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Samson Captured by the Philistines, First Half of 17th cen. Creator: De Ferrari, Orazio (1607-1657)
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Samson Captured by the Philistines, First Half of 17th cen. Creator: De Ferrari, Orazio (1607-1657)
Samson Captured by the Philistines, First Half of 17th cen. Found in the collection of the Palazzo Ducale, Genova
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Media ID 36240851
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Book Of Judges De Ferrari Delilah Genova Palazzo Ducale Philistines Samson Samson Und Delilah School Of Genoa Shimshon Simson Talmud Tanakh Old Testament
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EDITORS COMMENTS
Samson Captured by the Philistines," an exquisite masterpiece painted by the renowned Baroque artist Orazio De Ferrari in the first half of the 17th century, is a captivating depiction of a pivotal moment from the Old Testament's Book of Judges. This oil on canvas painting, currently housed in the esteemed Palazzo Ducale in Genova, Italy, showcases the biblical hero Samson in the throes of defeat at the hands of the cunning Philistines. De Ferrari's masterful brushstrokes bring the biblical narrative to life, with Samson's muscular form struggling against his captors. Delilah, the betrayer, is depicted in the background, her expression a mix of triumph and treachery as she looks on at the scene unfolding before her. The artist's use of chiaroscuro, or the contrast between light and dark, adds depth and drama to the image, drawing the viewer's eye to the central figure of Samson. The painting is a testament to De Ferrari's skill as a painter and his deep understanding of the Old Testament narrative. The School of Genoa, to which De Ferrari belonged, was known for its emphasis on dramatic storytelling and emotional intensity, and this painting is a prime example of that style. The painting's inclusion in the collection of the Palazzo Ducale is a source of great pride for the people of Genova and a reminder of the rich artistic heritage of the region. The image of Samson being captured by the Philistines is a well-known one in both Jewish and Christian traditions, with the story appearing in the Tanakh (Hebrew Bible) and the Talmud, as well as in the New Testament's Book of Hebrews. The painting serves as a visual representation of the hero's tragic downfall and the ultimate triumph of good over evil, making it a powerful and enduring work of art.
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