Philips Galle Collection (#5)

Rachel, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1597

Jael, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1595

Hanna. Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1595

Wise woman of Abel Beth Maacah, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1595

Ester, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1597

Saint Elizabeth, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1595 - 1599

Susanna, Jan Collaert II, Philips Galle, Cornelis Kiliaan, 1588 - 1597

Samaritan woman, Karel van Mallery, Philips Galle, Cornelis Kiliaan, 1595 - 1599

The Canaanite woman, Adriaen Collaert, Philips Galle, Cornelis Kiliaan, 1595 - 1599

The bleeding woman, Karel van Mallery, Philips Galle, Cornelis Kiliaan, 1595 - 1599

Mary, the mother of the sons of Zebedee, Karel van Mallery, Philips Galle, Cornelis Kiliaan, 1595-1599

Maria Salome, Karel van Mallery, Philips Galle, Cornelis Kiliaan, 1595 - 1599

Sara, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1595

Miriam, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1595

Horse from Greece (Achivus), Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Horse from Saxony Germany, Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Horse from Calabria, Hendrick Goltzius, Philips Galle, 1577 - 1581

Bronco, Hendrick Goltzius, Philips Galle, 1577 - 1581

horse from Spain (Hispanus Alter), Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Horse from Brittany, Brittanus, Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Horse from Southern Italy Appulus, Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Mary of the Rosary, print maker: Jan van der Straet, Philips Galle, 1577

Horse from France, Gallicus, print maker: Hieronymus Wierix, Jan van der Straet, Philips Galle, c. 1583 - c. 1585

Horse of Armenia Arminius, Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Horse from Sicily (Siculus), Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Horse from Scythia, Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Horse from Rome and a mare, Hieronymus Wierix, Philips Galle, c. 1583 - c. 1587

Giovanni de Medici and King Francis I, print maker: Hendrick Goltzius attributed to, Jan van der Straet, Philips Galle, 1576 - 1580 and/or 1583

The death of Giovanni de Medici, Hendrick Goltzius, Philips Galle, 1576-1580

Giovanni de Medici surrounded in Rome, Philips Galle, 1583

The Spanish army, Philips Galle, 1583

Collar Workshop, Pieter van der Borcht (I), Philips Galle, 1545 - 1608

Skating, Pieter van der Borcht (I), Philips Galle, 1545 - 1608

Banquet in open air, Pieter van der Borcht (I), Philips Galle, 1545 - 1608

Round Dance, Pieter van der Borcht (I), Philips Galle, 1545 - 1608

Joust on the water, Pieter van der Borcht (I), Philips Galle, 1545 - 1608

Hunting ostriches, Philips Galle, 1578

Hunting otters, Philips Galle, 1578

Nocturnal fishing with landing net, Philips Galle, Jan van der Straet, 1578

Nocturnal fishing with a rod, Philips Galle, Jan van der Straet, 1578

Hunting partridges, Philips Galle, 1578

Birth of Adonis, Philips Galle, c. 1577 - c. 1581

Spring, Philips Galle, c. 1578 - c. 1582

Education of Adonis, Philips Galle, c. 1577 - c. 1581

Venus mourns the death of Adonis, Philips Galle, c. 1577 - c. 1581

Hunting wild cats, Philips Galle, 1578

Hunting boar, Philips Galle, 1578

Wolf hunting with spears, Philips Galle, 1578

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"Exploring the Artistic World of Philip Galle: A Journey through Time and Emotions" Step into the captivating world of Philip Galle, a renowned artist whose works have left an indelible mark on art history. From his iconic religious depictions to his exploration of human vices and virtues, Galle's creations offer a window into the complexities of the human experience. In "The Parable of the Good Shepherd, " created in 1565, Galle masterfully portrays compassion and protection as he depicts Jesus carrying a lost sheep on his shoulders. This powerful image serves as a reminder of divine love and guidance. "The Death of the Virgin, " completed in 1574, showcases Galle's ability to capture profound grief and sorrow. Through delicate brushstrokes and meticulous attention to detail, he conveys both reverence for Mary's passing and humanity's universal experience with loss. Galle delves further into human emotions with "Anger (Ira)" from his series on The Seven Deadly Sins. Created in 1558, this artwork exposes our innate capacity for rage while urging us to reflect upon its destructive consequences. Similarly, "Lust (Luxuria), " also part of The Seven Deadly Sins series, confronts viewers with their own desires. With striking imagery that evokes sensuality intertwined with danger, Galle challenges society's relationship with temptation. Contrasting these intense emotions is "Sloth (Desidia), " another piece from The Seven Deadly Sins series. Here, Galle captures lethargy through languid figures draped over furniture—a poignant reflection on apathy that encourages introspection. Envy takes center stage in "Envy (Invidia), " where Galle explores this insidious emotion that can poison relationships. Through intricate details highlighting facial expressions filled with resentment and longing glances at others' possessions or achievements—Galle prompts viewers to examine their own hearts.