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Sketch for the dome above the escalier des fêtes in the Hôtel de Ville...between 1888 and 1899. Creator: Francois Schommer

Sketch for the dome above the escalier des fêtes in the Hôtel de Ville...between 1888 and 1899. Creator: Francois Schommer


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Sketch for the dome above the escalier des fêtes in the Hôtel de Ville...between 1888 and 1899. Creator: Francois Schommer

Sketch for the dome above the escalier des fetes in the Hotel de Ville, Paris, between 1888 and 1899. Female allegorical figure and cherub, related to song and love. Southern landing. (Esquisse pour l'escalier des fetes de l'Hotel de ville de Paris : La chanson amoureuse)

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Media ID 36270913

© Heritage Art/Heritage Images

Allegorical Amorini Canvas Material Cardboard Cherubim Francois Schommer Hotel De Ville Mural Nudes Oil Paint Schommer Francois Town Hall Wall Painting Allegorical Figure Angelic Cherubs Paris Museums Petit Palais Putti


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EDITORS COMMENTS
This sketch by Francois Schommer, titled "Esquisse pour l'escalier des fêtes de l'Hotel de ville de Paris: La chanson amoureuse" (Sketch for the dome above the escalier des fêtes in the Hotel de Ville, Paris, between 1888 and 1899), showcases the artist's exceptional talent in capturing the essence of love and music. The composition features a female allegorical figure, adorned with flowing robes and a crown, accompanied by cherubs, symbolizing amorini or cupids, at the southern landing of the grand staircase in Paris's Town Hall, or Hôtel de Ville. Schommer's masterful use of color and oil paint brings the scene to life, with the female figure's rosy cheeks and the cherubs' rosy complexions and delicate wings adding an angelic touch. The allegorical figure represents the concept of love song, while the cherubs, with their mischievous grins and playful poses, embody the joy and innocence of love. This sketch is a testament to the artistic school of the late 19th century, with its intricate details and attention to detail. The use of pencil and cardboard as preliminary tools is evident in the rough lines and textures, while the final product is a stunning oil painting that would have adorned the walls of a grand institution such as the Petit Palais or one of Paris's many museums. The sketch invites us to imagine the grandeur of the completed mural, which would have graced the interior of the Hôtel de Ville, adding to its already impressive collection of interior decoration and design. With its timeless themes of love and music, Schommer's sketch remains a cherished piece of French heritage art, showcasing the beauty and richness of Paris's artistic past.

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