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Gayara bitumen Men cage 1932 Iraq al-Qayyarah

Gayara bitumen Men cage 1932 Iraq al-Qayyarah


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Gayara bitumen Men cage 1932 Iraq al-Qayyarah

Gayara bitumen, Men in cage. 1932, Iraq, al-Qayyarah, Al-Qayyarah

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18544796

© Liszt Collection

1932 Al Qayyarah Cage Iraq


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> Asia > Iraq > Related Images

> Europe > United Kingdom > Scotland > Highlands > Alness


EDITORS COMMENTS
In this print from the Liszt Collection, titled "Gayara bitumen Men cage 1932 Iraq al-Qayyarah" we are transported back in time to a significant moment in Iraqi history. The image captures a thought-provoking scene that evokes curiosity and raises questions about the lives of those depicted. The photograph showcases a group of men confined within a cage made of Gayara bitumen, an intriguing material choice that adds an air of mystery to the composition. Their expressions range from solemn to contemplative, hinting at their possible circumstances and experiences. It is impossible not to wonder what led these individuals to be enclosed within such confines and what stories they carry with them. Set against the backdrop of Al-Qayyarah, Iraq in 1932, this snapshot offers us a glimpse into a specific time period marked by social dynamics and cultural nuances unique to that era. The photographer's ability to capture raw emotions through his lens allows us as viewers to connect with these anonymous figures on an emotional level. As we delve into the details presented before us, it becomes apparent that this photograph holds much more than meets the eye. It serves as both a historical artifact and an artistic expression, inviting us to reflect upon themes such as confinement, identity, and human resilience. Through its powerful imagery and enigmatic subject matter, "Gayara bitumen Men cage 1932 Iraq al-Qayyarah" invites us on a journey through time while leaving room for our own interpretations and

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