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Saint John the Baptist, 1475. Creator: Alvise Vivarini

Saint John the Baptist, 1475. Creator: Alvise Vivarini


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Saint John the Baptist, 1475. Creator: Alvise Vivarini

Saint John the Baptist, 1475

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Media ID 38693497

© Heritage Art/Heritage Images

1470s Architectural Style Bare Chested Barechested Cloak Curly Hair John St John The Baptist St Late Gothic Looking Up Martyr Martyrdom Museo Nacional Thyssen Bornemisza Museo Thyssen Bornemisza Pointing Prophet Saint John Saint John The Baptist Saint John The Forerunner Saint John The Precursor Semi Dress Semi Naked Semi Nude St John St John Baptist St John The Baptist Tempera And Oil On Panel Tempera On Panel Thyssen Bornemisza Collection Thyssen Bornemisza Museum Venetian Venice Italy Europe Gold Background Santo


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> Architecture > Country > Italy > Venice

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Italy > Veneto > Venice

> Religious Art > Religious Architecture


EDITORS COMMENTS
**Saint John the Baptist (1475)** In this exquisite oil on panel painting from Italian artist Alvise Vivarini (c.1432-1503), Saint John the Baptist is depicted in a moment of contemplation, his eyes raised heavenward as if seeking divine guidance. The late Gothic style architectural background, adorned with intricate stone carvings and ornate details, serves as a striking contrast to the saint's simple yet powerful attire. Vivarini masterfully captures the essence of Saint John's character through his expressive features: the curly hair framing his face, the gentle slope of his bare chested torso, and the subtle hand gesture that conveys a sense of introspection. The artist also employs a range of colors to create depth and dimensionality in this portrait - from the rich greens and blues used for Saint John's cloak to the warm golden tones illuminating his skin. This image is part of Italy's cultural heritage, now preserved at Museo Nacional Thyssen-Bornemisza. It serves as a testament not only to Vivarini's skillful brushwork but also to the enduring legacy of Christian iconography in art history.

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