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Seated Youth Wearing a Monk's Habit: Study for Saint Benedict, 1590. Creator: Bartolomeo Cesi

Seated Youth Wearing a Monk's Habit: Study for Saint Benedict, 1590. Creator: Bartolomeo Cesi


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Seated Youth Wearing a Monk's Habit: Study for Saint Benedict, 1590. Creator: Bartolomeo Cesi

Seated Youth Wearing a Monk's Habit: Study for Saint Benedict, 1590

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Media ID 36214312

© Heritage Art/Heritage Images

Habit Monk Monks Red Chalk White Chalk Youth


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> Arts > Artists > C > Bartolomeo Cesi

> Arts > Realistic drawings > Figure drawing > Fine art portraits


EDITORS COMMENTS
Seated Youth Wearing a Monk's Habit: Study for Saint Benedict," is a captivating red chalk drawing by the renowned 16th century Italian artist, Bartolomeo Cesi. This masterpiece, created in the year 1590, is currently housed at the Art Institute of Chicago, and is a testament to the rich artistic heritage of Italy during the Renaissance period. The drawing depicts a young man seated with a pensive expression, dressed in the monk's habit of Saint Benedict. The monk's robe, with its intricate folds and textures, is expertly rendered in red chalk, heightened with touches of white chalk on blue laid paper squared in black and red chalk. The figure is set against a plain background, allowing the meticulous details of the clothing to take center stage. The use of color in this drawing is minimal, yet effective. The red chalk creates a sense of warmth and depth, while the blue paper adds a cool, calming contrast. The youth's face, with its subtle shading and expressive eyes, conveys a deep sense of introspection and spirituality. This study for a Saint Benedict painting is a prime example of Cesi's exceptional draftsmanship and his ability to capture the essence of his subjects with remarkable precision and detail. It is a fascinating glimpse into the artistic traditions and cultural practices of the time, and a reminder of the enduring influence of Italian art on the world. The drawing is a must-see for anyone interested in the history of art, fashion, or religious iconography. It is a valuable addition to the extensive collections of the Art Institute of Chicago, and a testament to the institution's commitment to preserving and showcasing the world's artistic heritage.

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