Philips Galle Collection (#6)

Wolf hunting with spears, Philips Galle, 1578

Peter and John before the High Priest, Philips Galle, Hieronymus Cock, 1558

Peter and John are released, Philips Galle, Hieronymus Cock, 1558

Peter heals a paralytic, Philips Galle, Hieronymus Cock, 1558

Peter and Johannes among their students, Philips Galle, Hieronymus Cock, 1558

Famous and infamous rich people, Philips Galle, Hadrianus Junius, 1563

Statue of Zeus at Olympia, Philips Galle, Hadrianus Junius, 1572

Dangers of wealth, Philips Galle, Hadrianus Junius, 1563

Colosseum in Rome. Philips Galle, Hadrianus Junius, 1572

Good and bad ways to get rich, Philips Galle, Hadrianus Junius, 1563

Impact of wealth, Philips Galle, Hadrianus Junius, 1563

Triumph of Death, Philips Galle, Hadrianus Junius, c. 1565

Mankind must learn everything, Philips Galle, 1563

Triumph of fame, Philips Galle, Hadrianus Junius, c. 1565

Negative emotions have an influence on humans, Philips Galle, 1563

Triumph of Christ or the Eternity, Philips Galle, Hadrianus Junius, c. 1565

Poverty and violent death can strike down a human being, print maker: Philips Galle, 1563

Two pendants with sundial, Anonymous, Hans Collaert (I), Philips Galle, 1581

Pendant with in the middle a peace goddess with palm branch, Anonymous, Hans Collaert I, Philips Galle, 1581

Pendant with Victoria, laurel wreath in hand, Anonymous, Hans Collaert (I), Philips Galle, 1581

Hanger with armored seated deity, print maker: Anonymous, Hans Collaert I, Philips Galle, 1581

Pendant which a goddess with laurel, Anonymous, Hans Collaert (I), Philips Galle, 1581

The Earth, in frame of grotesques, Anonymous, Marcus Geraerts, Philips Galle, 1547 - 1612

Helmeted woman with shield and spear, Philips Galle, Marcus Geeraerts, 1547 - 1612

Pendant with dragon with a double shell on his back, print maker: Adriaen Collaert, Hans Collaert I, Philips Galle, 1582

Pendant with dragon, print maker: Adriaen Collaert, Hans Collaert I, Philips Galle, 1582

Pendant with sphinx, Adriaen Collaert, Hans Collaert (I), Philips Galle, 1582

River Nymph Styx, Philips Galle, 1587

Sea God Oceanus, Philips Galle, 1586

Sea goddess Amphitrite, Philips Galle, 1587

Waternimf Galatea, Philips Galle, 1587

Water Nymph Hippoccrene, Philips Galle, 1587

Water Nymph Padusa, Philips Galle, 1587

Water Nymph Lerna, Philips Galle, 1587

Water Nymph Camerina, Philips Galle, 1587

Water Nymph Mareotis, Philips Galle, 1587

Water Nymph Largia, Philips Galle, 1587

Water Nymph Aganippe, Philips Galle, 1587

Sea God Nereus, Philips Galle, 1586

Sea God Glaucus, Philips Galle, 1586

Sea God Neptune, Philips Galle, 1586

Sea God Achelous, Philips Galle, 1586

Sea God Portunus, Egypt, Philips Galle, 1586

River God Ligeris, Philips Galle, 1586

River god Rhenus, Philips Galle, 1586

Tagus River God, Philips Galle, 1586

River God Tamesis, Philips Galle, 1586

Adoration of the Trinity, Johannes Wierix, Maarten van Heemskerck, Philips Galle, 1569 - 1573

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"Exploring the Artistic World of Philip Galle: A Journey through Time and Emotions" Step into the captivating world of Philip Galle, a renowned artist whose works have left an indelible mark on art history. From his iconic religious depictions to his exploration of human vices and virtues, Galle's creations offer a window into the complexities of the human experience. In "The Parable of the Good Shepherd, " created in 1565, Galle masterfully portrays compassion and protection as he depicts Jesus carrying a lost sheep on his shoulders. This powerful image serves as a reminder of divine love and guidance. "The Death of the Virgin, " completed in 1574, showcases Galle's ability to capture profound grief and sorrow. Through delicate brushstrokes and meticulous attention to detail, he conveys both reverence for Mary's passing and humanity's universal experience with loss. Galle delves further into human emotions with "Anger (Ira)" from his series on The Seven Deadly Sins. Created in 1558, this artwork exposes our innate capacity for rage while urging us to reflect upon its destructive consequences. Similarly, "Lust (Luxuria), " also part of The Seven Deadly Sins series, confronts viewers with their own desires. With striking imagery that evokes sensuality intertwined with danger, Galle challenges society's relationship with temptation. Contrasting these intense emotions is "Sloth (Desidia), " another piece from The Seven Deadly Sins series. Here, Galle captures lethargy through languid figures draped over furniture—a poignant reflection on apathy that encourages introspection. Envy takes center stage in "Envy (Invidia), " where Galle explores this insidious emotion that can poison relationships. Through intricate details highlighting facial expressions filled with resentment and longing glances at others' possessions or achievements—Galle prompts viewers to examine their own hearts.