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Portrait de Mademoiselle d'Adhémar, 1883. Creator: Henry Cros

Portrait de Mademoiselle d'Adhémar, 1883. Creator: Henry Cros


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Portrait de Mademoiselle d'Adhémar, 1883. Creator: Henry Cros

Portrait de Mademoiselle d'Adhemar, 1883

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Media ID 36240213

© Heritage Art/Heritage Images

Action Childhood Fallen Falling Hand On Head Miniskirt Neo Impressionism Neo Impressionist Refusal Refusing Skirt Upside Down Wood Material Paris Museums Petit Palais Posture


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> Arts > Art Movements > Impressionism

> Arts > Contemporary art > Portraits > Impressionism

> Arts > Impressionist paintings > Impressionism paintings > Impressionist art

> Arts > Impressionist paintings > Impressionism paintings

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings > Impressionist art

> Arts > Impressionist paintings

> Arts > Still life artwork > Oil paintings > Impressionist art

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Still life artwork > Portrait painting > Impressionist paintings


EDITORS COMMENTS
Portrait de Mademoiselle d'Adhémar, painted by French artist Henry Cros in 1883, captivates viewers with its enigmatic portrayal of a young girl in a blue dress. The Neo-Impressionist masterpiece, now housed in Paris's Petit Palais Museum, showcases Cros' exceptional use of oil on wood technique. The girl, dressed in a fall-colored miniskirt and blouse, sits on a wooden chair with a book in her lap, her hand resting on her head in a thoughtful pose. Her expression conveys a sense of childhood innocence, yet there is an underlying current of refusal or contemplation in her posture. The upside-down color palette of the background, reminiscent of Impressionist and Post-Impressionist styles, adds to the painting's intrigue. The fallen or falling fabric of her skirt and the folds of her dress further emphasize the fluidity and texture of Cros' brushwork. This evocative portrait, with its rich heritage and timeless appeal, continues to inspire and intrigue art lovers and scholars alike.

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