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Framed Print : Not Guilty, 1859. Artist: Solomon, Abraham (1824-1862)
Framed Photos from Heritage Images
Not Guilty, 1859. Artist: Solomon, Abraham (1824-1862)
Not Guilty, 1859. Found in the collection of the J. Paul Getty Museum, Los Angeles
Heritage Images features heritage image collections
Media ID 14857043
© Fine Art Images
Counsel Court Great Britain Judge Justice Solomon Lawyer
12"x10" Modern Frame
Introducing the captivating Not Guilty, 1859 framed print by renowned artist Abraham Solomon. This historic artwork, held in the esteemed collection of the J. Paul Getty Museum, Los Angeles, is now available in our Media Storehouse Framed Prints range. The intricate details and rich colors of this piece are beautifully preserved in our high-quality frames, making it a stunning addition to any home or office space. Transport yourself back in time with this captivating work of art, a testament to the mastery of Solomon's brushstrokes and the enduring power of art to evoke emotion and inspire. Order yours today and bring a piece of history into your world.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Not Guilty, 1859
EDITORS COMMENTS
is a captivating oil on canvas painting by the talented artist Abraham Solomon. This remarkable piece of art, now housed in the prestigious J. Paul Getty Museum in Los Angeles, takes us back to the courtrooms of Great Britain during the mid-19th century. The scene depicted showcases a pivotal moment in a trial, as an accused person stands before a judge and jury awaiting their fate. With masterful brushstrokes and attention to detail, Solomon captures the tension and drama that permeate this courtroom setting. Solomon's use of light and shadow adds depth and dimension to each figure present – from the stern-faced judge presiding over proceedings to the anxious defendant anxiously clasping their hands together. The composition draws our eyes towards these central figures while also allowing us glimpses into other characters involved: lawyers deep in thought, jurors intently listening, and spectators observing with bated breath. This artwork not only serves as an exquisite example of Romanticism but also prompts contemplation about themes such as justice, law, and human nature. It invites viewers to reflect upon questions surrounding guilt or innocence while immersing themselves in this historical moment frozen in time. Abraham Solomon's "Not Guilty" is more than just a painting; it is an invitation for introspection—an opportunity for us all to ponder society's complex relationship with truth-seeking within legal systems throughout history.
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