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Metal Print : Elizabeth Allan and Caroll Borland in Tod Brownings Mark of The Vampire (1935)

Elizabeth Allan and Caroll Borland in Tod Brownings Mark of The Vampire (1935)



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BFI (British Film Institute) Archives

Metal Prints from British Film Institute

Elizabeth Allan and Caroll Borland in Tod Brownings Mark of The Vampire (1935)

Elizabeth Allan and Caroll Borland

The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image

Media ID 3462043

© This image is out of copyright

Gothic Goth Vampire


16"x20" (51x41cm) Metal Print

Step into the mystical world of Tod Browning's Mark of The Vampire with our stunning Media Storehouse Metal Prints featuring Elizabeth Allan and Caroll Borland. These exquisite prints bring the classic horror film's enchanting atmosphere to life with vibrant colors and exceptional detail. The high-quality metal surface enhances the image's depth and texture, making it a captivating addition to any room. Relive the iconic moments of this timeless cinematic masterpiece and add a touch of vintage charm to your decor with our Elizabeth Allan and Caroll Borland Metal Prints from the British Film Institute.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> British Film Institute > Classic Portraits

> Arts > Artists > B > Tod Browning


EDITORS COMMENTS
In this black and white still from Tod Browning's iconic film "Mark of The Vampire" (1935), we are transported to the mesmerizing world of gothic horror. Elizabeth Allan and Caroll Borland, two remarkable actresses, grace the frame with their haunting presence. Elizabeth Allan, known for her ethereal beauty and exceptional talent, embodies elegance as she gazes into the distance. Her piercing eyes seem to hold a secret that only those who dare venture into darkness can comprehend. Caroll Borland, on the other hand, captivates us with her enigmatic allure. With her pale complexion and intense stare, she personifies the quintessential vampire seductress. The atmospheric lighting casts eerie shadows across their faces, adding an air of mystery to this unforgettable scene. As they stand side by side against a backdrop reminiscent of an ancient castle wall adorned with intricate gothic architecture, we cannot help but be drawn into their world. This print from the British Film Institute captures not just a moment in cinematic history but also encapsulates the essence of goth culture itself. It serves as a reminder of our fascination with all things dark and mysterious – vampires being one such enduring symbol. As we gaze upon this timeless image, it is impossible not to feel both intrigued and slightly unnerved by these enchanting figures before us. They remind us that within every shadow lies a story waiting to be told – one that will continue to captivate audiences for generations to come.

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