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1560 Gesner Magnus medieval whaling

1560 Gesner Magnus medieval whaling


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1560 Gesner Magnus medieval whaling

Woodcut with old colouring. Gesner " Icones Animalium" publ. Christof Froschover, Zurich, 1560. Gesner appears to derive this image partly from Olaus Magnus " Historia de Gentibus Septentrionalibus" 1555 where he describes Faroes whaling/flensing. Controversially this traditional whaling continues on the Faroes to this day, though there is less general interest in other medieval traditions or way of life. Note the curiously enlarged breasts of the whale Gesner depicts here - Gesner was one of the first naturalists to realise the cetaceans were mammals. He also does away with Magnus whale tusks for this image

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6346233

© PAUL D STEWART/SCIENCE PHOTO LIBRARY

16th Century Animalium Bestiary Cetacean Colour Conrad Early Folk Lore Gesner Gessner Historiae Hunting Icones Medieval Natural History Tradition Whale Whaling Wood Cut Barbaric Butchery Faroes


EDITORS COMMENTS
This print takes us back to the medieval era, specifically to the year 1560. The woodcut with old coloring depicts a scene of whaling, as described by Conrad Gesner in his renowned work "Icones Animalium". Published by Christof Froschover in Zurich, this image draws inspiration from Olaus Magnus' "Historia de Gentibus Septentrionalibus" from 1555. What makes this artwork intriguing is its portrayal of a traditional Faroes whaling practice that has controversially persisted until today. While other aspects of medieval life and traditions have faded into obscurity, this particular form of hunting remains an integral part of Faroese culture. It is worth noting the peculiar enlarged breasts depicted on the whale—a testament to Gesner's early understanding that cetaceans are mammals. In deviating from Magnus' representation, Gesner omits the tusks typically associated with whales during that time. The illustration showcases not only human involvement but also highlights the barbaric nature and butchery involved in whaling practices. Amidst a sea teeming with people engaged in this ancient tradition, one cannot help but ponder upon the rich folklore surrounding these marine creatures. Paul D. Stewart's skillful capture allows us to delve into natural history through artistry and provides insight into how our understanding of cetaceans has evolved over centuries. This remarkable woodcut serves as a visual portal connecting us to an earlier time while reminding us that certain customs endure despite changing times.

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