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Canvas Print : CRUIKSHANK, George (1792-1878). Cartoon called A

CRUIKSHANK, George (1792-1878). Cartoon called A



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CRUIKSHANK, George (1792-1878). Cartoon called A

CRUIKSHANK, George (1792-1878). Cartoon called A Radical Reformer, i.e. A Neck or Nothing Man! Dedicated to the Heads of the Nation. It was published by Thomas Tegg of Cheapside on 17 September 1819. The cartoon shows a flame-belching, guillotine monster wearing the cap associated with French revolutionaries, which is terrorising Britains leaders. I m a coming! I m a coming! he says, I shall have you - though I m at your heels now, I ll be at your Heads presently. Come all to me that are troubled with money & I warrant I ll make you easy!!. On the right the Prime Minister, Lord Liverpool, falls over a bag of money. In front of him, Lord Castlereagh exclaims, Och! by the powers! I don t like the looks of him at all, at all! Upon hearing the Prince Regent complain that he has lost his wig, Eldon, the Lord Chancellor replies, Never mind, so long as your heads on!. Early Modern Era. Engraving

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14182560

© Colecciasca/Iberfoto/Mary Evans

1792 1819 1878 Called Cheapside Coming Cruikshank Dedicated Flame Guillotine Heads Heels Leaders Monster Nation Neck Radical Reformer Revolutionaries Tegg Belching Shows Terrorising


30"x20" (76x51cm) Canvas Print

Introducing the Media Storehouse Canvas Prints collection, featuring the iconic "A Radical Reformer, i.e. A Neck or Nothing Man!" by George Cruikshank. This captivating piece, published in 1819, is a historical cartoon that offers a glimpse into the political climate of the time. With its vivid colors and intricate details, this print is a must-have for history enthusiasts, art collectors, or anyone who appreciates a piece of the past. Each canvas print is meticulously crafted with premium materials, ensuring a stunning display that adds character and depth to any room. Bring home a piece of history with the Media Storehouse Canvas Prints collection.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 76.2cm x 50.8cm (30" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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A Radical Reformer, i.e. A Neck or Nothing Man!

EDITORS COMMENTS
is a powerful and provocative political cartoon by George Cruikshank, published by Thomas Tegg in London on September 17, 1819. This engraving captures the heightened political tensions and fear of revolution in Britain during the aftermath of the Peterloo Massacre. The cartoon depicts a terrifying figure, a flame-belching guillotine monster wearing the cap of French revolutionaries, threatening the leaders of the nation. With a menacing cry of "I'm coming! I'm coming!" the monster looms over the British political establishment, promising to make those troubled with money "easy." In the foreground, the Prime Minister, Lord Liverpool, is shown falling over a bag of money, while Lord Castlereagh, Foreign Secretary, expresses his unease, "Och! by the powers! I don't like the looks of him at all, at all!" On the right, the Prince Regent, who has lost his wig, is comforted by Eldon, the Lord Chancellor, who reassures him, "Never mind, so long as your head's on!" This chilling image reflects the widespread anxiety among the British elite regarding the potential for radical political change, as well as the growing discontent among the working classes. The cartoon's title, "A Radical Reformer," is a double-edged term that could refer both to those advocating for political reform and to the violent revolutionaries who sought to overthrow the established order. This evocative and thought-provoking print is an essential piece of early modern British political history, offering a unique insight into the tumultuous political climate of the time.

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