Conrad Gessner Gesner portrait naturalist
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Conrad Gessner Gesner portrait naturalist
Conrad Gesner (or Gessner) Swiss Natural Historian (26th March 1516-13th December 1565). His major four volume work Historiae Animalium (1551-1558) is considered the beginning of modern zoology. In it he summarised knowledge of quadrupeds, birds and fishes. He illustrated (mainly with the artist Lucas Schan) many of the species he described. His illustrations include fantastic monsters, the first recognised fossils, as well as now extinct animals like aurochs, and new species like the bird of paradise. Previously naturalists had relied on the classical texts of ancients such as Pliny for descriptions. Gesner added more recent observations and reports while citing sources. It was a radical departure. The book became one of the most widely read zoology texts, with influence for over 300 years. Gesner died of the plague in 1565, and asked to be taken to die in his beloved library
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6345749
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
16th Century Animalium Bestiary Botanist Colour Conrad Copper Plate Early Folk Lore Fossil Gesner Gessner Historiae Icones Middle Ages Natural History Naturalist Plague Renaissance Wood Cut Zoologist
EDITORS COMMENTS
This print showcases a portrait of Conrad Gessner, a Swiss natural historian who made significant contributions to the field of zoology during the 16th century. Known for his groundbreaking work "Historiae Animalium" which spanned four volumes and revolutionized the study of animals, Gessner is considered the pioneer of modern zoology. In this artwork, created by artist Lucas Schan in collaboration with Gessner himself, we witness an exquisite blend of scientific accuracy and artistic finesse. The illustration captures not only familiar creatures like quadrupeds, birds, and fishes but also extraordinary beings such as mythical monsters and long-extinct species like aurochs. Additionally, it features remarkable depictions of newly discovered organisms like the enchanting bird of paradise. Gessner's approach was revolutionary at its time since he departed from relying solely on ancient texts like Pliny's works. Instead, he incorporated recent observations and reports while meticulously citing his sources—a practice that set him apart from other naturalists. His comprehensive book became immensely popular among scholars for over three centuries. Tragically, Conrad Gessner succumbed to the plague in 1565 but remained true to his passion until his last breath by requesting to die surrounded by his beloved library—an embodiment of his lifelong dedication to knowledge. Paul D. Stewart's masterful capture brings this historical figure back to life through vivid colors and intricate details found in woodcuts or copper plates commonly used during that era. This print serves as a testament to Gessner's enduring legacy as both a scientist and an artist within Renaissance Europe's rich intellectual landscape.
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