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Portrait of Gerolamo Venier, Knight of Malta, c. 1580. Creator: Tintoretto, Jacopo (1518-1594)
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Portrait of Gerolamo Venier, Knight of Malta, c. 1580. Creator: Tintoretto, Jacopo (1518-1594)
Portrait of Gerolamo Venier, Knight of Malta, c. 1580. Found in the collection of the Accademia Carrara, Bergamo
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Media ID 36245109
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Accademia Carrara Bergamo Chevaliers Of Malta Hospitalier Hospitaliers Hospitaller Hospitallers Jacopo 1518 1594 Knight Of Malta Knight Of Rhodes Knight Of Saint John Knighthood Knights Hospitaller Knights Of Malta Knights Of Rhodes Knights Templar Maltese Cross Order Of Hospitallers Order Of Malta Order Of The Temple Templar Templars Templiers Tintoretto Venetian School
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EDITORS COMMENTS
This stunning portrait, titled "Portrait of Gerolamo Venier, Knight of Malta," is a masterpiece by the renowned Venetian artist Jacopo Tintoretto, created around 1580. The subject of the painting is Gerolamo Venier, a nobleman from Venice who was a member of the Sovereign Order of Saint John of Jerusalem, also known as the Knights Hospitaller or Knights of Malta. The Knights Hospitaller were an ancient religious and military order founded in Jerusalem in the 11th century, dedicated to the care of pilgrims and the protection of the Holy Land. Gerolamo Venier is depicted wearing the distinctive red mantle and white habit of the Knights Hospitaller, adorned with the iconic Maltese cross. He wears a plume hat, a sign of his knighthood, and holds a sword in his right hand, symbolizing his military duties. The painting showcases Tintoretto's exceptional use of chiaroscuro, with the strong contrast between the dark background and the brightly lit subject, creating a dramatic effect that emphasizes Gerolamo's noble stature. The portrait is a testament to the rich history and influence of the Knights Hospitaller in Europe during the Renaissance period. The Order, which was headquartered in Malta from 1530, had significant political and military power, and its members were respected throughout Europe. This painting is a valuable addition to the collection of the Accademia Carrara in Bergamo, Italy, and is an excellent example of the Venetian School of painting during the late 16th century.
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