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True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves... c. 1875. Creator: Utagawa Hiroshige II
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True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves... c. 1875. Creator: Utagawa Hiroshige II
True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves (Yokohama hatoba yori kaigandori ijinkan no shinzu), c. 1875
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Media ID 36212113
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Cartouche Colourful Dock Docks Foreign Hiroshige Ii Hiroshige Ii Utagawa Kisai Rissho Koshibei Morita Chimpei Nautical Ni Daime Utagawa Hiroshige Oban Rissho Ryusho Sailing Ships Shigenobu Suzuki Chimpei Telescope Triptych Utagawa Chimpei Utagawa Hiroshige Ii Waterfront Wharf Yokohama Kanto Japan Color Woodblock Print Hiroshige Utagawa Utagawa Hiroshige
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EDITORS COMMENTS
True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves," a captivating color woodblock print by Utagawa Hiroshige II, offers a glimpse into the vibrant and culturally rich landscape of Yokohama, Japan during the late 19th century. The print, created around 1875, showcases a panoramic view of the foreign buildings lining the waterfront from the Yokohama Wharves. The artist meticulously captures the diverse architectural styles of the European and American structures, with their distinct rooflines and facades, standing proud against the backdrop of the tranquil harbor and the expansive blue sea. The print is a triptych, consisting of three panels, each providing a different perspective of the bustling waterfront scene. In the foreground, figures of men and women, both Japanese and foreign, are engaged in various activities. Children play near the docks, while sailors prepare their ships for departure. In the middle panel, a man with a telescope observes the horizon, perhaps keeping a watchful eye on the incoming and outgoing vessels. The final panel reveals a group of people gathered on the wharves, observing the foreign buildings with curiosity and wonder. The print is a testament to the cultural exchange that was taking place during the Edo and Tokugawa periods, as Japan began to open its doors to the rest of the world. The use of bold colors, intricate details, and Hiroshige II's masterful brushwork, make this print a stunning example of the Ukiyo-e artistic school and a valuable addition to any collection of Asian art. This beautiful and historic print, with its rich cultural significance and artistic merit, is a must-see for anyone with an appreciation for world history, art, and the beauty of the natural world.
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