on canvas)

Place du Theatre Francais, Paris, 1902 (oil on canvas)
658869 Place du Theatre Francais, Paris, 1902 (oil on canvas) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 89x137. cm; Private Collection; (add.info.: Place du Theatre Francais, Paris)

Background imageDeparted Collection: Les Communiantes a Paris, (bodycolour)

Les Communiantes a Paris, (bodycolour)
658755 Les Communiantes a Paris, (bodycolour) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 30.5x18.5 cm; Private Collection; (add.info.: Les Communiantes a Paris)

Background imageDeparted Collection: A Wedding Party Boarding a Boat, 1864 (oil on canvas)

A Wedding Party Boarding a Boat, 1864 (oil on canvas)
659015 A Wedding Party Boarding a Boat, 1864 (oil on canvas) by Unterberger, Franz Richard (1838-1902); 80.6x112.4 cm; Private Collection; (add.info.: A Wedding Party Boarding a Boat)

Background imageDeparted Collection: Harbour Entrance at Deauville; Entree du Bassin de Deauville, (oil on canvas)

Harbour Entrance at Deauville; Entree du Bassin de Deauville, (oil on canvas)
658929 Harbour Entrance at Deauville; Entree du Bassin de Deauville, (oil on canvas) by Helleu, Paul Cesar (1859-1927); 65x81 cm; Private Collection; (add.info)

Background imageDeparted Collection: An Arab Caravan outside a Fortified Town, c. 1895 (oil on canvas)

An Arab Caravan outside a Fortified Town, c. 1895 (oil on canvas)
658688 An Arab Caravan outside a Fortified Town, c.1895 (oil on canvas) by Gerome, Jean Leon (1824-1904); 75x113 cm; Private Collection; (add.info.: An Arab Caravan outside a Fortified Town)

Background imageDeparted Collection: Leaving the Artists Studio, (oil on panel)

Leaving the Artists Studio, (oil on panel)
658604 Leaving the Artists Studio, (oil on panel) by Conti, Tito (1842-1924); 30x17.5 cm; Private Collection; (add.info.: Leaving the Artists Studio. Tito Conti (1842-1924). Oil on panel

Background imageDeparted Collection: The Farewell Party, (oil on canvas)

The Farewell Party, (oil on canvas)
658227 The Farewell Party, (oil on canvas) by Unterberger, Franz Richard (1838-1902); 81.3x71.1 cm; Private Collection; (add.info.: The Farewell Party. Franz Richard Unterberger (1832-1902)

Background imageDeparted Collection: Lenore, Les Morts Vont Vite, (oil on canvas)

Lenore, Les Morts Vont Vite, (oil on canvas)
651336 Lenore, Les Morts Vont Vite, (oil on canvas) by Scheffer, Ary (1795-1858); 55x70 cm; Private Collection; (add.info.: Lenore, Les Morts Vont Vite. Ary Scheffer (1795-1858). Oil on canvas

Background imageDeparted Collection: A Parting Kiss, (oil on panel)

A Parting Kiss, (oil on panel)
651323 A Parting Kiss, (oil on panel) by Caraud, Joseph (1821-1905); 36x51 cm; Private Collection; (add.info.: A Parting Kiss. Joseph Caraud (1821-1905). Oil on panel

Background imageDeparted Collection: The Shared Joke, (oil on board)

The Shared Joke, (oil on board)
651309 The Shared Joke, (oil on board) by Stahl, Friedrich (1863-1940); 22x17.8 cm; Private Collection; (add.info.: The Shared Joke. Friedrich Stahl (1863-1940). Oil on board

Background imageDeparted Collection: The Flight into Egypt - When He Arose, He Took the Young Child and His Mother by Night

The Flight into Egypt - When He Arose, He Took the Young Child and His Mother by Night
824266 The Flight into Egypt - When He Arose, He Took the Young Child and His Mother by Night, and Departed into Egypt.-Matthew II, 14, 1842 (oil on canvas) by Martin

Background imageDeparted Collection: King Charles Taking Leave of his Children, c. 1721 (oil on canvas)

King Charles Taking Leave of his Children, c. 1721 (oil on canvas)
824239 King Charles Taking Leave of his Children, c.1721 (oil on canvas) by Raoux, Jean (1677-1734); 63.5x76.2 cm; Private Collection; (add.info.: King Charles Taking Leave of his Children)

Background imageDeparted Collection: The Departure, (oil on canvas)

The Departure, (oil on canvas)
823537 The Departure, (oil on canvas) by Gouweloos, Jean (1868-1943); 88.3x45.2 cm; Private Collection; (add.info.: The Departure. Jean Leon Henri Gouweloos (1865-1943). Oil on canvas

Background imageDeparted Collection: Among the Icebergs, Coast in Labrador, (oil on canvas)

Among the Icebergs, Coast in Labrador, (oil on canvas)
823035 Among the Icebergs, Coast in Labrador, (oil on canvas) by Bradford, William (1823-92); 45.7x76.2 cm; Private Collection; (add.info.: Among the Icebergs, Coast in Labrador)

Background imageDeparted Collection: On the Way to Town, 1907 (oil on canvas)

On the Way to Town, 1907 (oil on canvas)
822892 On the Way to Town, 1907 (oil on canvas) by Henry, Edward Lamson (1841-1919); 40.5x50.6 cm; Private Collection; (add.info.: On the Way to Town. Edward Lamson Henry (1841-1919). Oil on canvas

Background imageDeparted Collection: The 9. 45 A. M. Accomodation, Stratford, Connecticut, 1864 (oil on board)

The 9. 45 A. M. Accomodation, Stratford, Connecticut, 1864 (oil on board)
822671 The 9.45 A.M. Accomodation, Stratford, Connecticut, 1864 (oil on board) by Henry, Edward Lamson (1841-1919); 25.5x45.7 cm; Private Collection; (add.info.: The 9.45 A.M)

Background imageDeparted Collection: The Fisherman; Le Pecheur, 1890 (oil on canvas)

The Fisherman; Le Pecheur, 1890 (oil on canvas)
656431 The Fisherman; Le Pecheur, 1890 (oil on canvas) by Lebasque, Henri (1865-1937); 40x50 cm; Private Collection; (add.info.: The Fisherman; Le Pecheur. Henri Lebasque (1865-1937). Oil on canvas

Background imageDeparted Collection: Amazone et cavalier, (counterproof on paper)

Amazone et cavalier, (counterproof on paper)
652627 Amazone et cavalier, (counterproof on paper) by Degas, Edgar (1834-1917); 31.5x25.1 cm; Private Collection; (add.info.: Amazone et cavalier. Edgar Degas (1834-1917). Counterproof on paper

Background imageDeparted Collection: Fishing Boats Off Yarmouth, 1832 (pencil and watercolour)

Fishing Boats Off Yarmouth, 1832 (pencil and watercolour)
651980 Fishing Boats Off Yarmouth, 1832 (pencil and watercolour) by Cotman, John Sell (1782-1842); 36.1x53.9 cm; Private Collection; (add.info.: Fishing Boats Off Yarmouth)

Background imageDeparted Collection: Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash)

Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash)
651942 Tanka Boats on the Shore, (pen and brown ink, light brown and blue wash) by Chinnery, George (1774-1852); 23.5x18.1 cm; Private Collection; (add.info.: Tanka Boats on the Shore)

Background imageDeparted Collection: May Day Garlands, (pencil and watercolour heightened with bodycolour)

May Day Garlands, (pencil and watercolour heightened with bodycolour)
828482 May Day Garlands, (pencil and watercolour heightened with bodycolour) by Foster, Myles Birket (1825-99); 34.6x71.4 cm; Private Collection; (add.info.: May Day Garlands)

Background imageDeparted Collection: A View of Owhyhee in the Sandwich Island in the south Seas (The Death of Cook)

A View of Owhyhee in the Sandwich Island in the south Seas (The Death of Cook)
828317 A View of Owhyhee in the Sandwich Island in the south Seas (The Death of Cook), 1779 (handcoloured aquatint) by Cleveley, John the Younger (1747-86); 43.2x60.9

Background imageDeparted Collection: Young Woman Arranging her Hat; Jeune Fille Arrangeant son Chapeau, c

Young Woman Arranging her Hat; Jeune Fille Arrangeant son Chapeau, c
825681 Young Woman Arranging her Hat; Jeune Fille Arrangeant son Chapeau, c.1885 (pencil on paper) by Renoir, Pierre Auguste (1841-1919); 66x50.8 cm; Private Collection; (add.info)

Background imageDeparted Collection: After the Swim; Apres le Bain, c. 1846 (oil on paper laid on panel)

After the Swim; Apres le Bain, c. 1846 (oil on paper laid on panel)
825572 After the Swim; Apres le Bain, c.1846 (oil on paper laid on panel) by Daumier, Honore (1808-79); 16x21.6 cm; Private Collection; (add.info.: After the Swim; Apres le Bain)

Background imageDeparted Collection: On the Loing, 1884 (oil on canvas)

On the Loing, 1884 (oil on canvas)
826890 On the Loing, 1884 (oil on canvas) by Lavery, John (1856-1941); 79x76 cm; Private Collection; (add.info.: On the Loing. Sir John Lavery (1856-1941). Oil on canvas. Dated 1884

Background imageDeparted Collection: So Abram departed, and Lot went with him (engraving)

So Abram departed, and Lot went with him (engraving)
3628235 So Abram departed, and Lot went with him (engraving) by English School, (19th century); Private Collection; (add.info.: So Abram departed, and Lot went with him)

Background imageDeparted Collection: Gone (oil on canvas)

Gone (oil on canvas)
JEF144607 Gone (oil on canvas) by Holl, Frank (1845-88); 56x48 cm; The Geffrye Museum of the Home, London, UK; (add.info)

Background imageDeparted Collection: Going Shoppping (watercolour with scratching out)

Going Shoppping (watercolour with scratching out)
1766740 Going Shoppping (watercolour with scratching out) by Allingham, Helen (1848-1926); 16.5x11 cm; Private Collection; (add.info.: Going Shoppping. Helen Allingham (1848-1926)

Background imageDeparted Collection: A Son of his Father, (oil on canvas)

A Son of his Father, (oil on canvas)
985313 A Son of his Father, (oil on canvas) by Wyeth, Newell Convers (1882-1945); 76.5x81.3 cm; Private Collection; (add.info.: A Son of his Father. Newell Convers Wyeth (1882-1945). Oil on canvas

Background imageDeparted Collection: The Battery and Harbour, New York, c. 1811-1812 (oil on canvas)

The Battery and Harbour, New York, c. 1811-1812 (oil on canvas)
985116 The Battery and Harbour, New York, c.1811-1812 (oil on canvas) by Birch, Thomas (1779-1851); 73x103.5 cm; Private Collection; (add.info.: The Battery and Harbour, New York)

Background imageDeparted Collection: A poster advertising Simplex Amsterdam bicycles, 1907 (colour litho)

A poster advertising Simplex Amsterdam bicycles, 1907 (colour litho)
1198408 A poster advertising Simplex Amsterdam bicycles, 1907 (colour litho) by Hoeksema, Daniel (1879-1935); 115x52 cm; Private Collection; (add.info.: Hoeksema)

Background imageDeparted Collection: A Hindu Temple in the Fort of Rohtas, Bihar, (pencil and w / c)

A Hindu Temple in the Fort of Rohtas, Bihar, (pencil and w / c)
1196894 A Hindu Temple in the Fort of Rohtas, Bihar, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 37.4x53.6 cm; Private Collection; Photo eChristies Images; English

Background imageDeparted Collection: The Afternoon Sun, Outer Port of Dieppe; L Apres-Midi, Soleil, Avant-Port de Dieppe

The Afternoon Sun, Outer Port of Dieppe; L Apres-Midi, Soleil, Avant-Port de Dieppe
656787 The Afternoon Sun, Outer Port of Dieppe; L Apres-Midi, Soleil, Avant-Port de Dieppe, 1902 (oil on canvas) by Pissarro

Background imageDeparted Collection: Departing Trawlers; Le Depart des Chalutiers, 1930-1934 (oil over black chalk on paper. )

Departing Trawlers; Le Depart des Chalutiers, 1930-1934 (oil over black chalk on paper. )
652358 Departing Trawlers; Le Depart des Chalutiers, 1930-1934 (oil over black chalk on paper.) by Luce, Maximilien (1858-1941); 26.1x34.2 cm; Private Collection; (add.info)

Background imageDeparted Collection: The Press Gang, (pencil and watercolour)

The Press Gang, (pencil and watercolour)
828409 The Press Gang, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 44.5x62.3 cm; Private Collection; (add.info.: The Press Gang. George Goodwin Kilburne (1839-1924)

Background imageDeparted Collection: A Bird s-Eye View of the Docks at Buenos Aires, (watercolour)

A Bird s-Eye View of the Docks at Buenos Aires, (watercolour)
828300 A Bird s-Eye View of the Docks at Buenos Aires, (watercolour) by Martino, Eduardo de (1838-1912); 60.9x91.4 cm; Private Collection; (add.info.: A Bird s-Eye View of the Docks at Buenos Aires)



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"Departed: A Journey Through Time and Loss" In this captivating collection of images, we are transported to various moments in history where departures have left an indelible mark on our collective memory. From the bustling View at St. Rollox Looking South East, capturing the opening of the Glasgow and Garnkirk Railway, to the majestic QSS Lusitania - a souvenir of its grand launch - each photograph tells a story of departure. Amidst these snapshots from different eras, we encounter poignant reminders of loss and mourning. An embossed Victorian mourning card dedicated to Mary Hickman serves as a somber tribute to departed loved ones. And there is Lady At Tomb, her sorrow palpable as she pays homage to someone dear who has passed on. But amidst these tales of departure tinged with sadness, there are also glimpses of adventure and exploration. The L'egare II North Atlantic expedition raft at Falmouth beckons us into uncharted waters, reminding us that departures can also be gateways to new horizons. The Cock Robin Nursery Rhymes Unfortunate Death Thrush adds a touch of whimsy amidst the solemnity. This classic rhyme reminds us that even in children's stories, departures are inevitable and often accompanied by heartache. As we delve deeper into this visual journey through time, it becomes clear that departures come in many forms - from railway inaugurations and ship launches to personal farewells etched onto Victorian cards or captured in sculptures like Archangel Gabriel smiting Assyrians. Ultimately, "Departed" invites us to reflect on the transient nature of life itself. It urges us not only to mourn what has been lost but also embrace what lies ahead when we embark on our own journeys toward new destinations – both physical and emotional – knowing that every departure carries within it the potential for growth and transformation.