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The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469. Creator: Uccello, Paolo (1397-1475)

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469. Creator: Uccello, Paolo (1397-1475)


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The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in... 1465-1469. Creator: Uccello, Paolo (1397-1475)

The Miracle of the Desecrated Host (Predella Panel for the church of Corpus Domini in Urbino), 1465-1469. Found in the collection of the Galleria nazionale delle Marche, Urbino

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Media ID 36224079

© Fine Art Images/Heritage Images

Florentine School Galleria Nazionale Delle Marche Paolo 1397 1475 Tempera On Panel Uccello Urbino


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> Arts > Art Movements > Renaissance Art

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> Arts > Artists > U > Paolo Uccello

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> Europe > Italy > Marche > Urbino

> Europe > Italy > Paintings

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian renaissance art

> Renaissance art


The Miracle of the Desecrated Host,

EDITORS COMMENTS
a masterpiece by the Florentine artist Paolo Uccello, is a captivating predella panel dating back to 1465-1469, now housed in the esteemed Galleria nazionale delle Marche in Urbino, Italy. This tempera on panel painting showcases Uccello's exceptional skill and his profound understanding of the Renaissance artistic style. The scene portrayed in this artwork is derived from a biblical account, where the Eucharist, represented by the Host, is believed to have miraculously survived desecration and remained intact. In Uccello's interpretation, the Host is shown suspended in mid-air, surrounded by a group of astonished onlookers. The figure of a man, presumably the perpetrator of the desecration, is depicted in the foreground, his expression one of shock and awe as he witnesses the miracle unfolding before his eyes. The intricate details and precise perspective in this painting are characteristic of Uccello's distinctive artistic style. The use of light and shadow adds depth and dimension to the composition, while the vivid colors and meticulous brushwork bring the figures and the scene to life. The overall effect is one of wonder and reverence, inviting the viewer to contemplate the miraculous power of the Eucharist. This painting, a testament to Uccello's artistic genius, is a significant addition to the rich artistic heritage of the Florentine School and the Galleria nazionale delle Marche. Its intriguing subject matter and exquisite execution continue to captivate and inspire viewers, making it a must-see for anyone interested in the history of art and the Renaissance period.

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